from Part III - Case Studies of Professions 1: Sculpture
Published online by Cambridge University Press: 18 September 2020
The common perception of craftsmen in Classical Athens as banausoi who were looked down on by elite circles in society has become more nuanced over recent years. This chapter contributes to this discussion by investigating the range of social positions in evidence for ancient sculptors. Using theories of professionalism and the aspects of need, demand and reward for sculpture, it argues that in terms of economic rewards as well as social capital, sculptors in Classical Athens were rather well off. As such the negative connotations of banausoi are unlikely to match the realities of ancient Athenian life.
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