Book contents
- Frontmatter
- An Obligation to Shakespeare and the Public
- Our Closeness to Shakespeare
- The Popularity of Shakespeare: An Examination of the Royal Shakespeare Theatre’s Repertory
- Shakespeare and the Fashion of These Times
- An Approach to Shakespearian Tragedy: The ‘Actor’ Image in Macbeth
- Shakespeare’s Impact Today in France
- Shakespeare and the Modern World
- Modern ‘Theatrical’ Translations of Shakespeare
- Shakespeare as ‘Corrupter of Words’
- Shakespeare in Ghana
- ‘Timon of Athens’
- Who Strutted and Bellowed?
- Shakespeare in Planché’s Extravaganzas
- ‘Our Will Shakespeare’ and Lope de Vega: An Unrecorded Contemporary Document
- Shakespeare and the Mask
- International Notes
- Shakespeare Productions in the United Kingdom: 1961
- Acting Shakespeare Today. A review of performances at the Royal Shakespeare Theatre, August 1962
- Canada’s Achievement
- 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Books Received
- Index
- Plate section
‘Our Will Shakespeare’ and Lope de Vega: An Unrecorded Contemporary Document
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- An Obligation to Shakespeare and the Public
- Our Closeness to Shakespeare
- The Popularity of Shakespeare: An Examination of the Royal Shakespeare Theatre’s Repertory
- Shakespeare and the Fashion of These Times
- An Approach to Shakespearian Tragedy: The ‘Actor’ Image in Macbeth
- Shakespeare’s Impact Today in France
- Shakespeare and the Modern World
- Modern ‘Theatrical’ Translations of Shakespeare
- Shakespeare as ‘Corrupter of Words’
- Shakespeare in Ghana
- ‘Timon of Athens’
- Who Strutted and Bellowed?
- Shakespeare in Planché’s Extravaganzas
- ‘Our Will Shakespeare’ and Lope de Vega: An Unrecorded Contemporary Document
- Shakespeare and the Mask
- International Notes
- Shakespeare Productions in the United Kingdom: 1961
- Acting Shakespeare Today. A review of performances at the Royal Shakespeare Theatre, August 1962
- Canada’s Achievement
- 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Books Received
- Index
- Plate section
Summary
In 1562 a famous poet, Lope de Vega, was born in Catholic Spain; two years later another famous poet, William Shakespeare, was born in Protestant England. Any fresh documentary record concerning either of these writers would, of course, have its own value; that value would be increased if the names of the two authors were linked; and the document’s value would become still more if it were found to have been penned by a man intimately associated with the one or the other. The possibility of finding such a document today might well seem to be remote, yet it has been my good fortune to unearth a hitherto unrecorded note which does precisely this.
The library of Balliol College, Oxford, possesses a copy of the third edition of Lope de Vega's Rimas, a duodecimo printed at Madrid in 1613. On the fly-leaf at the front of this copy is a short inscription which apparently has so far escaped notice. It reads as follows:
Will Baker: Knowinge
that Mr Mab: was to
sende you this Booke
of sonets, wch with Spaniards
here is accounted of their
lope de Vega as in Englande
wee sholde of or: Will
Shakespeare. I colde not
but insert thus much to
you, that if you like
him not, you muste neuer
neuer reade Spanishe Poet
Leo: Digges- Type
- Chapter
- Information
- Shakespeare Survey , pp. 118 - 120Publisher: Cambridge University PressPrint publication year: 1963
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