Book contents
- Frontmatter
- Shakespeare’s Roman Plays: 1900–1956
- Shakespeare’s ‘Small Latin’—How Much?
- Shakespeare and the Elizabethan Romans
- The Metamorphosis of Violence in Titus Andronicus
- From Plutarch to Shakespeare: A Study of Coriolanus
- The Composition of Titus Andronicus
- Classical Costume in Shakespearian Productions
- Shakespeare’s Use of a Gallery over the Stage
- Lear’s Questions
- “Egregiously an Ass”: The Dark Side of the Moor. A view of Othello’s Mind
- Shakespeare in Schools
- Shakespeare Festival, Toronto, Canada
- International Notes
- Shakespeare Productions in the United Kingdom: 1955
- Drams of Eale, A Review of Recent Productions
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Books Received
- Index
- Plate Section
International Notes
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- Shakespeare’s Roman Plays: 1900–1956
- Shakespeare’s ‘Small Latin’—How Much?
- Shakespeare and the Elizabethan Romans
- The Metamorphosis of Violence in Titus Andronicus
- From Plutarch to Shakespeare: A Study of Coriolanus
- The Composition of Titus Andronicus
- Classical Costume in Shakespearian Productions
- Shakespeare’s Use of a Gallery over the Stage
- Lear’s Questions
- “Egregiously an Ass”: The Dark Side of the Moor. A view of Othello’s Mind
- Shakespeare in Schools
- Shakespeare Festival, Toronto, Canada
- International Notes
- Shakespeare Productions in the United Kingdom: 1955
- Drams of Eale, A Review of Recent Productions
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Books Received
- Index
- Plate Section
Summary
A selection has been made from the reports received from our correspondents, those which present material of a particularly interesting kind being printed wholly or largely in their entirety. It should be emphasized that the choice of countries to be thus represented has depended on the nature of the information presented in the reports, not upon either the importance of the countries concerned or upon the character of the reports themselves.
Australia
There have been no notable professional productions of Shakespeare's plays by Australian companies since the disbanding of John Alden's company in 1953 (vol. 6), and Michael Langham's presentation of Richard III (vol. 7). This is not to disparage the work of the 'Little' Theatres in all the capital cities and the efforts of small towns such as Swan Hill, Victoria; yet it has to be understood that these are amateur productions with sometimes a professional producer and a professional radio actor in the lead, but always suffering from under-rehearsal and lack of stage equipment and of an adequate wardrobe.
- Type
- Chapter
- Information
- Shakespeare Survey , pp. 115 - 122Publisher: Cambridge University PressPrint publication year: 1957