Book contents
- Frontmatter
- Contents
- PREFACE
- SOME ACCOUNT OR THE LIFE OF SHAKESPEARE
- SHAKESPEARE'S WILL
- PRELIMINARY MATTER IN THE FOLIO OF 1623
- THE ADDRESS TO THE READER
- COMMENDATORY VERSES
- ADDENDA AND CORRIGENDA
- THE TWO GENTLEMEN OF VERONA
- LOVE'S LABOUR'S LOST
- THE COMEDY OF ERRORS
- ROMEO AND JULIET
- THE TAMING OF THE SHREW
- KING JOHN
- A MIDSUMMER NIGHT'S DREAM
- THE MERCHANT OF VENICE
- KING RICHARD THE SECOND
- THE FIRST PART OF KING HENRY THE FOURTH
- THE SECOND PART OF KING HENRY THE FOURTH
- THE MERRY WIVES OF WINDSOR
- MUCH ADO ABOUT NOTHING
KING JOHN
Published online by Cambridge University Press: 29 August 2010
- Frontmatter
- Contents
- PREFACE
- SOME ACCOUNT OR THE LIFE OF SHAKESPEARE
- SHAKESPEARE'S WILL
- PRELIMINARY MATTER IN THE FOLIO OF 1623
- THE ADDRESS TO THE READER
- COMMENDATORY VERSES
- ADDENDA AND CORRIGENDA
- THE TWO GENTLEMEN OF VERONA
- LOVE'S LABOUR'S LOST
- THE COMEDY OF ERRORS
- ROMEO AND JULIET
- THE TAMING OF THE SHREW
- KING JOHN
- A MIDSUMMER NIGHT'S DREAM
- THE MERCHANT OF VENICE
- KING RICHARD THE SECOND
- THE FIRST PART OF KING HENRY THE FOURTH
- THE SECOND PART OF KING HENRY THE FOURTH
- THE MERRY WIVES OF WINDSOR
- MUCH ADO ABOUT NOTHING
Summary
“King John,” which is the only uncontested play of Shakespeare's not entered on the books of the Stationers' Company, was first printed in the folio collection of 1623. Though enumerated in the list of our author's works by Meres, 1598, commentators have not succeeded in determining the time when it was written. Malone seems to have been of opinion that the maternal lamentations of Lady Constance, for the loss of Arthur, are an expression of the poet's own grief at the death of his son Hammet in 1596; and if this theory were admissible, we should, of course, be bound to conclude that “King John” was not written until after that date. But conjectures of this nature are very fanciful. There are undoubtedly high authorities in literature to justify a poet in availing himself of such an occasion to celebrate an event not strictly connected with his theme; but in those cases the writers worked on great historical subjects. It can scarcely be believed that a man of Shakespeare's incomparable sagacity would have interwoven a merely personal sentiment into a drama intended to interest the public at large. It savours of a reproach to the poet's memory to represent him giving utterance to his own sorrow for the loss of an obscure lad, twelve years old, when depicting the anguish of such a character as Constance for the loss of her princely Arthur.
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- The Staunton Shakespeare , pp. 281 - 336Publisher: Cambridge University PressPrint publication year: 2009First published in: 1858