Book contents
- Frontmatter
- Shakespeare and Politics
- Language, Politics, and Poverty in Shakespearian Drama
- Some Versions of Coup d’état, Rebellion and Revolution
- Woman, Language, and History in The Rape of Lucrece
- Love in Venice
- Two Kingdoms for Half-a-Crown
- ‘Fashion it thus’: Julius Caesar and the Politics of Theatrical Representation
- ’Demystifying the Mystery of State’: King Lear and the World Upside Down
- Tragedy, King Lear, and the Politics of the Heart
- The Politics of Shakespeare Production
- Shakespeare in the Trenches
- Shakespeare’s Earliest Editor, Ralph Crane
- Shakespeare’s Falconry
- Telling the Story of Shakespeare’s Playhouse World
- Shakespeare Performances in England, 1989–90
- Professional Shakespeare Productions in the British Isles January-December 1989
- Critical Studies
- Shakespeare’s Life, Times, and Stage
- Editions and Textual Studies
- Books Received
- Index
Professional Shakespeare Productions in the British Isles January-December 1989
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- Shakespeare and Politics
- Language, Politics, and Poverty in Shakespearian Drama
- Some Versions of Coup d’état, Rebellion and Revolution
- Woman, Language, and History in The Rape of Lucrece
- Love in Venice
- Two Kingdoms for Half-a-Crown
- ‘Fashion it thus’: Julius Caesar and the Politics of Theatrical Representation
- ’Demystifying the Mystery of State’: King Lear and the World Upside Down
- Tragedy, King Lear, and the Politics of the Heart
- The Politics of Shakespeare Production
- Shakespeare in the Trenches
- Shakespeare’s Earliest Editor, Ralph Crane
- Shakespeare’s Falconry
- Telling the Story of Shakespeare’s Playhouse World
- Shakespeare Performances in England, 1989–90
- Professional Shakespeare Productions in the British Isles January-December 1989
- Critical Studies
- Shakespeare’s Life, Times, and Stage
- Editions and Textual Studies
- Books Received
- Index
Summary
Information is taken from programmes, supplemented by reviews, held in the Birmingham Shakespeare Library. Details have been verified wherever possible, but the nature of the material prevents corroboration in every case. The list includes a selection of interesting adaptations, but does not attempt to be comprehensive in this area.
ALL'S WELL THAT ENDS WELL
Argonaut Theatre Company, Rheingold Club, London: May 1989
Director: James Barlow
Helena: Anne Roderick
Bertram: Adrian Bull
The RSC at the Royal Shakespeare Theatre, Stratford: 28 Sept. 1989—
Director: Barry Kyle
Designer: Chris Dyer
Music: Jeremy Sams
Helena: Patricia Kerrigan
Bertram: Paul Venables
ANTONY AND CLEOPATRA
The British Actors Theatre Company, Wimbledon Theatre and tour: 11 Oct. 1989—
Directed and designed by the company
Antony: Bernard Lloyd
Cleopatra: Kate O'Mara
Octavius: Peter Woodward
Traditional period costumes and set.
Adaptation
Cleopatra and Antony, adapted from Shakespeare by ATC
Actors Touring Company at the Brewhouse, Taunton and tour: 2 Feb.—3 June 1989
Director: Malcolm Edwards
Designer: Paul Brown
Cleopatra: Pauline Black
Antony: Patrick Wilde
A feminist adaptation exploring the fascination of Cleopatra.
- Type
- Chapter
- Information
- Shakespeare Survey , pp. 191 - 204Publisher: Cambridge University PressPrint publication year: 1991