Book contents
- Frontmatter
- ‘Richard II’ and the Realities of Power
- The Politics of Corruption in Shakespeare’s England
- Literature without Philosophy: ‘Antony and Cleopatra’
- Self-consciousness in Montaigne and Shakespeare
- ‘Measure for Measure’: The Bed-trick
- Shakespeare and the Doctrine of the Unity of Time
- ‘Coriolanus’ and the Body Politic
- ‘Titus Andronicus’, iii, i, 298–9
- ‘The Merchant of Venice’ and the Pattern of Romantic Comedy
- The Integrity of ‘Measure for Measure’
- ‘To Say One’: An Essay on ‘Hamlet’
- ‘The Tempest’ and King James’s ‘Daemonologie’
- Sight-lines in a Conjectural Reconstruction of an Elizabethan Playhouse
- The Smallest Season: The Royal Shakespeare Company at Stratford in 1974
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Textual Studies
- Index
- Plate section
‘Measure for Measure’: The Bed-trick
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- ‘Richard II’ and the Realities of Power
- The Politics of Corruption in Shakespeare’s England
- Literature without Philosophy: ‘Antony and Cleopatra’
- Self-consciousness in Montaigne and Shakespeare
- ‘Measure for Measure’: The Bed-trick
- Shakespeare and the Doctrine of the Unity of Time
- ‘Coriolanus’ and the Body Politic
- ‘Titus Andronicus’, iii, i, 298–9
- ‘The Merchant of Venice’ and the Pattern of Romantic Comedy
- The Integrity of ‘Measure for Measure’
- ‘To Say One’: An Essay on ‘Hamlet’
- ‘The Tempest’ and King James’s ‘Daemonologie’
- Sight-lines in a Conjectural Reconstruction of an Elizabethan Playhouse
- The Smallest Season: The Royal Shakespeare Company at Stratford in 1974
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Textual Studies
- Index
- Plate section
Summary
Helena won Bertram by a trick; in response he submitted formally to the contract, told his bride how he despised her and fled, preferring the grim visage of war to Helena’s fair face; she pursued him and, by another trick, won him once more, and at last acquainted him with the felicity he seemed unable to perceive for himself.
Claudio got Juliet with child before their marriage contract had been solemnized, and so became liable to the biting laws of Vienna. Isabel conceded the viciousness of his act but interceded on his behalf to Angelo. Angelo in return made Isabel an offer: ' Submit to my lust and your brother lives.' The Duke suggested that Mariana, whose contract with Angelo had not been solemnized, should secretly take the place of Isabel in Angelo's bed. Isabel welcomed this suggestion. And so the knot of the comedy is untied.
Both of these stories, told thus in the barest language, are already tense and uncomfortable, before we endow the agents with any richness of character or psychological depth. I therefore reject the view that all our disgust in watching or reading these plays arises from an illicit, post-romantic urge to psychologize the agents. At the same time, it is equally clear that if we do allow the agents any richness of personality, the disgust becomes more acute.
- Type
- Chapter
- Information
- Shakespeare Survey , pp. 51 - 56Publisher: Cambridge University PressPrint publication year: 1975
- 3
- Cited by