Book contents
- Frontmatter
- Shakespeare’s Middle Comedies: A Generation of Criticism
- ‘Perfect Types of Womanhood’: Rosalind, Beatrice and Viola in Victorian Criticism and Performance
- The Stage Representation of the ‘Kill Claudio’ Sequence in Much Ado About Nothing
- As You Like It Adapted: Charles Johnson’s Love in a Forest
- Social Relations and the Social Order in Much Ado About Nothing
- Sexual Disguise in As You Like It and Twelfth Night
- Twelfth Night and the Myth of Echo and Narcissus
- ‘Smiling at grief’: Some Techniques of Comedy in Twelfth Night and Così Fan Tutte
- ‘My Lady’s a Catayan, we are politicians, Maluolios a Peg-a-ramsie’ (Twelfth Night II, iii, 77-8)
- The Importance of Being Marcade
- A Hebrew Source for The Merchant of Venice
- The Marriage Contracts in Measure for Measure: A Reconsideration
- Richard III: Antecedents of Clarence’s Dream
- Deep Plots and Indiscretions in ‘The Murder of Gonzago’
- ‘What is’t to leave betimes?’ Proverbs and Logic in Hamlet
- The Tempest: Language and Society
- Pictorial Evidence for a Possible Replica of the London Fortune Theatre in Gdansk
- A Year of Comedies: Stratford 1978
- The Year's Contributions to Shakespearian Study: 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Index
- Plate section
Book contents
- Frontmatter
- Shakespeare’s Middle Comedies: A Generation of Criticism
- ‘Perfect Types of Womanhood’: Rosalind, Beatrice and Viola in Victorian Criticism and Performance
- The Stage Representation of the ‘Kill Claudio’ Sequence in Much Ado About Nothing
- As You Like It Adapted: Charles Johnson’s Love in a Forest
- Social Relations and the Social Order in Much Ado About Nothing
- Sexual Disguise in As You Like It and Twelfth Night
- Twelfth Night and the Myth of Echo and Narcissus
- ‘Smiling at grief’: Some Techniques of Comedy in Twelfth Night and Così Fan Tutte
- ‘My Lady’s a Catayan, we are politicians, Maluolios a Peg-a-ramsie’ (Twelfth Night II, iii, 77-8)
- The Importance of Being Marcade
- A Hebrew Source for The Merchant of Venice
- The Marriage Contracts in Measure for Measure: A Reconsideration
- Richard III: Antecedents of Clarence’s Dream
- Deep Plots and Indiscretions in ‘The Murder of Gonzago’
- ‘What is’t to leave betimes?’ Proverbs and Logic in Hamlet
- The Tempest: Language and Society
- Pictorial Evidence for a Possible Replica of the London Fortune Theatre in Gdansk
- A Year of Comedies: Stratford 1978
- The Year's Contributions to Shakespearian Study: 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Index
- Plate section
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- Publisher: Cambridge University PressPrint publication year: 1980