Book contents
- Frontmatter
- Shakespeare’s Narremes
- Stepping Out of Narrative Line: A Bit of Word, and Horse, Play in Venus and Adonis
- A ‘consummation devoutly to be wished’: The Erotics of Narration in Venus and Adonis
- Echoes Inhabit a Garden: The Narratives of Romeo and Juliet
- A Midsummer Night’s Dream: Comedy as Apotrope of Myth
- Plutarch, Insurrection, and Dearth in Coriolanus
- Shakespeare, Crossing the Rubicon
- Vernacular Criticism and the Scenes Shakespeare Never Wrote
- The Shadow of Lear’s ‘Houseless’ in Dickens
- Shakespearian Margins in George Eliot’s ‘working-day world’
- In Her Father’s Library: Margaret Fuller and the Making of the American Miranda
- The Magician in Love
- Narrative Approaches to Shakespeare: Active Storytelling in Schools
- Monsters, Magicians, Movies: The Tempest and the Final Frontier
- Shakespeare’s Self-Repetitions and King John
- Inside Othello
- The View of London from the North and the Playhouses in Holywell
- Measured Endings: How Productions from 1720 to 1929 Close Shakespeare’s Open Silences in Measure for Measure
- Shakespearian Utopias
- Shakespeare Performances in England, 1999
- Professional Shakespeare Productions in the British Isles January–December 1998
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Editions and Textual Studies
- Books Received
- Index
A ‘consummation devoutly to be wished’: The Erotics of Narration in Venus and Adonis
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- Shakespeare’s Narremes
- Stepping Out of Narrative Line: A Bit of Word, and Horse, Play in Venus and Adonis
- A ‘consummation devoutly to be wished’: The Erotics of Narration in Venus and Adonis
- Echoes Inhabit a Garden: The Narratives of Romeo and Juliet
- A Midsummer Night’s Dream: Comedy as Apotrope of Myth
- Plutarch, Insurrection, and Dearth in Coriolanus
- Shakespeare, Crossing the Rubicon
- Vernacular Criticism and the Scenes Shakespeare Never Wrote
- The Shadow of Lear’s ‘Houseless’ in Dickens
- Shakespearian Margins in George Eliot’s ‘working-day world’
- In Her Father’s Library: Margaret Fuller and the Making of the American Miranda
- The Magician in Love
- Narrative Approaches to Shakespeare: Active Storytelling in Schools
- Monsters, Magicians, Movies: The Tempest and the Final Frontier
- Shakespeare’s Self-Repetitions and King John
- Inside Othello
- The View of London from the North and the Playhouses in Holywell
- Measured Endings: How Productions from 1720 to 1929 Close Shakespeare’s Open Silences in Measure for Measure
- Shakespearian Utopias
- Shakespeare Performances in England, 1999
- Professional Shakespeare Productions in the British Isles January–December 1998
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Editions and Textual Studies
- Books Received
- Index
Summary
In a poem written no more than four years after the publication of Venus and Adonis, Thomas Nashe dramatizes that most humiliating of masculine moments – premature ejaculation. In the poem, variously known as ‘The choise of valentines’ or, more popularly (and in the early MSS), as ‘Nashe his Dildo’, the first-person narrator visits ‘mistris Francis’, a high-class and expensive prostitute, who ‘in hir velvet goune’s, / And ruffs, and periwigs as fresh as Maye / Can not be kept with half a croune a daye’ (lines 64–6). The narrator, deciding that this is money well spent, describes her overwhelming performance:
. . . she sprung full lightlie to my lips,
And fast about the neck me colle’s and clips.
She wanton faint’s, and falle’s upon hir bed,
And often tosseth too and fro hir head.
She shutts hir eyes, and waggles with hir tongue:
Oh, who is able to abstaine so long?
I com, I com; sweete lyning be thy leave,
Softlie my fingers, up theis curtaine, heave
And make me happie stealing by degreese. . . .
A prettie rysing wombe without a weame [blemish],
That shone as bright as anie silver streame;
And bare out lyke the bending of an hill,
At whose decline a fountaine dwelleth still,
That hath his mouth besett with uglie bryers
Resembling much a duskie nett of wyres.
A loftie buttock barred with azure veine’s
Whose comelie swelling, when my hand distreine’s,
Or wanton checketh with a harmeless stype,
It makes the fruites of love eftsoone be rype;
And pleasure pluckt too tymelie from the stemme
To dye ere it hath scene Jerusalem.
(lines 93–120)- Type
- Chapter
- Information
- Shakespeare SurveyAn Annual Survey of Shakespeare Studies and Production, pp. 25 - 38Publisher: Cambridge University PressPrint publication year: 2000
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