Book contents
- Frontmatter
- ‘Macbeth’ in the Twentieth Century
- The Criminal as Tragic Hero: Dramatic Methods
- Antithesis in ‘Macbeth’
- Why was Duncan’s Blood Golden?
- Image and Symbol in ‘Macbeth’
- ‘Macbeth’ and The Furies
- Hell-Castle and its Door-Keeper
- ‘His Fiend-Like Queen’
- The Fiend-Like Queen: A Note on ‘Macbeth’ and Seneca’s ‘Medea
- Shakespeare at Street Level
- New Findings with Regard to the 1624 Protection List
- Shakespeare Productions in the United Kingdom: 1965
- The Royal Shakespeare Company 1965
- The Year's Contributions to Shakespearian Study: 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Index
- Plate Section
Book contents
- Frontmatter
- ‘Macbeth’ in the Twentieth Century
- The Criminal as Tragic Hero: Dramatic Methods
- Antithesis in ‘Macbeth’
- Why was Duncan’s Blood Golden?
- Image and Symbol in ‘Macbeth’
- ‘Macbeth’ and The Furies
- Hell-Castle and its Door-Keeper
- ‘His Fiend-Like Queen’
- The Fiend-Like Queen: A Note on ‘Macbeth’ and Seneca’s ‘Medea
- Shakespeare at Street Level
- New Findings with Regard to the 1624 Protection List
- Shakespeare Productions in the United Kingdom: 1965
- The Royal Shakespeare Company 1965
- The Year's Contributions to Shakespearian Study: 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Index
- Plate Section
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- Shakespeare Survey , pp. i - xPublisher: Cambridge University PressPrint publication year: 1967