Book contents
- Frontmatter
- Shakespeare and the Media of Film, Radio and Television: A Retrospect
- Shakespeare on the Screen: A Selective Filmography
- Chimes at Midnight from Stage to Screen: The Art of Adaptation
- Orson Welles’s Othello: A Study of Time in Shakespeare’s Tragedy
- Macbeth on Film: Politics
- Representing King Lear on Screen: From Metatheatre to ‘Meta-cinema’
- Verbal-Visual, Verbal-Pictorial or Textual-Televisual? Reflections on the BBC Shakespeare Series
- Two Types of Television Shakespeare
- Shakespeare on Radio
- The Dismemberment of Orpheus: Mythic Elements in Shakespeare’s Romances
- Remembering Hamlet: or, How it Feels to Go Like a Crab Backwards
- ‘Then murder’s out of tune’: The Music and Structure of Othello
- The 'Aeneid' in 'The Tempest'
- The Living Dramatist and Shakespeare: A Study of Shakespeare’s Influence on Wole Soyinka
- Shakespeare at Stratford, Ontario: The John Hirsch years
- Shakespeare Performances in London and Stratford-upon-Avon 1984–5
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Editions and Textual Studies
- Index
3 - Editions and Textual Studies
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- Shakespeare and the Media of Film, Radio and Television: A Retrospect
- Shakespeare on the Screen: A Selective Filmography
- Chimes at Midnight from Stage to Screen: The Art of Adaptation
- Orson Welles’s Othello: A Study of Time in Shakespeare’s Tragedy
- Macbeth on Film: Politics
- Representing King Lear on Screen: From Metatheatre to ‘Meta-cinema’
- Verbal-Visual, Verbal-Pictorial or Textual-Televisual? Reflections on the BBC Shakespeare Series
- Two Types of Television Shakespeare
- Shakespeare on Radio
- The Dismemberment of Orpheus: Mythic Elements in Shakespeare’s Romances
- Remembering Hamlet: or, How it Feels to Go Like a Crab Backwards
- ‘Then murder’s out of tune’: The Music and Structure of Othello
- The 'Aeneid' in 'The Tempest'
- The Living Dramatist and Shakespeare: A Study of Shakespeare’s Influence on Wole Soyinka
- Shakespeare at Stratford, Ontario: The John Hirsch years
- Shakespeare Performances in London and Stratford-upon-Avon 1984–5
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Editions and Textual Studies
- Index
Summary
‘Editors engaged in modernisations of texts would be well advised to discuss their difficulties more fully in print for their mutual advantage and the formulation of some working conventions that will do the least damage.’ So wrote Fredson Bowers in 1959. In Re-Editing Shakespeare for the Modern Reader, Stanley Wells draws on his experience as General Editor of the Oxford Shakespeare to further the open discussion advocated by Bowers a quarter of a century ago and promoted by Wells himself in Modernizing Shakespeare’s Spelling. At the same time, Wells challenges the view, implicit in Bowers’s phrase ‘the least damage’, that modernized editions are inevitably less scholarly than old-spelling ones, doing greater violence to the meanings of Shakespeare’s plays. Under the chapter heading ‘Old and Modern Spelling’, Wells argues that the disadvantages of modernization have been exaggerated, and shows how specific problems, including several over proper names, may be met by ‘reasoned decisions’.
- Type
- Chapter
- Information
- Shakespeare Survey , pp. 236 - 252Publisher: Cambridge University PressPrint publication year: 1987