Book contents
- Sounds of War
- Studies in the Social and Cultural History of Modern Warfare
- Sounds of War
- Copyright page
- Dedication
- Contents
- Figures
- Acknowledgements
- Abbreviations
- Introduction
- 1 Music in Britain, 1914
- 2 Recruitment and Fundraising
- 3 Instruments of War
- 4 Songs, Identity and Morale
- 5 Captivity
- 6 Religion and Pastoral Care
- 7 Medicine and Therapy
- 8 The Gramophone
- 9 Civilian Concert Parties
- 10 Servicemen’s Concert Parties
- 11 After the Armistice
- Conclusion
- Notes
- Sources and Select Bibliography
- Index
1 - Music in Britain, 1914
Published online by Cambridge University Press: 20 February 2020
- Sounds of War
- Studies in the Social and Cultural History of Modern Warfare
- Sounds of War
- Copyright page
- Dedication
- Contents
- Figures
- Acknowledgements
- Abbreviations
- Introduction
- 1 Music in Britain, 1914
- 2 Recruitment and Fundraising
- 3 Instruments of War
- 4 Songs, Identity and Morale
- 5 Captivity
- 6 Religion and Pastoral Care
- 7 Medicine and Therapy
- 8 The Gramophone
- 9 Civilian Concert Parties
- 10 Servicemen’s Concert Parties
- 11 After the Armistice
- Conclusion
- Notes
- Sources and Select Bibliography
- Index
Summary
Provides the context of how and why military music was coordinated in the period immediately before the outbreak of the Great War. It will briefly trace the beginnings of Royal Marines Divisional Bands in the Royal Navy during the late eighteenth century, as well as the founding of the Royal Military School of Music at Kneller Hall, and the Royal Naval School of Music at Eastney Barracks, explaining how bandsmen were recruited, trained and deployed, and why music was a vital element of the services’ daily, ceremonial and wartime operations. This chapter will also engage with pre-war concerns expressed about the lack of music in Britain’s armed forces, and the wider debates about the quality and direction of British music in the Edwardian period.
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- Sounds of WarMusic in the British Armed Forces during the Great War, pp. 12 - 31Publisher: Cambridge University PressPrint publication year: 2020