Book contents
- Frontmatter
- Shakespeare’s Romances: 1900–1957
- The Structure of the Last Plays
- Six Points of Stage-Craft in The Winter’s Tale
- History and Histrionics in Cymbeline
- Shakespeare’s Hand in The Two Noble Kinsmen
- Music and its Function in the Romances of Shakespeare
- The Magic of Prospero
- The New Way with Shakespeare’s Texts: An Introduction for Lay Readers
- A Portrait of a Moor
- The Funeral Obsequies of Sir All-in-New-Fashions
- Martin Peerson and the Blackfriars
- Dramatic References from the Scudamore Papers
- International Notes
- Hamlet Costumes: A Correction
- Shakespeare Productions in the United Kingdom: 1956
- Unto Caesar: A Review of Recent Productions
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Books Received
- Index to Volume 11
- General Index to Volumes 1-10
- Plate Section
Martin Peerson and the Blackfriars
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- Shakespeare’s Romances: 1900–1957
- The Structure of the Last Plays
- Six Points of Stage-Craft in The Winter’s Tale
- History and Histrionics in Cymbeline
- Shakespeare’s Hand in The Two Noble Kinsmen
- Music and its Function in the Romances of Shakespeare
- The Magic of Prospero
- The New Way with Shakespeare’s Texts: An Introduction for Lay Readers
- A Portrait of a Moor
- The Funeral Obsequies of Sir All-in-New-Fashions
- Martin Peerson and the Blackfriars
- Dramatic References from the Scudamore Papers
- International Notes
- Hamlet Costumes: A Correction
- Shakespeare Productions in the United Kingdom: 1956
- Unto Caesar: A Review of Recent Productions
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Books Received
- Index to Volume 11
- General Index to Volumes 1-10
- Plate Section
Summary
Since the Blackfriars playhouse was famous for its music, it is interesting to find a musician among the sharers in the Revels company early in the reign of James Ⅰ. Martin Peerson wrote music for the voice, and it is possible—though this is conjecture—that he may have helped train the boys’ voices and may have composed or arranged songs for the Blackfriars, as Marston, another sharer, wrote plays. The Children of the Chapel began to act at the Blackfriars in 1600, when Richard Burbage leased the theatre to Henry Evans. On Twelfth Night, 1600/1, the boys presented before Queen Elizabeth “a showe with musycke and speciall songes”. Songs star their plays, from Cynthia’s Revels and Poetaster to The Knight of the Burning Pestle. Their patent of 1610, after the boys had left the Blackfriars to the King’s Men, includes the name of another musician, Philip Rosseter.
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- Chapter
- Information
- Shakespeare Survey With Index 1-10 , pp. 100 - 106Publisher: Cambridge University PressPrint publication year: 1958