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Published online by Cambridge University Press:  29 January 2010

Stuart Y. McDougal
Affiliation:
Macalester College, Minnesota
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Publisher: Cambridge University Press
Print publication year: 2003

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References

Baxter, John (1997). Stanley Kubrick, A Biography. New York: Carroll & Graf
Chion, Michel (2001). Kubrick's Cinema Odyssey. London: British Film Institute
Ciment, Michel (2001). Kubrick: The Definitive Edition. New York: Faber and Faber
Coyle, Wallace (1980). Stanley Kubrick: A Guide to References and Resources. Boston: G. K. Hall
DeVries, Daniel (1973). The Films of Stanley Kubrick. Grand Rapids, MI: William B. Eerdmans
Falsetto, Mario (1994). Stanley Kubrick: A Narrative and Stylistic Analysis. Westport, CT: Praeger
Falsetto, Mario, Ed. (1996). Perspectives on Stanley Kubrick. New York: G. K. Hall
Howard, James (1999). Stanley Kubrick Companion. London: B. T. Batsford
Hughes, David (2000). The Complete Kubrick. Forward by Peter Bogdanovich. London: Virgin Publishing
Kagan, Norman (1996). The Cinema of Stanley Kubrick. New Expanded Edition. New York: Continuum
Kerr, Michael (2000). Kubrick. New York: Grove Press
Kolker, Robert (2000). A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg, Altman. New York: Oxford University Press, third edition
LoBrutto, Vincent (1997). Stanley Kubrick: A Biography. New York: Penguin Books
Mainar, Luis M. García (2000). Narrative and Stylistic Patterns in the Films of Stanley Kubruck. Rochester, NY: Camden House
Nelson, Thomas Allen (2000). Kubrick: Inside a Film Artist's Maze. New and expanded edition. Bloomington: Indiana University Press
Phillips, Gene D., Ed. (2001). Stanley Kubrick: Interviews. Jackson: University Press of Mississippi
Pipolo, Tony (Spring 2002). “The Modernist and the Misanthrope: The Cinema of Stanley Kubrick.” Cineaste, XXVII, no. 2, 41–5 and 49Google Scholar
Walker, Alexander, Sybil Taylor, Ulrich Ruchti (1999). Stanley Kubrick Director: A Visual Analysis. Revised and expanded. New York: W. W. Norton
Kubrick, Stanley (1972). Stanley Kubrick's Clockwork Orange, Based on the Novel by Anthony Burgess. New York: Abelard-Schuman
Alpert, Hollis (December 25, 1971). “Milk-Plus and Ultra Violence.” Saturday Review, no. 52, 40–41
Barr, C. (Summer 1972). “Straw Dogs, A Clockwork Orange, and the Critics.” Screen 13, no. 2, 17–31CrossRefGoogle Scholar
Boyers, Robert (Summer 1972). “Kubrick's A Clockwork Orange: Some Observations.” Film Heritage 7, no. 4, 1–6Google Scholar
Burgess, Anthony (February 17, 1972). “Clockwork Marmalade.” Listener 87, no. 2238, 197–99Google Scholar
Burgess, Anthony (June 8, 1972). “Juice from A Clockwork Orange.” Rolling Stone, 52–53
Burke, Tom (January 30, 1972). “Malcolm McDowell: The Liberals, They Hate ‘Clockwork.’” The New York Times: Section 2, p. 13
Canby, Vincent (January 9, 1972). “‘Orange’ – ‘Disorienting But Human Comedy.’” The New York Times: Section 2, p. 7
Collins, F. (1989). “Implied metaphor in the films of Stanley Kubrick.” New Orleans Review, No. 16: 96–100
Cocks, Jay (December 20, 1971). “Season's Greetings: Bang! Kubrick: Degrees of Madness.” Time: 80
Denby, David (March 1972). “Pop Nihilism at the Movies.” Atlantic, 229, no. 3: 100–104Google Scholar
Gow, Gordon (1974–75). “Novel into Film,” in Film Review. edited by Maurice Speed. London: W. H. Allen, 1975: 33–42
Gumenik, Arthur (Summer 1972). “A Clockwork Orange: Novel into Film.” Film Heritage, 7, no. 4: 7–18 and 28Google Scholar
Houston, Penelope (December 25, 1971).“Kubrick Country.” Saturday Review 54, no. 52: 42–44Google Scholar
Hughes, Robert (December 27, 1971).“The Décor of Tomorrow's Hell.” Time 98, no. 26: 59Google Scholar
Hutchings, William (March 1991). “‘What's It Going to Be Then, Eh?’” The Stage Odyssey of Anthony Burgess's A Clockwork Orange.” Modern Drama, no. 34: 34–48
Issac, Neil D. (Spring 1973). “Unstuck in Time: Clockwork Orange and Slaughterhouse Five.” Literature/Film Quarterly 1, no. 2: 122–131Google Scholar
Kael, Pauline (January 1, 1972). “Stanley Strangelove.” The New Yorker 48: 52-53Google Scholar
Kauffmann, Stanley (January 1 and 8, 1972). “A Clockwork Orange.” The New Republic: 22 and 32
Kubrick, Stanley (February 27, 1972). “Now Kubrick Fights Back.” The New York Times: Section 2, p. 1
McCracken, Samuel (1973). “Novel Into Film; Novelist into Critic: A Clockwork Orange … Again.” Antioch Review 32, no. 3: 427–36Google Scholar
Mamber, Stephen (Winter 1973). “A Clockwork Orange.” Cinema [Los Angeles] 7, no. 3: 48–57Google Scholar
Moskowitz, Ken (Winter 1977). “Clockwork Violence.” Sight and Sound 46, no. 1: 22–23, 44Google Scholar
Parmentier, Ernest (July 15, 1971). “A Clockwork Orange.” Filmfacts 14, no. 24: 649–55Google Scholar
Phillips, Gene (Winter 1972). “Kubrick.” Film Comment 7, no. 4: 35–45Google Scholar
Rice, Susan (March 1972). “Stanley Klockwork's ‘Cubrick’ Orange.” Media and Methods 8, no. 7: 39–43Google Scholar
Ricks, Christopher (April 6, 1972). “Horror Show.” New York Review of Books: 28–31
Riley, Clayton (January 9, 1972). “ … Or ‘A Dangerous, Criminally Irresponsible Horror Show?” The New York Times: Section 2, p. 1
Samuel, Charles Thomas (Summer 1972). “The Context of A Clockwork Orange.” American Scholar 41, no. 3: 439–43Google Scholar
Sarris, Andrew (December 30, 1971). “Films in Focus.” Village Voice 16, no. 52: 49–50Google Scholar
Schickel, Richard (February 4, 1972). “Future Shock and Family Affairs.” Life 72, no. 4: 14Google Scholar
Sklar, Robert (1988). “Stanley Kubrick and the American Film Industry.” Current Research in Film, no. 4: 114–124
Strick, Phillip (Winter 1972). “Kubrick's Horrorshow.” Sight and Sound 41, no.1: 44–46Google Scholar
Strick, Phillip, and Penelope, Houston, (Spring, 1972). “Interview with Stanley Kubrick.” Sight and Sound 41, no. 2: 62–66Google Scholar
Wagner, Geoffrey (1975). The Novel and the Cinema. Madison, N.J.: Fairleigh Dickinson University Press: 307–13
Walker, Beverly (1972). “From Novel to Film: Kubrick's A Clockwork Orange.” Women and Film 2: 4Google Scholar
Zimmerman, Paul D. (January 3, 1972). “Kubrick's Brilliant Vision.” Newsweek 79, no. 1: 29Google Scholar
Baxter, John (1997). Stanley Kubrick, A Biography. New York: Carroll & Graf
Chion, Michel (2001). Kubrick's Cinema Odyssey. London: British Film Institute
Ciment, Michel (2001). Kubrick: The Definitive Edition. New York: Faber and Faber
Coyle, Wallace (1980). Stanley Kubrick: A Guide to References and Resources. Boston: G. K. Hall
DeVries, Daniel (1973). The Films of Stanley Kubrick. Grand Rapids, MI: William B. Eerdmans
Falsetto, Mario (1994). Stanley Kubrick: A Narrative and Stylistic Analysis. Westport, CT: Praeger
Falsetto, Mario, Ed. (1996). Perspectives on Stanley Kubrick. New York: G. K. Hall
Howard, James (1999). Stanley Kubrick Companion. London: B. T. Batsford
Hughes, David (2000). The Complete Kubrick. Forward by Peter Bogdanovich. London: Virgin Publishing
Kagan, Norman (1996). The Cinema of Stanley Kubrick. New Expanded Edition. New York: Continuum
Kerr, Michael (2000). Kubrick. New York: Grove Press
Kolker, Robert (2000). A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg, Altman. New York: Oxford University Press, third edition
LoBrutto, Vincent (1997). Stanley Kubrick: A Biography. New York: Penguin Books
Mainar, Luis M. García (2000). Narrative and Stylistic Patterns in the Films of Stanley Kubruck. Rochester, NY: Camden House
Nelson, Thomas Allen (2000). Kubrick: Inside a Film Artist's Maze. New and expanded edition. Bloomington: Indiana University Press
Phillips, Gene D., Ed. (2001). Stanley Kubrick: Interviews. Jackson: University Press of Mississippi
Pipolo, Tony (Spring 2002). “The Modernist and the Misanthrope: The Cinema of Stanley Kubrick.” Cineaste, XXVII, no. 2, 41–5 and 49Google Scholar
Walker, Alexander, Sybil Taylor, Ulrich Ruchti (1999). Stanley Kubrick Director: A Visual Analysis. Revised and expanded. New York: W. W. Norton
Kubrick, Stanley (1972). Stanley Kubrick's Clockwork Orange, Based on the Novel by Anthony Burgess. New York: Abelard-Schuman
Alpert, Hollis (December 25, 1971). “Milk-Plus and Ultra Violence.” Saturday Review, no. 52, 40–41
Barr, C. (Summer 1972). “Straw Dogs, A Clockwork Orange, and the Critics.” Screen 13, no. 2, 17–31CrossRefGoogle Scholar
Boyers, Robert (Summer 1972). “Kubrick's A Clockwork Orange: Some Observations.” Film Heritage 7, no. 4, 1–6Google Scholar
Burgess, Anthony (February 17, 1972). “Clockwork Marmalade.” Listener 87, no. 2238, 197–99Google Scholar
Burgess, Anthony (June 8, 1972). “Juice from A Clockwork Orange.” Rolling Stone, 52–53
Burke, Tom (January 30, 1972). “Malcolm McDowell: The Liberals, They Hate ‘Clockwork.’” The New York Times: Section 2, p. 13
Canby, Vincent (January 9, 1972). “‘Orange’ – ‘Disorienting But Human Comedy.’” The New York Times: Section 2, p. 7
Collins, F. (1989). “Implied metaphor in the films of Stanley Kubrick.” New Orleans Review, No. 16: 96–100
Cocks, Jay (December 20, 1971). “Season's Greetings: Bang! Kubrick: Degrees of Madness.” Time: 80
Denby, David (March 1972). “Pop Nihilism at the Movies.” Atlantic, 229, no. 3: 100–104Google Scholar
Gow, Gordon (1974–75). “Novel into Film,” in Film Review. edited by Maurice Speed. London: W. H. Allen, 1975: 33–42
Gumenik, Arthur (Summer 1972). “A Clockwork Orange: Novel into Film.” Film Heritage, 7, no. 4: 7–18 and 28Google Scholar
Houston, Penelope (December 25, 1971).“Kubrick Country.” Saturday Review 54, no. 52: 42–44Google Scholar
Hughes, Robert (December 27, 1971).“The Décor of Tomorrow's Hell.” Time 98, no. 26: 59Google Scholar
Hutchings, William (March 1991). “‘What's It Going to Be Then, Eh?’” The Stage Odyssey of Anthony Burgess's A Clockwork Orange.” Modern Drama, no. 34: 34–48
Issac, Neil D. (Spring 1973). “Unstuck in Time: Clockwork Orange and Slaughterhouse Five.” Literature/Film Quarterly 1, no. 2: 122–131Google Scholar
Kael, Pauline (January 1, 1972). “Stanley Strangelove.” The New Yorker 48: 52-53Google Scholar
Kauffmann, Stanley (January 1 and 8, 1972). “A Clockwork Orange.” The New Republic: 22 and 32
Kubrick, Stanley (February 27, 1972). “Now Kubrick Fights Back.” The New York Times: Section 2, p. 1
McCracken, Samuel (1973). “Novel Into Film; Novelist into Critic: A Clockwork Orange … Again.” Antioch Review 32, no. 3: 427–36Google Scholar
Mamber, Stephen (Winter 1973). “A Clockwork Orange.” Cinema [Los Angeles] 7, no. 3: 48–57Google Scholar
Moskowitz, Ken (Winter 1977). “Clockwork Violence.” Sight and Sound 46, no. 1: 22–23, 44Google Scholar
Parmentier, Ernest (July 15, 1971). “A Clockwork Orange.” Filmfacts 14, no. 24: 649–55Google Scholar
Phillips, Gene (Winter 1972). “Kubrick.” Film Comment 7, no. 4: 35–45Google Scholar
Rice, Susan (March 1972). “Stanley Klockwork's ‘Cubrick’ Orange.” Media and Methods 8, no. 7: 39–43Google Scholar
Ricks, Christopher (April 6, 1972). “Horror Show.” New York Review of Books: 28–31
Riley, Clayton (January 9, 1972). “ … Or ‘A Dangerous, Criminally Irresponsible Horror Show?” The New York Times: Section 2, p. 1
Samuel, Charles Thomas (Summer 1972). “The Context of A Clockwork Orange.” American Scholar 41, no. 3: 439–43Google Scholar
Sarris, Andrew (December 30, 1971). “Films in Focus.” Village Voice 16, no. 52: 49–50Google Scholar
Schickel, Richard (February 4, 1972). “Future Shock and Family Affairs.” Life 72, no. 4: 14Google Scholar
Sklar, Robert (1988). “Stanley Kubrick and the American Film Industry.” Current Research in Film, no. 4: 114–124
Strick, Phillip (Winter 1972). “Kubrick's Horrorshow.” Sight and Sound 41, no.1: 44–46Google Scholar
Strick, Phillip, and Penelope, Houston, (Spring, 1972). “Interview with Stanley Kubrick.” Sight and Sound 41, no. 2: 62–66Google Scholar
Wagner, Geoffrey (1975). The Novel and the Cinema. Madison, N.J.: Fairleigh Dickinson University Press: 307–13
Walker, Beverly (1972). “From Novel to Film: Kubrick's A Clockwork Orange.” Women and Film 2: 4Google Scholar
Zimmerman, Paul D. (January 3, 1972). “Kubrick's Brilliant Vision.” Newsweek 79, no. 1: 29Google Scholar

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  • Select Bibliography
  • Edited by Stuart Y. McDougal, Macalester College, Minnesota
  • Book: Stanley Kubrick's <I>A Clockwork Orange</I>
  • Online publication: 29 January 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511615306.011
Available formats
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To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Select Bibliography
  • Edited by Stuart Y. McDougal, Macalester College, Minnesota
  • Book: Stanley Kubrick's <I>A Clockwork Orange</I>
  • Online publication: 29 January 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511615306.011
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Select Bibliography
  • Edited by Stuart Y. McDougal, Macalester College, Minnesota
  • Book: Stanley Kubrick's <I>A Clockwork Orange</I>
  • Online publication: 29 January 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511615306.011
Available formats
×