Book contents
- Sounds of War
- Studies in the Social and Cultural History of Modern Warfare
- Sounds of War
- Copyright page
- Dedication
- Contents
- Figures
- Acknowledgements
- Abbreviations
- Introduction
- 1 Music in Britain, 1914
- 2 Recruitment and Fundraising
- 3 Instruments of War
- 4 Songs, Identity and Morale
- 5 Captivity
- 6 Religion and Pastoral Care
- 7 Medicine and Therapy
- 8 The Gramophone
- 9 Civilian Concert Parties
- 10 Servicemen’s Concert Parties
- 11 After the Armistice
- Conclusion
- Notes
- Sources and Select Bibliography
- Index
2 - Recruitment and Fundraising
Published online by Cambridge University Press: 20 February 2020
- Sounds of War
- Studies in the Social and Cultural History of Modern Warfare
- Sounds of War
- Copyright page
- Dedication
- Contents
- Figures
- Acknowledgements
- Abbreviations
- Introduction
- 1 Music in Britain, 1914
- 2 Recruitment and Fundraising
- 3 Instruments of War
- 4 Songs, Identity and Morale
- 5 Captivity
- 6 Religion and Pastoral Care
- 7 Medicine and Therapy
- 8 The Gramophone
- 9 Civilian Concert Parties
- 10 Servicemen’s Concert Parties
- 11 After the Armistice
- Conclusion
- Notes
- Sources and Select Bibliography
- Index
Summary
Examines the use of music in recruitment and fundraising. It will show how military musicians were mobilised in the early days of war, and the ways in which commanders had to cater for the newly expanded forces. It will look at how the civilian music industry responded to the start of the conflict, and the ways in which bands, concerts and other musical events were used for the purposes of supporting the war effort. This chapter will also provide a survey of the work of various committees established to support both the music industry, all of whom sought to both protect and maximise performers’ employment opportunities during the early years of the war.
- Type
- Chapter
- Information
- Sounds of WarMusic in the British Armed Forces during the Great War, pp. 32 - 52Publisher: Cambridge University PressPrint publication year: 2020