Book contents
- Frontmatter
- Shakespeare and the Eighteenth Century: Criticism and Research
- Daddy’s Girls: Shakespearian Daughters and Eighteenth-Century Ideology
- Shakespeare and Clarissa: ‘General Nature’, Genre and Sexuality
- Early Georgian Politics and Shakespeare: The Black Act and Charles Johnson’s Love in a Forest (1723)
- Race Mattered: Othello in Late Eighteenth-Century England
- From Pericles to Marina: ‘While Women are to be had for Money, Love, or Importunity’
- ‘A Thousand Twangling Instruments’: Music and The Tempest on The Eighteenth-Centruy London Stage
- Double Falsehood and the Verbal Parallels with Shelton’s Don Quixote
- Eighteenth-Century Performances of Shakespeare Recorded in the Theatrical Portraits of the Garrick Club
- Eighteenth-Century Editing, ‘Appropriation’, and Interpretation
- Shakespeare Survey: Beginnings and Continuities
- Destined Livery? Character and Person in Shakespeare
- Prejudice and Law in The Merchant of Venice
- ‘Many A Civil Monster’: Shakespeare’s Idea of the Centaur
- Shakespeare’s International Currency
- Repeopling the Globe: The Opening Season at Shakespeare’s Globe, London 1997
- Shakespeare Performances in England, 1997
- Professional Shakespeare Productions in the British Isles, January–December 1996
- TheYear's Contributions to Shakespeare Studies: 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Editions and Textual Studies
- Books Received
- Index to Volume 51
- General Index to Volumes 41–50
Shakespeare Survey: Beginnings and Continuities
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- Shakespeare and the Eighteenth Century: Criticism and Research
- Daddy’s Girls: Shakespearian Daughters and Eighteenth-Century Ideology
- Shakespeare and Clarissa: ‘General Nature’, Genre and Sexuality
- Early Georgian Politics and Shakespeare: The Black Act and Charles Johnson’s Love in a Forest (1723)
- Race Mattered: Othello in Late Eighteenth-Century England
- From Pericles to Marina: ‘While Women are to be had for Money, Love, or Importunity’
- ‘A Thousand Twangling Instruments’: Music and The Tempest on The Eighteenth-Centruy London Stage
- Double Falsehood and the Verbal Parallels with Shelton’s Don Quixote
- Eighteenth-Century Performances of Shakespeare Recorded in the Theatrical Portraits of the Garrick Club
- Eighteenth-Century Editing, ‘Appropriation’, and Interpretation
- Shakespeare Survey: Beginnings and Continuities
- Destined Livery? Character and Person in Shakespeare
- Prejudice and Law in The Merchant of Venice
- ‘Many A Civil Monster’: Shakespeare’s Idea of the Centaur
- Shakespeare’s International Currency
- Repeopling the Globe: The Opening Season at Shakespeare’s Globe, London 1997
- Shakespeare Performances in England, 1997
- Professional Shakespeare Productions in the British Isles, January–December 1996
- TheYear's Contributions to Shakespeare Studies: 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Editions and Textual Studies
- Books Received
- Index to Volume 51
- General Index to Volumes 41–50
Summary
'We are approaching the mid-year of our century, and it is time for us to take stock, to inquire what in fact we have accomplished in study and on stage, and, by considering what yet remains to be done, to direct our path for the future.' This rather Baconian sentence comes from Allardyce Nicoll's Preface to the first number of Shakespeare Survey in 1948. One of the main features of the early numbers was a 'Retrospect' on what the first fifty years of the century had contributed to some one branch of Shakespeare studies. Now, at the end of the twentieth century, after fifty years of publication, here is a brief, personal retrospect on Shakespeare Survey itself.
In the autumn of 1945 Allardyce Nicoll returned to England from his years in the United States as Professor of Drama at Yale and, during the war, working for the British Embassy in Washington. He took up his post as Professor of English Language and Literature in the University of Birmingham with very clear plans, and he carried them all out within three years. He wanted to found a Shakespeare study-centre at Stratford-upon-Avon, just over twenty miles from Birmingham, and hold there an annual international Shakespeare conference, and he wanted to found a new Shakespeare yearbook, something like but not too like the Shakespeare Jahrbuch.
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- Information
- Shakespeare Survey , pp. 141 - 146Publisher: Cambridge University PressPrint publication year: 1998