Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-j824f Total loading time: 0 Render date: 2024-11-12T20:18:27.956Z Has data issue: false hasContentIssue false

2. - Shakespeare in Performance

from The Year’s Contribution to Shakespeare Studies

Published online by Cambridge University Press:  13 October 2016

Peter Holland
Affiliation:
University of Notre Dame, Indiana
Get access
Type
Chapter
Information
Shakespeare Survey , pp. 462 - 474
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works reviewed

Anderegg, Michael, Lincoln and Shakespeare (Lawrence, KA, 2015)CrossRefGoogle Scholar
Boecker, Bettina, Imagining Shakespeare’s Original Audiences, 1660–2000: Groundlings, Gallants, Grocers (Basingstoke, 2015)CrossRefGoogle Scholar
Callow, Simon, Orson Welles: One Man Band (London, 2015)Google Scholar
Croall, Jonathan, Performing King Lear. Gielgud to Russell Beale (London, 2015)CrossRefGoogle Scholar
Gurr, Andrew, and Karim-Cooper, Farah, eds., Moving Shakespeare Indoors: Performance and Repertoire in the Jacobean Playhouse (Cambridge, 2015)Google Scholar
Hansen, Adam, and Wetmore, Kevin J. Jr, eds., Shakespearean Echoes (Basingstoke, 2015)CrossRefGoogle Scholar
Hartley, Andrew James, ed., Shakespeare on the University Stage (Cambridge, 2015)Google Scholar
Hatchuel, Sarah, and Vienne-Guerin, Nathalie, eds., Shakespeare on Screen: Othello (Cambridge, 2015)CrossRefGoogle Scholar
Herold, Niels, Prison Shakespeare and the Purpose of Performance: Repentance Rituals and the Early Modern (Basingstoke, 2015)Google Scholar
Mazer, Cary M., Double Shakespeare: Emotional-Realist Acting and Contemporary Performance (Madison, WI, and Teaneck, NJ, 2015)Google Scholar
Prescott, Paul, and Sullivan, Erin, eds., Shakespeare on the Global Stage: Performance and Festivity in the Olympic Year (London, 2015)CrossRefGoogle Scholar
Price, Eoin, ‘Public’ and ‘Private’ Playhouses in Renaissance England: The Politics of Publication (Basingstoke, 2015)Google Scholar
Raw, Laurence, Theatre of the People Donald Wolfit’s Shakespearean Productions 1937–1953 (Lanham, CO, New York and London, 2016)Google Scholar
Ritchie, Fiona, Women and Shakespeare in the Eighteenth Century (Cambridge, 2014)CrossRefGoogle Scholar
Thomas, Alfred, Shakespeare, Dissent and the Cold War (Basingstoke, 2014)CrossRefGoogle Scholar
Wells, Stanley, Great Shakespeare Actors: Burbage to Branagh (Oxford, 2015 )Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×