Book contents
- Frontmatter
- The Open Stage: Elizabethan or Existentialist?
- The Lantern of Taste
- Was there a Typical Elizabethan Stage?
- On Reconstructing a Practicable Elizabethan Public Playhouse
- The Discovery-space in Shakespeare’s Globe
- ‘Passing over the Stage’
- The Actor at the Foot of Shakespeare’s Platform
- Elizabethan Stage-Practice and the Transmutation of Source Material by the Dramatists
- The Maddermarket Theatre and the Playing of Shakespeare
- Actors and Scholars: A View of Shakespeare in the Modern Theatre
- Cleopatra as Isis
- Shakespeare’s Friends: Hathaways and Burmans at Shottery
- Illustrations of Social Life II: A Butcher and some Social Pests
- International Notes
- Shakespeare Productions in the United Kingdom: 1957
- The Whirligig of Time, A Review of Recent Productions
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Books Received
- Index
- Plate Section
3 - Textual Studies
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- The Open Stage: Elizabethan or Existentialist?
- The Lantern of Taste
- Was there a Typical Elizabethan Stage?
- On Reconstructing a Practicable Elizabethan Public Playhouse
- The Discovery-space in Shakespeare’s Globe
- ‘Passing over the Stage’
- The Actor at the Foot of Shakespeare’s Platform
- Elizabethan Stage-Practice and the Transmutation of Source Material by the Dramatists
- The Maddermarket Theatre and the Playing of Shakespeare
- Actors and Scholars: A View of Shakespeare in the Modern Theatre
- Cleopatra as Isis
- Shakespeare’s Friends: Hathaways and Burmans at Shottery
- Illustrations of Social Life II: A Butcher and some Social Pests
- International Notes
- Shakespeare Productions in the United Kingdom: 1957
- The Whirligig of Time, A Review of Recent Productions
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Books Received
- Index
- Plate Section
Summary
The place of honour in the field of bibliographical and textual studies must be given to the third volume of W. W. Greg’s Bibliography, which exceeds all expectations. Devoted primarily to the collections of plays, it gives a formal description of the Pavier-Jaggard nonce collection of 1619 and the four Shakespeare Folios (pp. 1107–21; see also pp. 1249–58), with a succinct account of significant irregularities and of variant issues and reprints. The Appendix reprints wholly or in part booksellers’ lists, early play catalogues (indexed), and prefaces to plays; it also describes early private collections and gives publication lists, actor lists, and author lists (the last three indexed). Then in eighteen sections there is a wealth of information about such subjects as authors, dedications and commendations, prologues and epilogues (first lines), adaptations and drolls, court performances, people connected with the theatres such as producers, musicians, and choreographers, title-page mottoes, “Quorum fit mentio”, and “Notabilia”. This is treasure trove indeed, and there are, besides, more than a score of reproductions of engraved portraits of the playwrights.
- Type
- Chapter
- Information
- Shakespeare Survey , pp. 146 - 152Publisher: Cambridge University PressPrint publication year: 1959