Book contents
- Frontmatter
- The Open Stage: Elizabethan or Existentialist?
- The Lantern of Taste
- Was there a Typical Elizabethan Stage?
- On Reconstructing a Practicable Elizabethan Public Playhouse
- The Discovery-space in Shakespeare’s Globe
- ‘Passing over the Stage’
- The Actor at the Foot of Shakespeare’s Platform
- Elizabethan Stage-Practice and the Transmutation of Source Material by the Dramatists
- The Maddermarket Theatre and the Playing of Shakespeare
- Actors and Scholars: A View of Shakespeare in the Modern Theatre
- Cleopatra as Isis
- Shakespeare’s Friends: Hathaways and Burmans at Shottery
- Illustrations of Social Life II: A Butcher and some Social Pests
- International Notes
- Shakespeare Productions in the United Kingdom: 1957
- The Whirligig of Time, A Review of Recent Productions
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Books Received
- Index
- Plate Section
International Notes
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- The Open Stage: Elizabethan or Existentialist?
- The Lantern of Taste
- Was there a Typical Elizabethan Stage?
- On Reconstructing a Practicable Elizabethan Public Playhouse
- The Discovery-space in Shakespeare’s Globe
- ‘Passing over the Stage’
- The Actor at the Foot of Shakespeare’s Platform
- Elizabethan Stage-Practice and the Transmutation of Source Material by the Dramatists
- The Maddermarket Theatre and the Playing of Shakespeare
- Actors and Scholars: A View of Shakespeare in the Modern Theatre
- Cleopatra as Isis
- Shakespeare’s Friends: Hathaways and Burmans at Shottery
- Illustrations of Social Life II: A Butcher and some Social Pests
- International Notes
- Shakespeare Productions in the United Kingdom: 1957
- The Whirligig of Time, A Review of Recent Productions
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Books Received
- Index
- Plate Section
Summary
A selection has been made from the reports received from our correspondents, those which present material of a particularly interesting kind being printed in their entirety, or largely so. It should be emphasized that the choice of countries to be thus represented has depended on the nature of the information presented in the reports, not upon either the importance of the countries concerned or upon the character of the reports themselves.
Australia
In each of the Australian capital cities, the major Shakespearian production of 1957 was the Australian Elizabethan Theatre Trust Drama Company's Hamlet, with the visiting English actor Paul Rogers in the title role. Production was by Hugh Hunt. Reviews were generally favourable.
Probably none of the large cities was without other productions of Shakespeare during the year. In Sydney, for example, the Independent Theatre gave performances of both Macbeth (produced by Owen Weingott, with Leonard Teale, Patricia Hill and David Burnie in the leading roles) and The Merchant of Venice (produced by John Alden, with Patricia Hill as Portia, and Owen Weingott as Shylock).
- Type
- Chapter
- Information
- Shakespeare Survey , pp. 109 - 118Publisher: Cambridge University PressPrint publication year: 1959