Book contents
- Frontmatter
- Before the Shakespeare Revolution: Developments in the Study of Nineteenth-Century Shakespearian Production
- The Meininger Company and English Shakespeare
- Shakespeare at the Burgtheater: From Heinrich Anschütz to Josef Kainz
- Shakespeare on the Melbourne Stage, 1843-61
- Shakespeare in Hazlitt’s Theatre Criticism
- Characterization of the Four Young Lovers in A Midsummer Night’s Dream
- Queenly Shadows: On Mediation in Two Comedies
- Language, Theme, and Character in Twelfth Night
- The Art of the Comic Duologue in Three Plays by Shakespeare
- ‘Spanish’ Othello: The Making of Shakespeare’s Moor
- Ferdinand and Miranda at Chess
- Shakespeare’s Latin Citations: The Editorial Problem
- The Theatre at Christ Church, Oxford, in 1605
- Interpretations of Shakespearian Comedy, 1981
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Index
- Plate Section
The Meininger Company and English Shakespeare
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- Before the Shakespeare Revolution: Developments in the Study of Nineteenth-Century Shakespearian Production
- The Meininger Company and English Shakespeare
- Shakespeare at the Burgtheater: From Heinrich Anschütz to Josef Kainz
- Shakespeare on the Melbourne Stage, 1843-61
- Shakespeare in Hazlitt’s Theatre Criticism
- Characterization of the Four Young Lovers in A Midsummer Night’s Dream
- Queenly Shadows: On Mediation in Two Comedies
- Language, Theme, and Character in Twelfth Night
- The Art of the Comic Duologue in Three Plays by Shakespeare
- ‘Spanish’ Othello: The Making of Shakespeare’s Moor
- Ferdinand and Miranda at Chess
- Shakespeare’s Latin Citations: The Editorial Problem
- The Theatre at Christ Church, Oxford, in 1605
- Interpretations of Shakespearian Comedy, 1981
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Index
- Plate Section
Summary
The visit of the ducal company from Saxe-Meiningen to Drury Lane in 1881 received a great deal of advance publicity in the London press and continuous journalistic attention throughout a stay in May, June, and July of eight weeks, extended from the intended seven. Ever since 1874, when the company under the direction of Georg II and his stage manager Ludwig Chronegk created a sensation in Berlin with Julius Caesar and other productions, the Meininger players had established a substantial European reputation with tours to several major cities, including Vienna, Budapest, Prague, and Amsterdam. Their reputation had travelled ahead of them to London; thus the interest and publicity attached to the fact that they chose to open in Shakespeare with Julius Caesar and Twelfth Night. In all they gave fifty-six performances in those eight weeks: sixteen of Julius Caesar, two of Twelfth Night, seven of The Winter’s Tale, and collectively thirty-one more of Schiller’s Wilhelm Tell, Die Räuber, Fiesko, and other mainly German plays. The company in London numbered eighty, and supers were recruited locally, principally Germans living in London who, with a much better education than the average English super, were paid correspondingly more.
- Type
- Chapter
- Information
- Shakespeare Survey , pp. 13 - 20Publisher: Cambridge University PressPrint publication year: 1982