Book contents
- Frontmatter
- Shakespeare and Sexuality
- As Who Liked It?
- Malvolio and the Eunuchs: Texts and Revels in Twelfth Night
- The Scandal of Shakespeare’s Sonnets
- Weaving and Writing in Othello
- ‘That’s She that was Myself’: Not-so-Famous Last Words and Some Ends of Othello
- ‘The Catastrophe is a Nuptial’: The Space of Masculine Desire in Othello, Cymbeline, and The Winter’s Tale
- Reconstructing The Winter’s Tale
- Late Shakespeare: Style and the Sexes
- The Virgin Not: Language and Sexuality in Shakespeare
- Fleshing his Will in the Spoil of her Honour: Desire, Misogyny, and the Perils of Chivalry
- Bowdler and Britannia: Shakespeare and the National Libido
- Shakespeare and the Ten Modes of Scepticism
- Shakespeare Performances in England, 1992
- Professional Shakespeare Productions in the British Isles, January-December 1991
- 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Editions and Textual Studies
- Books Received
- Index
Shakespeare and Sexuality
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- Shakespeare and Sexuality
- As Who Liked It?
- Malvolio and the Eunuchs: Texts and Revels in Twelfth Night
- The Scandal of Shakespeare’s Sonnets
- Weaving and Writing in Othello
- ‘That’s She that was Myself’: Not-so-Famous Last Words and Some Ends of Othello
- ‘The Catastrophe is a Nuptial’: The Space of Masculine Desire in Othello, Cymbeline, and The Winter’s Tale
- Reconstructing The Winter’s Tale
- Late Shakespeare: Style and the Sexes
- The Virgin Not: Language and Sexuality in Shakespeare
- Fleshing his Will in the Spoil of her Honour: Desire, Misogyny, and the Perils of Chivalry
- Bowdler and Britannia: Shakespeare and the National Libido
- Shakespeare and the Ten Modes of Scepticism
- Shakespeare Performances in England, 1992
- Professional Shakespeare Productions in the British Isles, January-December 1991
- 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Editions and Textual Studies
- Books Received
- Index
Summary
Sexuality must not be thought of as a kind of natural given which power tries to hold in check, or as an obscure domain which knowledge tries gradually to uncover. It is the name that can be given to a historical construct: not a furtive reality that is difficult to grasp, but a great surface network in which the stimulation of bodies, the intensification of pleasures, the incitement to discourse, the formation of special knowledges, the strengthening of controls and resistances, are linked to one another, in accordance with a few major strategies of knowledge and power.
The history of sexuality supposes two ruptures if one tries to center it on mechanisms of repression. The first, occurring in the course of the seventeenth century, was characterized by the advent of the great prohibitions, the exclusive promotion of adult marital sexuality, the imperatives of decency, the obligatory concealment of the body, the reduction to silence and mandatory reticences of language. The second, a twentieth-century phenomenon, was really less a rupture than an inflexion of the curve: this was the moment when the mechanisms of repression were seen as beginning to loosen their grip; one passed from insistent sexual taboos to a relative tolerance with regard to prenuptial or extramarital relations; the disqualification of 'perverts' diminished, their condemnation by law was in part eliminated; a good many of the taboos that weighed on the sexuality of children were lifted.
Michel Foucault, The History of Sexuality, volume i (1976), translated by Robert Hurley (Penguin, 1990), pp. 105-6 and p. 115.- Type
- Chapter
- Information
- Shakespeare Survey , pp. 1 - 8Publisher: Cambridge University PressPrint publication year: 1993