Book contents
- Frontmatter
- Professional Players in the Guild Hall, Stratford-upon-Avon, 1568–1597
- Reconstructing The Rose: Development of the Playhouse Building between 1587 and 1592
- The Rose and its Stages
- Philip Henslowe and the Elizabethan Court
- From Revels to Revelation: Shakespeare and the Mask
- Bride-ing the Shrew: Costumes that Matter
- ‘When Men and Women are Alone’: Framing the Taming in India
- The Crown and the Pillow: Royal Properties in Henry IV
- Humanity at Stake: Man and Animal in Shakespeare’s Theatre
- Popular Shakespeare in Japan
- ‘Philosophy in a Gorilla Suit’: Do Shakespearians Perform or Just Perform-a-tive?
- Sudokothellophobia: Writing Hypertextually, Performatively
- Living Monuments: The Spatial Politics of Shakespeare’s Rome on the Contemporary Stage
- ‘In Windsor Forest and at the Boar’s Head’: The ‘Falstaff Plays’ and English Music in the Early Twentieth Century
- Michael Bogdanov in Conversation
- The Mouse and the Urn: Re-Visions of Shakespeare from Voltaire to Ducis
- ‘I covet your skull’: Death and Desire in Hamlet
- Martin Droeshout Redivivus: Reassessing the Folio Engraving of Shakespeare
- Canonizing Shakespeare: The Passionate Pilgrim, England’s Helicon and the Question of Authenticity
- Rereading Shakespeare: The Example of Richard Brathwait
- Shakespeare Performances in England, 2006: January 2006
- Professional Shakespeare Productions in the British Isles January–December 2005
- he Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare in Performance
- 3 Editions and Textual Studies
- Index
Professional Players in the Guild Hall, Stratford-upon-Avon, 1568–1597
Published online by Cambridge University Press: 28 November 2007
- Frontmatter
- Professional Players in the Guild Hall, Stratford-upon-Avon, 1568–1597
- Reconstructing The Rose: Development of the Playhouse Building between 1587 and 1592
- The Rose and its Stages
- Philip Henslowe and the Elizabethan Court
- From Revels to Revelation: Shakespeare and the Mask
- Bride-ing the Shrew: Costumes that Matter
- ‘When Men and Women are Alone’: Framing the Taming in India
- The Crown and the Pillow: Royal Properties in Henry IV
- Humanity at Stake: Man and Animal in Shakespeare’s Theatre
- Popular Shakespeare in Japan
- ‘Philosophy in a Gorilla Suit’: Do Shakespearians Perform or Just Perform-a-tive?
- Sudokothellophobia: Writing Hypertextually, Performatively
- Living Monuments: The Spatial Politics of Shakespeare’s Rome on the Contemporary Stage
- ‘In Windsor Forest and at the Boar’s Head’: The ‘Falstaff Plays’ and English Music in the Early Twentieth Century
- Michael Bogdanov in Conversation
- The Mouse and the Urn: Re-Visions of Shakespeare from Voltaire to Ducis
- ‘I covet your skull’: Death and Desire in Hamlet
- Martin Droeshout Redivivus: Reassessing the Folio Engraving of Shakespeare
- Canonizing Shakespeare: The Passionate Pilgrim, England’s Helicon and the Question of Authenticity
- Rereading Shakespeare: The Example of Richard Brathwait
- Shakespeare Performances in England, 2006: January 2006
- Professional Shakespeare Productions in the British Isles January–December 2005
- he Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare in Performance
- 3 Editions and Textual Studies
- Index
Summary
The following article summarizes professional theatre in Stratford-upon-Avon in the years from 1568 to 1597, a period when payments for more than thirty visits to the town by travelling companies are recorded in the Minutes and Accounts of the Corporation of Stratford-Upon-Avon. Stratford was, in the years in question, a fairly average Midlands town with a population of 1500–2000. It may therefore stand for any number of towns visited by travelling companies, an aspect of England’s theatre culture being progressively revealed by volumes in the Records of Early English Drama series. The present discussion is indebted to the generosity of Alan Somerset, editor of the forthcoming Warwickshire volume, who has allowed me to quote from his unpublished work. I am also much indebted to Sally-Beth MacLean, whose remarkable The Queen’s Men and their Plays, written with the late Scott McMillin, has set a scholarly standard for everyone working in the field. Published studies by Andrew Gurr and Siobhan Keenan have made my own immeasurably more modest enquiries possible. Research by Edgar I. Fripp, J. O. Halliwell, Richard Savage, Levi Fox and John Tucker Murray, sometimes neglected by today’s scholars, has been called on, as well as recent historical and sociological studies by Robert Bearman and others. I am grateful to Margaret Shewring for scholarly and practical help.
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- Information
- Shakespeare Survey , pp. 1 - 22Publisher: Cambridge University PressPrint publication year: 2007