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Chapter 14 - Romeo and Juliet and Queer Temporality in Three Twenty-first-century Streaming Web-Series

from Part III - Serial and Queer Romeo and Juliets

Published online by Cambridge University Press:  10 October 2023

Victoria Bladen
Affiliation:
University of Queensland
Sarah Hatchuel
Affiliation:
University Paul-Valéry Montpellier
Nathalie Vienne-Guerrin
Affiliation:
University Paul-Valéry Montpellier
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Summary

This chapter uses a transmedia approach to compare three international web-series adaptations of Romeo and Juliet: Romeu and Romeu (Brazil, 2016), Rome and Juliet (USA, 2017), and Romil and Jugal (India, 2018/2019), arguing that these shows use transmedia conventions to foreground how they re-write the Shakespearean text. All three shows included at least one protagonist with aspirations to succeed in the performing arts, and included lines from that play as set pieces. All three altered Shakespeare’s tragic ending to conclude with young people who feel supported within their sexuality and with previously hostile families reconciled. But the shows also added additional identity markers – whether of caste, language, social class, able-bodiedness, region or career aspirations – to the conflicts faced by their youthful protagonists, and some of these identity markers overshadowed the romantic plot to such an extent that none of these endings is 'happy' in a traditional or fairy-tale sense. I conclude that the transmedia characteristics of these shows make these adaptations ‘queer’.

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Publisher: Cambridge University Press
Print publication year: 2023

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