Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-dh8gc Total loading time: 0 Render date: 2024-11-12T20:12:37.693Z Has data issue: false hasContentIssue false

Professional Shakespeare Productions in the British Isles January–December 2001

Published online by Cambridge University Press:  28 March 2007

Peter Holland
Affiliation:
University of Notre Dame, Indiana
Get access

Summary

Most of the productions listed are by professional companies, but some amateur productions are included. The information is taken from Touchstone (http://www.touchstone.bham.ac.uk), a Shakespeare website maintained by the Shakespeare Institute Library. Touchstone includes a monthly list of current and forthcoming UK Shakespeare productions from listings information. The Traffic of the Stage database, also available on Touchstone, archives UK Shakespeare production information since January 1999, correlating information from listings with reviews held in the Shakespeare Institute Library. The websites provided for theatre companies were accurate at the time of going to press.

All’s Well that Ends Well

Stamford Shakespeare Company. Tolethorpe Hall, Stamford: 1 June – 28 July

http://www.stamfordshakespeare.co.uk

Amateur Shakespeare production.

As You Like It

Royal Shakespeare Company. The Pit, London: 2 January – 7 February 2001. http://www.rsc.org.uk

Transfer from Royal Shakespeare Theatre: March 2000

Director: Gregory Doran

Designer: Kaffe Fassett, Niki Turner

Rosalind: Alexandra Gilbreath

British Touring Shakespeare Company. Open-air touring production: 23 June – 3 August 2001.

http://www.btsc.homestead.com

Director: Miles Gregory

Creation Theatre Company and Oxford Stage Company. Magdalen College School Grounds, Oxford: 16 July – 1 September 2001. Open-air production. http://www.creationtheatre.co.uk

Director: Charlotte Conquest

Type
Chapter
Information
Shakespeare Survey
An Annual Survey of Shakespeare Studies and Production
, pp. 287 - 299
Publisher: Cambridge University Press
Print publication year: 2003

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×