Book contents
- Shakespeare Survey
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- ‘Think when we talk of horses … ’
- In Dialogue with Ayanna Thompson
- Shakespeare and the Novel: A Conversation
- ‘Music Still’: Understanding and Reconstructing Shakespeare’s Use of Musical Underscore
- Remembering and Forgetting in 1916: Israel Gollancz, the Shakespeare Tercentenary and the National Theatre
- Four Centuries of Centenaries: Stratford-upon-Avon
- Writing and Re-writing Shakespeare’s Life: A Roundtable Discussion with Margreta de Grazia, Katherine Scheil, James Shapiro and Stanley Wells
- The Merchant in Venice: Re-creating Shakespeare in the Ghetto
- Shakespeare’s The Merchant of Venice in and beyond the Ghetto
- What the Quills Can Tell: The Case of John Fletcher and Philip Massinger’s Love’s Cure
- What if Greg and Werstine Had Examined Early Modern Spanish Dramatic Manuscripts?
- Exit Manuscripts: The Archive of Theatre and the Archive of Print
- ‘’Sblood!’: Hamlet’s Oaths and the Editing of Shakespeare’s Plays
- Antihonorificabilitudinitatibus: Love’s Labour’s Lost and Unteachable Words
- Shakespeare and Who? Aeschylus, Edward III and Thomas Kyd
- Authorial Attribution and Shakespearean Variety: Genre, Form and Chronology
- ‘My mother’s maids, when they did sew and spin’: Staging Sewing, Telling Tales
- Why Prospero Drowned His Books, and Other Catholic Folklore
- Why Did the English Stage Take Boys for Actresses?
- Acting Amiss: Towards a History of Actorly Craft and Playhouse Judgement
- ‘What imports this song?’: Spontaneous Singers and Spaces of Meaning in Shakespeare
- Shakespeare’s Depriving Particles
- Shakespeare’s Comedy of Upright Status: Standing Bears and Fallen Humans
- ‘Worth the name of a Christian’?: The Parabolic Economy of The Two Gentlemen of Verona
- ‘Titus, unkind’: Shakespeare’s Revision of Virgil’s Aeneas in Titus Andronicus
- ‘Cut him out in little stars’: Juliet’s Cute Classicism
- The Will of Caesar: Choice-making, the Death of the Roman Republic and the Development of Shakespearean Character
- ‘As for that light hobby-horse, my sister’: Shakespearean Influences and Popular Discourses in Blurt Master Constable
- Messianic Ugliness in A Midsummer Night’s Dream and The Winter’s Tale
- Shakespeare Performances in England, 2016
- Professional Shakespeare Productions in the British Isles, January–December 2015
- The Year’s Contribution to Shakespeare Studies
- 1. Critical Studies
- 2. The Cambridge Guide to the Worlds of Shakespeare
- 3. Shakespeare in Performance
- 4. Editions and Textual Studies
- Abstracts of Articles in Shakespeare Survey 70
- Shakespeare Survey 70 Index
- References
1. Critical Studies
from The Year’s Contribution to Shakespeare Studies
Published online by Cambridge University Press: 30 November 2017
Edited by
Book contents
- Shakespeare Survey
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- ‘Think when we talk of horses … ’
- In Dialogue with Ayanna Thompson
- Shakespeare and the Novel: A Conversation
- ‘Music Still’: Understanding and Reconstructing Shakespeare’s Use of Musical Underscore
- Remembering and Forgetting in 1916: Israel Gollancz, the Shakespeare Tercentenary and the National Theatre
- Four Centuries of Centenaries: Stratford-upon-Avon
- Writing and Re-writing Shakespeare’s Life: A Roundtable Discussion with Margreta de Grazia, Katherine Scheil, James Shapiro and Stanley Wells
- The Merchant in Venice: Re-creating Shakespeare in the Ghetto
- Shakespeare’s The Merchant of Venice in and beyond the Ghetto
- What the Quills Can Tell: The Case of John Fletcher and Philip Massinger’s Love’s Cure
- What if Greg and Werstine Had Examined Early Modern Spanish Dramatic Manuscripts?
- Exit Manuscripts: The Archive of Theatre and the Archive of Print
- ‘’Sblood!’: Hamlet’s Oaths and the Editing of Shakespeare’s Plays
- Antihonorificabilitudinitatibus: Love’s Labour’s Lost and Unteachable Words
- Shakespeare and Who? Aeschylus, Edward III and Thomas Kyd
- Authorial Attribution and Shakespearean Variety: Genre, Form and Chronology
- ‘My mother’s maids, when they did sew and spin’: Staging Sewing, Telling Tales
- Why Prospero Drowned His Books, and Other Catholic Folklore
- Why Did the English Stage Take Boys for Actresses?
- Acting Amiss: Towards a History of Actorly Craft and Playhouse Judgement
- ‘What imports this song?’: Spontaneous Singers and Spaces of Meaning in Shakespeare
- Shakespeare’s Depriving Particles
- Shakespeare’s Comedy of Upright Status: Standing Bears and Fallen Humans
- ‘Worth the name of a Christian’?: The Parabolic Economy of The Two Gentlemen of Verona
- ‘Titus, unkind’: Shakespeare’s Revision of Virgil’s Aeneas in Titus Andronicus
- ‘Cut him out in little stars’: Juliet’s Cute Classicism
- The Will of Caesar: Choice-making, the Death of the Roman Republic and the Development of Shakespearean Character
- ‘As for that light hobby-horse, my sister’: Shakespearean Influences and Popular Discourses in Blurt Master Constable
- Messianic Ugliness in A Midsummer Night’s Dream and The Winter’s Tale
- Shakespeare Performances in England, 2016
- Professional Shakespeare Productions in the British Isles, January–December 2015
- The Year’s Contribution to Shakespeare Studies
- 1. Critical Studies
- 2. The Cambridge Guide to the Worlds of Shakespeare
- 3. Shakespeare in Performance
- 4. Editions and Textual Studies
- Abstracts of Articles in Shakespeare Survey 70
- Shakespeare Survey 70 Index
- References
Summary
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- Shakespeare Survey 70Creating Shakespeare, pp. 340 - 355Publisher: Cambridge University PressPrint publication year: 2017
References
Works Reviewed
Calvo, Clara and Kahn, Coppelia, eds., Celebrating Shakespeare, Commemoration and Cultural Memory (Cambridge, 2015)Google Scholar
Crawforth, Hannah and Scott-Baumann, Elizabeth, On Shakespeare’s Sonnets, A Poet’s Celebration (London, 2016)Google Scholar
Frank, Marcie, Goldberg, Jonathan and Newman, Karen, eds., This Distracted Globe: Worldmaking in Early Modern Literature (New York, 2016)CrossRefGoogle Scholar
Karreman, Isabel, The Drama of Memory in Shakespeare’s History Plays (Cambridge, 2015)CrossRefGoogle Scholar
Kirwan, Peter, Shakespeare and the Idea of Apocrypha: Negotiating the Boundaries of the Dramatic Canon (Cambridge, 2015)Google Scholar
Ostovich, Helen, Syme, Holger Schott and Griffin, Andre, eds., Locating the Queen’s Men, 1583–1603 (Ashgate, 2016)Google Scholar
Smith, Emma, Shakespeare’s First Folio: Four Centuries of an Iconic Book (Oxford, 2016)Google Scholar
Sullivan, Erin, Beyond Melancholy, Sadness and Selfhood in Renaissance England (Oxford, 2016)Google Scholar
Vienne-Guerrin, Nathalie, Shakespeare’s Insults: A Pragmatic Dictionary (London, 2016)Google Scholar
Walsh, Brian, Unsettled Toleration, Religious Difference on the Shakespearean Stage (Oxford, 2016)Google Scholar
White, R. S., Houlahan, Mark and O’Loughlin, Katrina, eds., Shakespeare and Emotions, Inheritances, Enactments, Legacies (Palgrave, 2015)Google Scholar