Book contents
- Frontmatter
- The Reception of Hamlet
- ‘Hamlet, Revenge!’: The Uses and Abuses of Historical Criticism
- Revision by Excision: Rewriting Gertrude
- Gazing at Hamlet, or the Danish Cabaret
- ‘He’s Going to his Mother’s Closet’: Hamlet and Gertrude on Screen
- Shakespeare Rewound
- Freud’s Hamlet
- ‘Pray you, undo this button’: Implications of ‘Un-’ in King Lear
- Marx and Shakespeare
- Peter Street, 1553–1609: Builder of Playhouses
- Shakespeare Performances in England 1990–1
- Professional Shakespeare Productions in the British Isles, January–December 1990
- 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Editions and Textual Studies
- Books Received
- Index
Professional Shakespeare Productions in the British Isles, January–December 1990
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- The Reception of Hamlet
- ‘Hamlet, Revenge!’: The Uses and Abuses of Historical Criticism
- Revision by Excision: Rewriting Gertrude
- Gazing at Hamlet, or the Danish Cabaret
- ‘He’s Going to his Mother’s Closet’: Hamlet and Gertrude on Screen
- Shakespeare Rewound
- Freud’s Hamlet
- ‘Pray you, undo this button’: Implications of ‘Un-’ in King Lear
- Marx and Shakespeare
- Peter Street, 1553–1609: Builder of Playhouses
- Shakespeare Performances in England 1990–1
- Professional Shakespeare Productions in the British Isles, January–December 1990
- 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Editions and Textual Studies
- Books Received
- Index
Summary
Most of the productions listed are by professional companies, but some amateur productions and adaptations are included. Information is taken from programmes supplemented by reviews held in the Birmingham Shakespeare Library. Details have been verified wherever possible, but the nature of the material prevents corroboration in every case.
ALL'S WELL THAT ENDS WELL
The RSC at the Barbican, London: 24 March 1990-
Transfer from Stratford. See Shakespeare Survey 44, pp. 191, 158-61
Theatre Set Up, Forty Hall, Enfield and tour: 14 June 1990—
Director: Wendy McPhee
Helena: Jennifer Draper
AS YOU LIKE IT
The RSC at the Barbican, London: 5 April 1990-
Transfer from Stratford. See Shakespeare Survey 44, pp. 192, 161-3
Next Stage Company, St Augustine's Hall, London: 24 April—5 May 1990
Director: Valerie Doulton
Designers: Katie Beresford and Jane Davies
Benefit at the Garrick, 13 May.
Polesden Lacey Open Air Theatre: June 1990
Producer: Joan Macalpine
Designer: Tim Shortall
Music: Chris Parry
Rosalind: Sandra Berkin
A semi-professional production.
The Everyman Theatre, Liverpool: 27 September- 27 October 1990
Director: John Doyle
Designer: Elizabeth Ascroft
Music, Duke Senior, Duke Frederick: Graeme du Fresne
Rosalind: Susan Curnow
Celia: Phillida Hancock
Jaques: Susan Jane Tanner
Touchstone: Peter Russell
A modern-dress production with some rather idiosyncratic casting, but good reviews. The seating in the auditorium was removed, and the audience sat in groups among the trees of the Forest of Arden.
Graeme du Fresne played both Dukes and provided the music.
- Type
- Chapter
- Information
- Shakespeare Survey , pp. 145 - 158Publisher: Cambridge University PressPrint publication year: 1992