Book contents
- Frontmatter
- Shakespeare and the Protestant Mind
- Divine [ ]sences
- ‘An alien people clutching their Gods’?: Shakespeare’s Ancient Religions
- ‘He drew the Liturgy, and framed the rites’: The Changing Role of Religious Disposition in Shakespeare's Reception
- Jonson, Shakespeare, and the Religion of Players
- The Bard and Ireland: Shakespeare’s Protestantism as Politics in Disguise
- ‘Every Good Gift From Above’ Archbishop Trench’s Tercentenary Sermon
- Anthony Munday and The Merchant of Venice
- Perfect Answers: Religious Inquisition, Falstaffian Wit
- When Suicide Becomes an Act of Honour: Julius Caesar and Hamlet in Late Nineteenth-Century Japan
- Religion in Arden
- A Wedding and Four Funerals: Conjunction and Commemoration in Hamlet
- Between Religion and Ideology: Some Russian Hamlets of the Twentieth Century
- Of Shadows and Stones: Revering and Translating ‘the Word’ Shakespeare in Mexico
- Ministers, Magistrates and the Production of ‘Order’ in Measure for Measure
- The Hebrew Who Turned Christian: The First Translator of Shakespeare into the Holy Tongue
- Shakespeare and English Performance Style: The European Context
- All At Sea: Water, Syntax, and Character Dissolution in Shakespeare
- King John, König Johann: War and Peace
- The Tempest’s Forgotten Exile
- The Old Lady, or All is Not True
- Shakespeare Performances in England, 2000
- Professional Shakespeare Productions in the British Isles January-December 1999
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Editions and Textual Studies
- Books Received
- Index
Shakespeare Performances in England, 2000
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- Shakespeare and the Protestant Mind
- Divine [ ]sences
- ‘An alien people clutching their Gods’?: Shakespeare’s Ancient Religions
- ‘He drew the Liturgy, and framed the rites’: The Changing Role of Religious Disposition in Shakespeare's Reception
- Jonson, Shakespeare, and the Religion of Players
- The Bard and Ireland: Shakespeare’s Protestantism as Politics in Disguise
- ‘Every Good Gift From Above’ Archbishop Trench’s Tercentenary Sermon
- Anthony Munday and The Merchant of Venice
- Perfect Answers: Religious Inquisition, Falstaffian Wit
- When Suicide Becomes an Act of Honour: Julius Caesar and Hamlet in Late Nineteenth-Century Japan
- Religion in Arden
- A Wedding and Four Funerals: Conjunction and Commemoration in Hamlet
- Between Religion and Ideology: Some Russian Hamlets of the Twentieth Century
- Of Shadows and Stones: Revering and Translating ‘the Word’ Shakespeare in Mexico
- Ministers, Magistrates and the Production of ‘Order’ in Measure for Measure
- The Hebrew Who Turned Christian: The First Translator of Shakespeare into the Holy Tongue
- Shakespeare and English Performance Style: The European Context
- All At Sea: Water, Syntax, and Character Dissolution in Shakespeare
- King John, König Johann: War and Peace
- The Tempest’s Forgotten Exile
- The Old Lady, or All is Not True
- Shakespeare Performances in England, 2000
- Professional Shakespeare Productions in the British Isles January-December 1999
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Editions and Textual Studies
- Books Received
- Index
Summary
In 1966 John Lennon caused an uproar by suggesting that Jesus Christ was less popular than the Beatles: in the year of the said Messiah’s official two thousandth birthday it appeared as though the profile of the man from Nazareth had been eclipsed instead by that of a man from Stratford, but no one, in Britain at least, seemed to be at all shocked. Shakespeare, chosen as Man of the Millennium by listeners to BBC Radio 4, featured at least as prominently in public celebrations of the year 2000 as did Christ: supposedly the last safe symbol of common culture for a nation increasingly committed to religious diversity, his complete plays were even acted in abbreviated versions by schoolchildren in a number of British cities (notably at the Millennium Dome in London, an edifice whose souvenir book, The Official Commemorative Album for the Millennium, devotes nearly as much space to Shakespeare as it does to religion). Shakespeare plays were selected as millennial offerings, too, by an unusually large range of theatre companies, amateur and professional.
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- Information
- Shakespeare Survey , pp. 246 - 282Publisher: Cambridge University PressPrint publication year: 2001
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