Book contents
- Frontmatter
- The Ancient World in Shakespeare: Authenticity or Anachronism? A Retrospect
- ‘A Piece of Skilful Painting’ in Shakespeare’s Lucrece
- Philomel in Titus Andronicus and Cymbeline
- Apuleius and the Bradleian Tragedies
- ‘The Choice of Hercules’ in Antony and Cleopatra
- Structure, Inversion, and Game in Shakespeare’s Classical World
- Truth and utterance in The Winter’s Tale
- Adumbrations of The Tempest in A Midsummer Night’s Dream
- The Old Honor and the New Courtesy: 1 Henry IV
- Henry V: the Chorus and The Audience
- ‘The Devil’s Party’: Virtues and Vices in Measure for Measure
- Shakespeare and the Healing Power of Deceit
- Shakespeare’s Man Descending a Staircase: Sonnets 126 to 154
- A New View of Bankside
- Comedies and Histories at Two Stratfords, 1977
- Tamburlaine the Great Re-discovered
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Textual Studies
- General Index to Surveys 22–30
- Index
- Plate Section
Adumbrations of The Tempest in A Midsummer Night’s Dream
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- The Ancient World in Shakespeare: Authenticity or Anachronism? A Retrospect
- ‘A Piece of Skilful Painting’ in Shakespeare’s Lucrece
- Philomel in Titus Andronicus and Cymbeline
- Apuleius and the Bradleian Tragedies
- ‘The Choice of Hercules’ in Antony and Cleopatra
- Structure, Inversion, and Game in Shakespeare’s Classical World
- Truth and utterance in The Winter’s Tale
- Adumbrations of The Tempest in A Midsummer Night’s Dream
- The Old Honor and the New Courtesy: 1 Henry IV
- Henry V: the Chorus and The Audience
- ‘The Devil’s Party’: Virtues and Vices in Measure for Measure
- Shakespeare and the Healing Power of Deceit
- Shakespeare’s Man Descending a Staircase: Sonnets 126 to 154
- A New View of Bankside
- Comedies and Histories at Two Stratfords, 1977
- Tamburlaine the Great Re-discovered
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Textual Studies
- General Index to Surveys 22–30
- Index
- Plate Section
Summary
As long ago as 1747, William Warburton, in his edition of Shakespeare, began his first note on The Tempest with the following words:
These two first plays, The Tempest and the Midsummer-night’s Dream, are the noblest Efforts of that sublime and amazing Imagination, peculiar to Shakespear, which soars above the Bounds of Nature without forsaking Sense: or, more properly, carries Nature along with him beyond her established Limits.
(Vol. I, p.3)Yet even at the time when Warburton was writing the similarity between the two plays in this respect was already a commonplace of criticism, going back at least as far as Nicholas Rowe's 'Some Account of the Life, &c. of Mr. William Shakespear' (1709), where one reads:
But certainly the greatness of this Author's genius do's no where so much appear, as where he gives his imagination an entire loose, and raises his fancy to a flight above mankind and the limits of the visible world. Such are his attempts in The Tempest, Midsummer- Night's Dream, Machbeth, and Hamlet.
(Ibid., p. lviii)- Type
- Chapter
- Information
- Shakespeare Survey , pp. 77 - 84Publisher: Cambridge University PressPrint publication year: 1979