Book contents
- Frontmatter
- Shakespeare’s Open Secret
- The Emergence of Character Criticism, 1774–1800
- Society and the Individual in Shakespeare’s Conception of Character
- Realistic Convention and Conventional Realism in Shakespeare
- On Expectation and Surprise: Shakespeare’s Construction of Character
- Shakespeare and the Ventriloquists
- The Rhetoric of Character Construction: Othello
- Characterizing Coriolanus
- The Ironic Reading of The Rape of Lucrece and the Problem of External Evidence
- The Unity of Romeo and Juliet
- No Abuse: The Prince and Falstaff in the Tavern Scenes of Henry IV
- Twelfth Night: The Experience of the Audience
- Plays and Playing in Twelfth Night
- Sceptical Visions: Shakespeare’s Tragedies and Jonson’s Comedies
- Shakespeare in Performance, 1980
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Index
- Plate Section
Book contents
- Frontmatter
- Shakespeare’s Open Secret
- The Emergence of Character Criticism, 1774–1800
- Society and the Individual in Shakespeare’s Conception of Character
- Realistic Convention and Conventional Realism in Shakespeare
- On Expectation and Surprise: Shakespeare’s Construction of Character
- Shakespeare and the Ventriloquists
- The Rhetoric of Character Construction: Othello
- Characterizing Coriolanus
- The Ironic Reading of The Rape of Lucrece and the Problem of External Evidence
- The Unity of Romeo and Juliet
- No Abuse: The Prince and Falstaff in the Tavern Scenes of Henry IV
- Twelfth Night: The Experience of the Audience
- Plays and Playing in Twelfth Night
- Sceptical Visions: Shakespeare’s Tragedies and Jonson’s Comedies
- Shakespeare in Performance, 1980
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Index
- Plate Section
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- Shakespeare Survey , pp. i - xPublisher: Cambridge University PressPrint publication year: 1982