Book contents
- Shakespeare Survey
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- Remembering shakespeare’s Sonnets in Lucy Negro, Redux
- The Poetics of Antiquarian Accumulation in a Lover’s Complaint
- Different Samenesses
- Shakespeare’s Canvas
- ‘Persuasion by Similitude’: Finding Likeness in Shakespeare’s a Lover’s Complaint
- ‘Nothing-to-be-glossed-here’: Race in Shakespeare’s Sonnets
- Allegorical Desire, or, the Sufi ‘Phoenix and the Turtle’
- The Poetics of Shakespearian Erasure: Lyric Thinking with Bhanu Kapil and Preti Taneja
- Lucrece, Letters and the Moment of Lipsius
- Shakespeare’s Arabic Sonnets
- How to make a Formal Complaint: Sara Ahmed’s Complaint! and William Shakespeare’s a Lover’s Complaint
- They also Serve who only Stand and Write, or, how Milton Read Shakespeare’s Sonnets
- Writing Delight with Beauty’s Pen: Restoring Richard Barnfield’s Lost Credit
- Ocular Power and Female Fascinum in Shakespeare’s Venus And Adonis
- Pretty Creatures: A Lover’s Complaint, the Rape of Lucrece and Early Modern Women’s Complaint Poetry
- Lyric Voices and Cultural Encounters Across Time and Space: The Poetry of William Shakespeare and Faiz Ahmed Faiz (1911–1984)
- The thing itself or the image of that Horror: Fictions, Fascisms and We that are young
- Shakespeare’s Refugees
- Shakespeare as a Source of Dramaturgical Reconstruction
- Shakespeare, Race, Postcoloniality: The State of the Fields
- Asian Shakespeares online from Singapore
- Strange Shadows: Translating Shakespeare – The State of the Field
- Gender and Sexuality: The State of the Fields
- Shakespeare Performances in England, 2022–2023
- Productions Outside London, 2022–2023
- Professional Shakespeare Productions in the UK, January–December 2022
- The Year’s Contribution to Shakespeare Studies
- 1. Critical Studies
- 2. Editions and Textual Studies
- Abstracts of Articles in Shakespeare Survey 77
- Index
- References
2. - Editions and Textual Studies
from The Year’s Contribution to Shakespeare Studies
Published online by Cambridge University Press: 07 November 2024
Book contents
- Shakespeare Survey
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- Remembering shakespeare’s Sonnets in Lucy Negro, Redux
- The Poetics of Antiquarian Accumulation in a Lover’s Complaint
- Different Samenesses
- Shakespeare’s Canvas
- ‘Persuasion by Similitude’: Finding Likeness in Shakespeare’s a Lover’s Complaint
- ‘Nothing-to-be-glossed-here’: Race in Shakespeare’s Sonnets
- Allegorical Desire, or, the Sufi ‘Phoenix and the Turtle’
- The Poetics of Shakespearian Erasure: Lyric Thinking with Bhanu Kapil and Preti Taneja
- Lucrece, Letters and the Moment of Lipsius
- Shakespeare’s Arabic Sonnets
- How to make a Formal Complaint: Sara Ahmed’s Complaint! and William Shakespeare’s a Lover’s Complaint
- They also Serve who only Stand and Write, or, how Milton Read Shakespeare’s Sonnets
- Writing Delight with Beauty’s Pen: Restoring Richard Barnfield’s Lost Credit
- Ocular Power and Female Fascinum in Shakespeare’s Venus And Adonis
- Pretty Creatures: A Lover’s Complaint, the Rape of Lucrece and Early Modern Women’s Complaint Poetry
- Lyric Voices and Cultural Encounters Across Time and Space: The Poetry of William Shakespeare and Faiz Ahmed Faiz (1911–1984)
- The thing itself or the image of that Horror: Fictions, Fascisms and We that are young
- Shakespeare’s Refugees
- Shakespeare as a Source of Dramaturgical Reconstruction
- Shakespeare, Race, Postcoloniality: The State of the Fields
- Asian Shakespeares online from Singapore
- Strange Shadows: Translating Shakespeare – The State of the Field
- Gender and Sexuality: The State of the Fields
- Shakespeare Performances in England, 2022–2023
- Productions Outside London, 2022–2023
- Professional Shakespeare Productions in the UK, January–December 2022
- The Year’s Contribution to Shakespeare Studies
- 1. Critical Studies
- 2. Editions and Textual Studies
- Abstracts of Articles in Shakespeare Survey 77
- Index
- References
Summary
2023 saw the release of an updated edition of the New Cambridge Romeo and Juliet, featuring a new Introduction by Hester Lees-Jeffries; engaging minigraphs on Shakespeare, Malone and the Problems of Chronology and Facsimiles and the History of Shakespeare Editing, written by Tiffany Stern and Paul Salzman, respectively; and Heidi Craig’s and Sarah Ledwidge’s studies which offered exciting new evidence to revise our understanding of the status of Shakespeare’s works in the book trade between the 1640s and early 1660s. 2023 was, of course, the quatercentenary of the Shakespeare ‘First Folio’, a milestone marked by an ‘Anniversary’ special issue of Shakespeare Quarterly entitled ‘On Shakespeare’s First Folio and Early Modern Critical Race Studies’, guest edited by Noémie Ndiaye.
- Type
- Chapter
- Information
- Shakespeare Survey 77Shakespeare's Poetry, pp. 333 - 344Publisher: Cambridge University PressPrint publication year: 2024
References
Works Reviewed
Adams, Brandi K., ‘“Whither are you bound”: the publication and shaping of Shakespeare in 1623 and 1923’, Shakespeare Quarterly 74 (2023), 190–203CrossRefGoogle Scholar
Craig, Heidi, Theatre Closure and the Paradoxical Rise of English Renaissance Drama in the Civil Wars (Cambridge, 2023)CrossRefGoogle Scholar
Ledwidge, Sarah, ‘From boards to books: the circulation of Shakespearean songs in manuscript and print during the Interregnum’, in Performing Restoration Shakespeare, ed. Eubanks, Amanda Winkler, Claude Fretz, Richard Schoch, (Cambridge, 2023), 15–37CrossRefGoogle Scholar
Lees-Jeffries, Hester, and Blakemore Evans, G., eds., Romeo and Juliet, 3rd ed. (Cambridge, 2023)Google Scholar
Ndiaye, Noémie, guest ed., Shakespeare Quarterly 74, ‘Anniversary’ Special Issue: On Shakespeare’s First Folio and Early Modern Critical Race Studies (2023)CrossRefGoogle Scholar
Salzman, Paul, Facsimiles and the History of Shakespeare Editing (Cambridge, 2023)CrossRefGoogle Scholar
Smith, Emma, Shakespeare’s First Folio: Four Centuries of an Iconic Book, 2nd ed. (Oxford, 2023)Google Scholar
Stern, Tiffany, Shakespeare, Malone and the Problems of Chronology (Cambridge, 2023)CrossRefGoogle Scholar
Weissbourd, Emily, ‘Shakespeare from the bottom: transnationalism, unfounded whiteness, and the First Folio’, Shakespeare Quarterly 74 (2023), 204–16CrossRefGoogle Scholar