Book contents
- Frontmatter
- Shakespeare’s Narremes
- Stepping Out of Narrative Line: A Bit of Word, and Horse, Play in Venus and Adonis
- A ‘consummation devoutly to be wished’: The Erotics of Narration in Venus and Adonis
- Echoes Inhabit a Garden: The Narratives of Romeo and Juliet
- A Midsummer Night’s Dream: Comedy as Apotrope of Myth
- Plutarch, Insurrection, and Dearth in Coriolanus
- Shakespeare, Crossing the Rubicon
- Vernacular Criticism and the Scenes Shakespeare Never Wrote
- The Shadow of Lear’s ‘Houseless’ in Dickens
- Shakespearian Margins in George Eliot’s ‘working-day world’
- In Her Father’s Library: Margaret Fuller and the Making of the American Miranda
- The Magician in Love
- Narrative Approaches to Shakespeare: Active Storytelling in Schools
- Monsters, Magicians, Movies: The Tempest and the Final Frontier
- Shakespeare’s Self-Repetitions and King John
- Inside Othello
- The View of London from the North and the Playhouses in Holywell
- Measured Endings: How Productions from 1720 to 1929 Close Shakespeare’s Open Silences in Measure for Measure
- Shakespearian Utopias
- Shakespeare Performances in England, 1999
- Professional Shakespeare Productions in the British Isles January–December 1998
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Editions and Textual Studies
- Books Received
- Index
The View of London from the North and the Playhouses in Holywell
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- Shakespeare’s Narremes
- Stepping Out of Narrative Line: A Bit of Word, and Horse, Play in Venus and Adonis
- A ‘consummation devoutly to be wished’: The Erotics of Narration in Venus and Adonis
- Echoes Inhabit a Garden: The Narratives of Romeo and Juliet
- A Midsummer Night’s Dream: Comedy as Apotrope of Myth
- Plutarch, Insurrection, and Dearth in Coriolanus
- Shakespeare, Crossing the Rubicon
- Vernacular Criticism and the Scenes Shakespeare Never Wrote
- The Shadow of Lear’s ‘Houseless’ in Dickens
- Shakespearian Margins in George Eliot’s ‘working-day world’
- In Her Father’s Library: Margaret Fuller and the Making of the American Miranda
- The Magician in Love
- Narrative Approaches to Shakespeare: Active Storytelling in Schools
- Monsters, Magicians, Movies: The Tempest and the Final Frontier
- Shakespeare’s Self-Repetitions and King John
- Inside Othello
- The View of London from the North and the Playhouses in Holywell
- Measured Endings: How Productions from 1720 to 1929 Close Shakespeare’s Open Silences in Measure for Measure
- Shakespearian Utopias
- Shakespeare Performances in England, 1999
- Professional Shakespeare Productions in the British Isles January–December 1998
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Editions and Textual Studies
- Books Received
- Index
Summary
All but one of the many views of London printed during Elizabethan, Jacobean, and Caroline times show the city from the south and so can and nearly always do include places of entertainment on the south bank of the Thames. The exception calls itself The View of the Cittye of London from the North towards the Sowth. It does not show the south bank or its places of entertainment, but it does show at least one of the playhouses on the north side of the city, and in doing so provides the only contemporary picture of it, or them.
The View is a panoramic view rather than a map-view. It purports, that is, to show the city as one might see it in a photograph. Its topography extends from Holywell in the northeast (on the left) to Westminster in the southwest (on the right) and is about 1039 nun wide and 96 mm high. It does not mention its artist, engraver, publisher, place of publication, or date. People who have written about it have argued that it belongs to either 1600 or some years earlier. A single copy was thought to survive, in the Library of the University of Utrecht (formerly MS 1198, f. 83, now Gr. form. 12), accompanying a manuscript account by Abraham Booth of a visit to London, 1629-30. In the summer of 1996, however, Clive and Philip Burden found another and better copy in their own collections. They deal in and collect antique maps, books, and prints at Rickmansworth in Hertfordshire.
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- Chapter
- Information
- Shakespeare SurveyAn Annual Survey of Shakespeare Studies and Production, pp. 196 - 212Publisher: Cambridge University PressPrint publication year: 2000
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