Book contents
- Frontmatter
- King Lear: A Retrospect, 1980–2000
- How Shakespeare Knew King Leir
- Contracts of Love and Affection: Lear, Old Age, and Kingship
- Headgear as a Paralinguistic Signifier in King Lear
- What becomes of the broken-hearted: King Lear and the Dissociation of Sensibility
- Lear’s Afterlife
- Songs of Madness: The Lyric Afterlife of Shakespeare’s Poor Tom
- Secularizing King Lear: Shakespeare, Tate, and the Sacred
- ‘Look on her, look’: The Apotheosis of Cordelia
- Jacob Gordin’s Mirele Efros: King Lear as Jewish Mother
- ‘How fine a play was Mrs Lear’: The Case for Gordon Bottomley’s King Lear's Wife
- Some Lears
- King Lear and Endgame
- Shakespeare in Pain: Edward Bond’s Lear and the Ghosts of History
- ‘Think about Shakespeare’: King Lear on Pacific Cliffs
- Actors, Editors, and the Annotation of Shakespearian Playscripts
- Titus Andronicus: The Classical Presence
- Julius Caesar, Machiavelli, and the Uses of History
- Scepticism and Theatre in Macbeth
- Revels End, and the Gentle Body Starts
- ‘Taking just care of the impression’: Editorial Intervention in Shakespeare's Fourth Folio, 1685
- ‘A world elsewhere’: Shakespeare in South Africa
- Shakespeare Performances in England, 2001
- Professional Shakespeare Productions in the British Isles January–December 2000
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Editions and Textual Studies (1) and (2)
- Books Received
- Index
2 - Shakespeare’s Life, Times and Stage
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- King Lear: A Retrospect, 1980–2000
- How Shakespeare Knew King Leir
- Contracts of Love and Affection: Lear, Old Age, and Kingship
- Headgear as a Paralinguistic Signifier in King Lear
- What becomes of the broken-hearted: King Lear and the Dissociation of Sensibility
- Lear’s Afterlife
- Songs of Madness: The Lyric Afterlife of Shakespeare’s Poor Tom
- Secularizing King Lear: Shakespeare, Tate, and the Sacred
- ‘Look on her, look’: The Apotheosis of Cordelia
- Jacob Gordin’s Mirele Efros: King Lear as Jewish Mother
- ‘How fine a play was Mrs Lear’: The Case for Gordon Bottomley’s King Lear's Wife
- Some Lears
- King Lear and Endgame
- Shakespeare in Pain: Edward Bond’s Lear and the Ghosts of History
- ‘Think about Shakespeare’: King Lear on Pacific Cliffs
- Actors, Editors, and the Annotation of Shakespearian Playscripts
- Titus Andronicus: The Classical Presence
- Julius Caesar, Machiavelli, and the Uses of History
- Scepticism and Theatre in Macbeth
- Revels End, and the Gentle Body Starts
- ‘Taking just care of the impression’: Editorial Intervention in Shakespeare's Fourth Folio, 1685
- ‘A world elsewhere’: Shakespeare in South Africa
- Shakespeare Performances in England, 2001
- Professional Shakespeare Productions in the British Isles January–December 2000
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Editions and Textual Studies (1) and (2)
- Books Received
- Index
Summary
For a group of books as miscellaneous as this review section attracts, no principle of organization really works, but the title’s terms ‘life’, ‘times’ and ‘stage’ are a place to start. A problem of disproportion nevertheless remains, since for obvious reasons there is little new to say about Shakespeare’s biography. This has not, however, deterred Katherine Duncan-Jones from writing Ungentle Shakespeare: Scenes from his Life. Under the imprint of Arden Shakespeare, but very much displaying the commercial auspices of Thomson Learning, the material object seems to be saying ‘this is an important book’ – large and heavy, with a very red cover, glossy pages, and numerous (often tangential) illustrations. As the title’s emphasis on ‘ungentle’ indicates, Duncan-Jones’s aim is to ‘bring Shakespeare down from the lofty isolation to which he has been customarily elevated, and to show him as a man among men, a writer among writers’, whose brilliance elicited envy rather than admiration (p. ⅹ). Further, she says her purpose is ‘to explore some of the areas of Shakespeare’s life’ neglected by Schoenbaum and others, and that she has chosen ‘generally, for preference, the road less travelled’ (p. ⅸ). In a territory as over-explored as Shakespearian biography, if a road has remained largely untravelled there is usually a good reason why so many others have avoided it.
- Type
- Chapter
- Information
- Shakespeare SurveyAn Annual Survey of Shakespeare Studies and Production, pp. 367 - 385Publisher: Cambridge University PressPrint publication year: 2002