Book contents
- Frontmatter
- Having Our Will: Imagination in Recent Shakespeare Biographies
- Toward a New Biography of Shakespeare
- Jonson, Shakespeare and the Exorcists
- ‘Lending soft audience to my sweet design’: Shifting Roles and Shifting Readings of Shakespeare’s ‘A Lover’s Complaint’
- ‘Armed at point exactly’: The Ghost in Hamlet
- Writing About Motive: Isabella, the Duke and Moral Authority
- Writing Performance: How to Elegize Elizabethan Actors
- Elizabeth Montagu: ‘Shakespear’s poor little Critick’?
- Rewriting Lear’s Untender Daughter: Fanny Price as a Regency Cordelia in Jane Austen’s Mansfield Park
- The Prequel as Palinode: Mary Cowden Clarke’s Girlhood of Shakespeare’s Heroines
- Shakespeare Among the Workers
- Virginia Woolf Reads Shakespeare: Or, her Silence on Master William
- Shakespeare and the Invention of the Epic Theatre: Working with Brecht
- Dramatizing the Dramatist
- Shakespeare in Drama Since 1990: Vanishing Act
- Writing about [Shakespearian] performance
- Shakespeare and the Prospect of Presentism
- Writing Shakespeare in the Global Economy
- The ‘Complexion’ of Twelfth Night
- Translation as Appropriation: Vassilis Rotas, Shakespeare and Modern Greek
- How Old Were Shakespeare’s Boy Actors?
- Mistress Tale Porter and the Triumph of Time: Slander and Old Wives’ Tales in The Winter’s Tale
- Shakespeare Performances in Ireland, 2002–2004
- Shakespeare Performances in England, 2004
- Professional Shakespeare Productions in the British Isles January–December 2003
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare in Performance
- 3 Editions and Textual Studies
- Books Received
- Index
Frontmatter
Published online by Cambridge University Press: 28 March 2007
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Book contents
- Frontmatter
- Having Our Will: Imagination in Recent Shakespeare Biographies
- Toward a New Biography of Shakespeare
- Jonson, Shakespeare and the Exorcists
- ‘Lending soft audience to my sweet design’: Shifting Roles and Shifting Readings of Shakespeare’s ‘A Lover’s Complaint’
- ‘Armed at point exactly’: The Ghost in Hamlet
- Writing About Motive: Isabella, the Duke and Moral Authority
- Writing Performance: How to Elegize Elizabethan Actors
- Elizabeth Montagu: ‘Shakespear’s poor little Critick’?
- Rewriting Lear’s Untender Daughter: Fanny Price as a Regency Cordelia in Jane Austen’s Mansfield Park
- The Prequel as Palinode: Mary Cowden Clarke’s Girlhood of Shakespeare’s Heroines
- Shakespeare Among the Workers
- Virginia Woolf Reads Shakespeare: Or, her Silence on Master William
- Shakespeare and the Invention of the Epic Theatre: Working with Brecht
- Dramatizing the Dramatist
- Shakespeare in Drama Since 1990: Vanishing Act
- Writing about [Shakespearian] performance
- Shakespeare and the Prospect of Presentism
- Writing Shakespeare in the Global Economy
- The ‘Complexion’ of Twelfth Night
- Translation as Appropriation: Vassilis Rotas, Shakespeare and Modern Greek
- How Old Were Shakespeare’s Boy Actors?
- Mistress Tale Porter and the Triumph of Time: Slander and Old Wives’ Tales in The Winter’s Tale
- Shakespeare Performances in Ireland, 2002–2004
- Shakespeare Performances in England, 2004
- Professional Shakespeare Productions in the British Isles January–December 2003
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare in Performance
- 3 Editions and Textual Studies
- Books Received
- Index
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- Shakespeare Survey , pp. i - xPublisher: Cambridge University PressPrint publication year: 2005