Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-p9bg8 Total loading time: 0 Render date: 2024-12-29T04:09:02.843Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  09 June 2023

David Wyn Jones
Affiliation:
Cardiff University
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Dörner, Wolfgang. Josef Strauss: Chronologish-thematisches Werkverzeichnis (Vienna, 2021).CrossRefGoogle Scholar
Dörner, Wolfgang Joseph Lanner: Chronologisch-thematisches Werkverzeichnis (Vienna, 2012).Google Scholar
Strauß-Elementar-Verzeichnis (SEV): Thematisch-Bibliographischer Katalog der Werke von Johann Strauß (Sohn), prepared by the Wiener Institut für Strauss-Forschung, vols. 1–8 (Tutzing, 1990–2013), vols. 9– (Vienna, 2017–).Google Scholar

Secondary Sources

Johann Strauss (Vater): Sämtliche Werke in Wiedergabe der Originaldrucke, ed. Hilmar, Ernst, 5 vols. (Tutzing, 1987).Google Scholar
Neue Johann Strauss Gesamtausgabe, [Johann Strauss, Son] (Vienna, 1995–).Google Scholar
ANNO (= Austrian Newspaper Online). Historical newspapers and journals. www.anno.onb.ac.at.Google Scholar
Oesterreichische National-Encyklopädie, 7 vols. (Vienna, 1835–8).Google Scholar
Vienna Philharmonic Orchestra, Concert Archive. www.wienerphilharmoniker.at/de/konzert-archiv.Google Scholar
Aigner, Thomas. ‘Die Bälle der Gesellschaft der Musikfreunde in Wien’, in Fuchs, Ingrid (ed.), Musikfreunde: Träger der Musikkultur in der ersten Hälfte des 19. Jahrhunderts (Kassel, 2017), pp. 7583.Google Scholar
Aigner, ThomasJohann Strauß in Russland’, in Brusatti, Otto, Düriegl, Günter and Karner, Regina (eds.), Johann Strauß: Unter Donner und Blitz, exhibition catalogue (Vienna, 1999), pp. 211–19.Google Scholar
Aigner, Thomas“Rotunde-Quadrille”: Wiener Unterhaltungsmusik in den Jahrzehnten um die Weltausstellung’, in Kos, Wolfgang and Gleis, Ralph (eds.), Experiment Metropole: 1873, Wien und die Weltausstellung, exhibition catalogue (Vienna, 2014), pp. 248–55.Google Scholar
Aigner, Thomas“Den russischen Weibern sagt das Resolute, entschieden Markige weniger zu.”: Josef Strauss findet in Pawlowsk ein aufnahmebereites Publikum für seine Orchesterfantasien’, in Associationen Josef Strauss (1827–1870) (Vienna, 2020), pp. 7992.Google Scholar
Aigner, ThomasTanz auf dem Vulkan: Wiener Ball- und Marschmusik’, in Boisits, Barbara (ed.), Musik und Revolution: Die Produktion von Identität und Raum durch Musik in Zentraleuropa 1848/49 (Vienna, 2013), pp. 399415.CrossRefGoogle Scholar
Aldrich, Elizabeth. From the Ballroom to Hell: Grace and Folly in Nineteenth-Century Dance (Evanston, IL, 1992).Google Scholar
Aldrich, ElizabethSocial Dancing in Schubert’s World’ in Erickson, Raymond (ed.), Schubert’s Vienna (New Haven, CT, 1997), pp. 119–40.Google Scholar
Anderson, Emily (ed.). The Letters of Beethoven, 3 vols. (London, 1961).Google Scholar
Ashby, Charlotte. ‘The Cafés of Vienna: Space and Sociability’, in Asbhy, Charlotte, Gronberg, Tag and Shaw-Miller, Simon (eds.), The Viennese Café and Fin-de-Siècle Culture (New York, 2013), pp. 931.Google Scholar
Baedeker, Karl. Austria-Hungary, with Excursions to Cetinje, Belgrade, and Bucharest (Leipzig, 1911).Google Scholar
Bailey, Leigh. Eduard Strauss: The Third Man of the Strauss Family (Vienna, 2017).CrossRefGoogle Scholar
Bailey, LeighA Tale of Two Brothers: Josef and Eduard Strauss’, in Associationen Josef Strauss (1827–1870) (Vienna, 2020), pp. 99109.Google Scholar
Banks, Paul. ‘“The Foremost and Unrivalled Music Engraving Business in Austro-Hungary”: Josef Eberle (1845–1921), Printer, Publisher, and Manufacturer of Manuscript Paper’, Musicologica Austriaca: Journal for Austrian Music Studies (9 December 2020). https://www.musau.org/parts/neue-article-page/view/94.Google Scholar
Beer, Axel. ‘Spina’, in Finscher, Ludwig (ed.), Die Musik in Geschichte und Gegenwart, 2nd edn, Personenteil, vol. 15 (Kassel, 2006), col. 1183.Google Scholar
Beetz, Wilhelm. Das Wiener Opernhaus: 1869 bis 1955 (Zurich, 1955).Google Scholar
Beke-Martos, Judit. ‘After 1848: The Heightened Constitutional Importance of the Habsburg Coronation in Hungary’, in Van Gelder, Klaas (ed.), More than Mere Spectacle: Coronations and Inaugurations in the Habsburg Monarchy during the Eighteenth and Nineteenth Centuries (New York, 2021), pp. 283302.CrossRefGoogle Scholar
Belina, Anastasia and Scott, Derek B. (eds.). The Cambridge Companion to Operetta (Cambridge, 2020).Google Scholar
Beller, Steven. The Habsburg Monarchy, 1815–1918 (Cambridge, 2018).CrossRefGoogle Scholar
Beller, Steven Vienna and the Jews: A Cultural History (Cambridge, 1989).Google Scholar
Biba, Otto. Gott Erhalte!, with facsimile of first edition (1797) (Vienna, 1982).Google Scholar
Boisits, Barbara. ‘Haslinger’, in Finscher, Ludwig (ed.), Die Musik in Geschichte und Gegenwart, 2nd edn, Personenteil, vol. 8 (Kassel, 2002), cols. 775–8.Google Scholar
Boisits, Barbara (ed.), Musik und Revolution: Die Produktion von Identität und Raum durch Musik in Zentraleuropa 1848/49 (Vienna, 2013).Google Scholar
Brandenburg, Siegfried (ed.). Ludwig van Beethoven: Briefwechsel Gesamtausgabe, 7 vols. (Munich, 1996–8).Google Scholar
Brodbeck, David. Defining Deutschtum: Political Ideology, German Identity, and Music-Critical Discourse in Liberal Vienna (New York, 2014).Google Scholar
Brusatti, Otto. Joseph Lanner: Compositeur, Entertainer & Musikgenie (Vienna, 2001).Google Scholar
Brusatti, Otto, Düriegl, Günter and Karner, Regina (eds.). Johann Strauß: Unter Donner und Blitz, exhibition catalogue (Vienna, 1999).Google Scholar
Buchmann, Bertrand Michael. ‘Wirtschaft und Finanzen’, in Csendes, Peter and Opll, Ferdinand (eds.), Wien: Geschichte einer Stadt, vol. 3: Von 1790 bis zur Gegenwart (Vienna, 2006), pp. 129–47.Google Scholar
Buurman, Erica. The Viennese Ballroom in the Age of Beethoven (Cambridge, 2022).CrossRefGoogle Scholar
Cairns, David (trans. and ed.). The Memoirs of Hector Berlioz (London, 1969).Google Scholar
Chopin, Frédéric. Chopin’s Letters, trans. and ed. Voynich, E. L. (New York, 1988).Google Scholar
Claeys, Gregory. ‘Mazzini, Kossuth, and British Radicalism’, Journal of British Studies, 28 (1989), pp. 225–61.Google Scholar
Cole, Laurence. Military Culture and Popular Patriotism in Late Imperial Austria (Oxford, 2014).Google Scholar
Crittenden, Camille. Johann Strauss and Vienna: Operetta and the Politics of Popular Culture (Cambridge, 2000).Google Scholar
Crittenden, CamilleVienna’, in Loges, Natasha and Hamilton, Katy (eds.), Brahms in Context (Cambridge, 2019), pp. 2332.Google Scholar
Csendes, Peter (ed.). Oesterreich 1790–1848: Das Tagebuch einer Epoche (Vienna, 1987).Google Scholar
Csendes, Peter and Opll, Ferdinand (eds.). Wien: Geschichte einer Stadt, vol. 3: Von 1790 bis zur Gegenwart (Vienna, 2006).Google Scholar
Deutschmann, Wilhelm. ‘Der Meister der Operette und seine Stars’, in Brusatti, Otto, Düriegl, Günter and Karner, Regina (eds.), Johann Strauß: Unter Donner und Blitz, exhibition catalogue (Vienna, 1999), pp. 267–81.Google Scholar
Eisenberg, Ludwig. Das geistige Wien: Mitteilungen über die in Wien lebenden Architekten, Bildhauer, Bühnenkünstler, Graphiker, Journalisten, Maler, Musiker und Schriftsteller (Vienna, 1889)Google Scholar
Eisenberg, Ludwig Johann Strauss: Ein Lebensbild (Leipzig, 1894).Google Scholar
Fahrbach, Philipp. ‘Geschichte der Tanzmusik seit 25 Jahren’, Wiener allgemeine Musik-Zeitung, 20 and 23 March 1847, pp. 137–8, 141–3.Google Scholar
Fichtner, Paula Sutter. The Habsburgs: Dynasty, Culture and Politics (London, 2014).Google Scholar
Fink, Monika. Der Ball: Eine Kulturgeschichte des Gesellschaftstanzes in 18. und 19. Jahrhundert (Innsbruck, 1996).Google Scholar
Frankenbach, Chantal. ‘Waltzing around the Musically Beautiful: Listening and Dancing in Hanslick’s Hierarchy of Musical Perception’, in Grimes, Nicole, Donovan, Siobhán and Marx, Wolfgang (eds.), Rethinking Hanslick: Music, Formalism, and Expression (Rochester, NY, 2013), pp. 108–31.Google Scholar
Gartenberg, Egon. Johann Strauss: The End of an Era, paperback edn (New York, 1979).Google Scholar
Gooley, Dana. ‘Hanslick on Johann Strauss Jr.: Genre, Social Class, and Liberalism in Vienna’, in Grimes, Nicole, Donovan, Siobhán and Marx, Wolfgang (eds.), Rethinking Hanslick: Music, Formalism, and Expression (Rochester, NY, 2013), pp. 91107.Google Scholar
Gregor-Dellin, Martin and Mack, Dietrich (eds.). Cosima Wagner’s Diaries, vol. 1: 1869–1877, trans. Geoffrey Skelton (New York, 1978).Google Scholar
Hadamowsky, Franz. Wien, Theater Geschichte: Von den Anfängen bis zum Ende des Ersten Weltkriegs (Vienna, 1988).Google Scholar
Hakkarainen, Heidi. Comical Modernity: Popular Humour and the Transformation of Urban Space in Late Nineteenth-Century Vienna (New York, 2019).CrossRefGoogle Scholar
Hanák, Péter. The Garden and the Workshop: Essays on the Cultural History of Vienna and Budapest (Princeton, 1998).Google Scholar
Hanslick, Eduard. Aus meinem Leben (Berlin, 1894); modern edn (Berlin, 2017).Google Scholar
Hanslick, Eduard Geschichte des Concertwesens in Wien (Vienna, 1869).Google Scholar
Häusler, Wolfgang. ‘Marseillaise, Katzenmusik und Fuchslied als Mittel sozialen und politischen Protests in der Wiener Revolution 1848’, in Boisits, Barbara (ed.), Die Produktion von Identität und Raum durch Musik in Zentraleuropa 1848/49 (Vienna, 2013), pp. 3780.Google Scholar
Healy, Maureen. Vienna and the Fall of the Habsburg Empire: Total War and Everyday Life in World War I (Cambridge, 2004).Google Scholar
Hellsberger, Clemens. Die Geschichte der Wiener Philharmoniker (Zurich, 1992).Google Scholar
Hödl, Klaus. Entangled Entertainers: Jews and Popular Culture in Fin-de-Siècle Vienna (New York, 2019).Google Scholar
Jäger-Sunstenau, Hanns. Johann Strauss, der Walzerkönig und seine Dynastie: Familiengeschichte, Urkunden (Vienna, 1965).Google Scholar
Jahn, Michael. Die Wiener Hofoper von 1836 bis 1848: Die Ära Balochino/Merelli (Vienna, 2004).Google Scholar
Jahn, Michael (ed.). Johann Strauss: Die Fledermaus; Ritter Pásmán, Wiener Historischer Opernführer, vol. 8 (Vienna, 2009).Google Scholar
Jahrmarker, Manuela et al. ‘Offenbach’, in Finscher, Ludwig (ed.), Die Musik in Geschichte und Gegenwart, 2nd edn, Personenteil, vol. 12 (Kassel, 2004), cols. 1317–34.Google Scholar
Jelavich, Barbara. Modern Austria: Empire and Republic, 1815–1986 (Cambridge, 1987).Google Scholar
Jestremski, Margret. ‘Spina’, in Hilmar, Ernst and Jestremski, Margret (eds.), Schubert-Enzyklopedie, (Tutzing, 2004), vol. 2, pp. 718–19.Google Scholar
Jira, Sophie. ‘Frühlingsluft – Ein “sturmischer Erfolg”: Über Gestaltung, Witz und Wirkung einer posthumen Josef-Strauss-Operette’, in Associationen Josef Strauss (1827–1870) (Vienna, 2020), pp. 149–57.Google Scholar
Johnston, William M. The Austrian Mind: An Intellectual and Social History 1848–1938 (Berkeley, 1972).CrossRefGoogle Scholar
Jones, David Wyn. Music in Vienna: 1700, 1800, 1900 (Woodbridge, 2016).Google Scholar
Judson, Pieter M. The Habsburg Empire: A New History (Cambridge, MA, 2016).Google Scholar
Kassal-Mikula, Renata. ‘“Ein gutes Bild für die Welt, für die Wiener von ihrem lieben Strauß”’, in Brusatti, Otto, Düriegl, Günter and Karner, Regina (eds.), Johann Strauß: Unter Donner und Blitz, exhibition catalogue (Vienna, 1999), pp. 291301.Google Scholar
Kauffmann, Kai. ʻEs ist nur ein Wien!ʼ: Stadtbeschreibungen von Wien, 1700 bis 1873 (Vienna, 1994).Google Scholar
Kemp, Peter. Sleeve notes to Johann Strauss II, 1825–1899: The Complete Orchestral Edition, Naxos, 2011.Google Scholar
Kemp, PeterStrauss’ [Johann Strauss (Father), Johann Strauss (Son), Josef Strauss, Eduard Strauss, Johann Maria Eduard Strauss, Eduard Leopold Maria Strauss], in Sadie, Stanley and Tyrrell, John (eds.), The New Grove Dictionary of Music and Musicians, 2nd edn (London, 2001), pp. 474–96.Google Scholar
Kemp, Peter The Strauss Family: Portrait of a Musical Dynasty (Tunbridge Wells, 1985).Google Scholar
Kemp, PeterWho Killed Josef Strauss?’, in Associationen Josef Strauss (1827–1870) (Vienna, 2020), pp. 111–23.Google Scholar
Kohlbauer-Fritz, Gabriele (ed.). Ringstrasse: Ein jüdischer Boulevard/A Jewish Boulevard (Vienna, 2015).Google Scholar
Kolb, Franz Joseph. Die Fahnenweihe des k. k. Corps der bildenden Künstler in Wien (Vienna, 1843).Google Scholar
Korhonen, Joonas. Social Choreography of the Viennese Waltz: The Transfer and Reception of the Dance in Vienna and Europe, 1780–1825 (Helsinki, 2014).Google Scholar
Kos, Wolfgang (ed.). 100 x Wien: Highlights aus dem Wien Museum Karlsplatz (Vienna, 2011).Google Scholar
Kos, Wolfgang and Rapp, Christian (eds.). Alt-Wien: Die Stadt, die niemals war, exhibition catalogue (Vienna, 2004).Google Scholar
Kos, Wolfgang and Gleis, Ralph (eds.). Experiment Metropole: 1873, Wien und die Weltausstellung, exhibition catalogue (Vienna, 2014).Google Scholar
Kraus, Karl. ‘Von den Sehenswürdigkeiten’, Die Fackel, 10 (30 November 1908), pp. 510.Google Scholar
Kretschmer, Helmut. ‘Musiktopographie’, in Fritz-Hilscher, Elisabeth Th. and Kretschmer, Helmut (eds.), Wien Musikgeschichte: Von der Prähistorie bis zur Gegenwart (Vienna, 2011), pp. 535–97.Google Scholar
Kretschmer, HelmutStrauß-Stätten’, in Brusatti, Otto, Düriegl, Günter and Karner, Regina (eds.), Johann Strauß: Unter Donner und Blitz, exhibition catalogue (Vienna, 1999), pp. 199209.Google Scholar
Kuhlmann, Friedhelm. ‘“Erinnerung an Josef Strauss”: Betrachtungen aus dem Nachlass von Oscar Fetrás’, in Associationen Josef Strauss (1827–1870) (Vienna, 2020), pp. 141–8.Google Scholar
La Grange, Henry-Louis de. Gustav Mahler, vol. 2: Vienna: The Years of Challenge (1897–1904) (Oxford, 1995).Google Scholar
Lamb, Andrew. ‘Brahms and Johann Strauss’, Musical Times, 116 (October 1975), pp. 869–71.CrossRefGoogle Scholar
Lamb, AndrewCovent Garden Promenade Concerts, 1867’, Musical Times, 108 (August 1967), pp. 692–4.Google Scholar
Landon, Else Radant. ‘The Diaries of Joseph Carl Rosenbaum 1770–1829’, Haydn Yearbook, 5 (1968), pp. 7158.Google Scholar
Lang, Zoë Alexis. The Legacy of Johann Strauss: Political Influence and Twentieth- Century Identity (Cambridge, 2014).Google Scholar
Leemann, Noëmi. ‘Die Weltausstellung kommt nach Wien: Ein Unternehmen der Superlative’, in Kos, Wolfgang and Gleis, Ralph (eds.), Experiment Metropole: 1873, Wien und die Weltausstellung, exhibition catalogue (Vienna, 2014), pp. 118–25.Google Scholar
Linhardt, Marion. Residenzstadt und Metropole: Zu einer kulturellen Topographie des Wiener Unterhaltungstheaters (1858–1918) (Tübingen, 2006).CrossRefGoogle Scholar
Linhardt, MarionStrauß’ [Johann Strauss (Father), Johann Strauss (Son), Josef Strauss, Eduard Strauss, Johann Maria Eduard Strauss, Eduard Leopold Maria Strauss], in Finscher, Ludwig (ed.), Die Musik in Geschichte und Gegenwart, 2nd edn, Personenteil, vol. 16 (Kassel, 2006), cols. 1254.Google Scholar
Linke, Norbert. ‘“Mit seinem eigenen Orchester-Personale”: Johann Strauß Vaters erstes Reise-Orchester der Welt’, Österreichische Musikzeitschrift, special issue Sträuße für Strauss [1999], pp. 5969.Google Scholar
Lorenz, Michael. ‘Familie Trampusch – geliebt und totgeschwiegen’, Jahrbuch des Vereins für Geschichte der Stadt Wien, 62/63 (2006–7), pp. 135–49; online, www.academia.edu/29588813.Google Scholar
Luca, Ignaz de. Topographie von Wien (Vienna, 1794; facsimile edn, Vienna, 2003).Google Scholar
Mailer, Franz, Josef Strauss: Genius against His Will, trans. Philip G. Povey (Oxford, 1985).Google Scholar
Mailer, Franz (ed.). Johann Strauss (Sohn): Leben und Werk in Briefen und Dokumenten, 10 vols. (Tutzing, 1983–2007).Google Scholar
Mayer, Johannes Leopold. ‘Schmiedelied und Wonnemond im Polka- und Walzertrakt: Josef Strauss und Richard Wagner’, in Associationen Josef Strauss (1827–1870), (Vienna, 2020), pp. 237–43.Google Scholar
Mevissen, Robert Shields. ‘Meandering Circumstances, Fluid Associations: Shaping Riverine Transformations in the Late Habsburg Monarchy’, Austrian History Yearbook, 49 (2018), pp. 2340.CrossRefGoogle Scholar
Miller, Frank. Johann Strauss Vater: Der musikalische Magier des Wiener Biedermeier (Eisenburg, 1999).Google Scholar
Molnár, Miklós. A Concise History of Hungary (Cambridge, 2001).Google Scholar
Moore, Julia. ‘Beethoven and Musical Economics’, PhD dissertation, University of Illinois–Urbana-Champaign (1987).Google Scholar
Morton, Frederic. A Nervous Splendor: Vienna 1888/1889 (London, 1979).Google Scholar
Musner, Lutz. Der Geschmack von Wien: Kultur und Habitus einer Stadt (Frankfurt, 2009).Google Scholar
Musulin, Stella. Vienna in the Age of Metternich, from Napoleon to Revolution, 1805–1848 (London, 1975).Google Scholar
Okey, Robin. The Habsburg Monarchy: From Enlightenment to Eclipse (London, 2001).Google Scholar
Palmer, Alan. Metternich: Councillor of Europe (London, 1972).Google Scholar
Palmer, Alan Twilight of the Habsburgs: The Life and Times of Emperor Francis Joseph (London, 1994).Google Scholar
Payer, Peter. ‘Um 1870 Wien wird groß und laut: Stadteindrücke und Beobachtungen’, in Kos, Wolfgang and Gleis, Ralph (eds.), Experiment Metropole: 1873, Wien und die Weltausstellung, exhibition catalogue (Vienna, 2014), pp. 4451.Google Scholar
Perger, Richard von. Geschichte der k. k. Gesellschaft der Musikfreunde in Wien: 1. Abteilung, 1812–1870 (Vienna, 1912).Google Scholar
Petschar, Hans (ed.). Der ewige Kaiser: Franz Joseph I, 1830–1916, exhibition catalogue (Vienna, 2016).Google Scholar
Pfundner, Michaela (ed.). Wien wird Weltstadt: Die Ringstrasse und ihre Zeit, exhibition catalogue (Vienna, 2015).Google Scholar
Pichler, Karoline. Denkwürdigkeiten aus meinem Leben, 1769–1843, modern edn (Berlin, 2014).Google Scholar
Pötschner, Angelina. Wien, die kaiserliche Residenzstadt (Vienna, 2009).Google Scholar
Prokopovych, Markian. ‘Celebrating Hungary? Johann Strauss’s Der Zigeunerbaron and the Press in Fin-de-Siècle Vienna and Budapest’, Austrian Studies, 25 (2017), pp. 118–35.Google Scholar
Reichenauer, Helmut. Museum der Johann Strauss Dynastie: Katalog (Vienna, [2015]).Google Scholar
Reichenauer, HelmutWerke von Josef Strauss als bewusste Reflexion gesellschaftspolitischer Ereignisse’, in Associationen Josef Strauss (1827–1870) (Vienna, 2020), pp. 203217.Google Scholar
Rothfarb, Lee and Landerer, Christoph. Eduard Hanslick’s On the Musically Beautiful: A New Translation (Oxford, 2018).Google Scholar
Rubey, Norbert. ‘Jupiter und Pluto: Die Jahre 1848 bis 1861 in einer sarkastisch-musikalischen Rückschau’, in Associationen Josef Strauss (1827–1870) (Vienna, 2020), pp. 183200.Google Scholar
Rubey, Norbert“Musik-Verein-Tänze”: Sträuße von Sträussen’, in Krones, Hartmut (ed.), 200 Jahre Uraufführungen in der Gesellschaft der Musikfreunde in Wien, Wiener Schriften zur Stilkunde und Aufführungspraxis, vol. 8 (Vienna, 2018), pp. 103–14.Google Scholar
ʻNötigung zur Operette – Aller Anfang ist schwer!’, in Brusatti, Otto, Düriegl, Günter and Karner, Regina (eds.), Johann Strauß: Unter Donner und Blitz, exhibition catalogue (Vienna, 1999), pp. 257–65.Google Scholar
Brusatti, Otto, Düriegl, Günter and Karner, ReginaStrauß’, in Hilmar, Ernst and Jestremski, Margret (eds.), Schubert-Enzyklopedie (Tutzing, 2004), vol. 2, pp. 274–5.Google Scholar
Brusatti, Otto, Düriegl, Günter and Karner, Regina Des Verfassers beste Laune: Johann Strauss (Vater) und das Musik-Business im Biedermeier, exhibition catalogue (Vienna, 2004).Google Scholar
Rumbold, Sir Horace. The Austrian Court in the Nineteenth Century (London, 1909; facsimile edn, ([Boston], 2005).Google Scholar
Russell, John. A Tour in Germany, and Some of the Southern Peninsula of the Austrian Empire in the Years, 1820, 1821, 1822, 3rd edn, 2 vols. (Edinburgh, 1828).Google Scholar
Schönfeld, Johann Ferdinand von. Jahrbuch der Tonkunst von Wien und Prag (Vienna, 1796; facsimile edn, Munich, 1976).Google Scholar
Schorske, Carl E. Fin-de-Siècle Vienna: Politics and Culture (Cambridge, 1981).Google Scholar
Schwab, Ute. ‘Cranz’, in Finscher, Ludwig (ed.), Die Musik in Geschichte und Gegenwart, 2nd edn, Personenteil, vol. 5 (Kassel, 2001), cols. 55–6.Google Scholar
Scott, Derek B. Sounds of the Metropolis: The Nineteenth-Century Popular Music Revolution in London, New York, Paris, and Vienna (New York, 2008).Google Scholar
[Sealsfield, Charles]. Austria As It Is: Or, Sketches of Continental Courts, by an Eye-Witness (London, 1828).Google Scholar
Senelick, Laurence. Jacques Offenbach and the Making of Modern Culture (Cambridge, 2017).Google Scholar
Sheppard, Leslie and Axelrod, Herbert. Paganini (New Jersey, 1979).Google Scholar
Sked, Alan. ‘Austria, Prussia, and the Wars of Liberation, 1813–1814’, Austrian History Yearbook, 45 (2014), pp. 89114.Google Scholar
Sked, Alan The Decline and Fall of the Habsburg Empire, 1815–1918, 2nd edn (Harlow, 2001).Google Scholar
Sked, Alan Metternich and Austria: An Evaluation (Basingstoke, 2008).Google Scholar
Sked, Alan Radetzky: Imperial Victor and Military Genius (London, 2011).Google Scholar
Steblin, Rita. ‘Neue Fakten zu Johann Strauß und Joseph Lanner: Die Frauen- Freundschaft zwischen Magdalena Schubert, Therese Grob und Anna Streim’, Wiener Geschichtsblätter, 65/4 (2010), pp. 265–79.Google Scholar
Steurer, Richard. Das Repertoire der Wiener Hofmusikkapelle im neunzehnten Jahrhundert (Tutzing, 1998).CrossRefGoogle Scholar
Stoverock, Dietrich. Die Oper, Schriftenreihe über musikalische Bühnenwerke: Die Fledermaus, Operette von Johann Strauss, 2nd edn (Berlin, 1973).Google Scholar
Strauss, Eduard. Erinnerungen (Leipzig, 1906).Google Scholar
Strauss, Eduard. ‘Josef Strauss und sein musikalisches Wirken aus der Sicht der Familie’, in Associationen Josef Strauss (1827–1870) (Vienna, 2020), pp. 219–35.Google Scholar
Sullivan, M. E.The Life and Works of Johann Strauss the Elder, 14 March 1804 – 25 September 1849: A Chronology’, Tritsch-Tratsch, 77 (1999), pp. 412, 1416.Google Scholar
Taylor, A. J. P. The Habsburg Monarchy 1809–1918. A History of the Austrian Empire and Austria-Hungary (Harmondsworth, 1981).Google Scholar
Tellenbach, Marie-Elisabeth. ‘Psychoanalysis and the Historiocritical Method: On Maynard Solomon’s Image of Beethoven (Part 1)’, Beethoven Newsletter, vol. 8–9 (1993–4), pp. 8492.Google Scholar
Toman, Rolf (ed.). Vienna: Art and Architecture (Potsdam, 2012).Google Scholar
Ullreich, Rainer. ‘Wiener Tanzgeiger im frühen 19. Jahrhundert’, Musicologica Austriaca, 23 (2002), pp. 153–71.Google Scholar
Vick, Brian. The Congress of Vienna: Power and Politics after Napoleon (Cambridge, MA, 2014).Google Scholar
Vick, Brian. ‘The Vienna Congress as an Event in Austrian History: Civil Society and Politics in the Habsburg Empire at the End of the Wars against Napoleon’, Austrian History Yearbook, 46 (2015), pp. 109–33.Google Scholar
Vick, Brian. ‘“Der Wacek hat gesagt, das g’hört so”’, transcript of interview with Johannes Wildner, in Associationen Josef Strauss (1827–1870) (Vienna, 2020), pp. 245–55.Google Scholar
Wagner, Richard. My Life, trans. Andrew Gray, ed. Whittall, Mary (New York, 1992).Google Scholar
Wechsberg, Joseph. The Waltz Emperors: The Life and Times and Music of the Strauss Family (New York, 1973).Google Scholar
Weinmann, Alexander. Johann Traeg: Die Musikalienverzeichnisse von 1799 und 1804 (Handschrift und Sortiment), Beiträge zur Geschichte des Alt-Wiener Musikverlages, vol. 2/17 (Vienna, 1973).Google Scholar
Weinmann, Alexander Verzeichnis sämtlicher Werke von Josef und Eduard Strauss, Beiträge zur Geschichte des Alt-Wiener Musikverlages, vol. 1/3 (Vienna, 1967).Google Scholar
Weinmann, Alexander Vollständiges Verlagsverzeichnis Senefelder, Steiner, Haslinger, vol. 2: Tobias Haslinger (Wien 1826–1843), Beiträge zur Geschichte des Alt-Wiener Musikverlages, vol. 2/19 (Munich, 1980).Google Scholar
Weinmann, Alexander Vollständiges Verlagsverzeichnis Senefelder, Steiner, Haslinger, vol. 3: Tobias Haslingers Witwe und Sohn und Carl Haslinger qdm. Tobias (Wien 1843–1875), Beiträge zur Geschichte des Alt-Wiener Musikverlages, vol. 2/19 (Munich, 1983).Google Scholar
Weintraub, Stanley. Charlotte and Lionel: A Rothschild Love Story (New York, 2003).Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • David Wyn Jones, Cardiff University
  • Book: The Strauss Dynasty and Habsburg Vienna
  • Online publication: 09 June 2023
  • Chapter DOI: https://doi.org/10.1017/9781009276450.011
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • David Wyn Jones, Cardiff University
  • Book: The Strauss Dynasty and Habsburg Vienna
  • Online publication: 09 June 2023
  • Chapter DOI: https://doi.org/10.1017/9781009276450.011
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • David Wyn Jones, Cardiff University
  • Book: The Strauss Dynasty and Habsburg Vienna
  • Online publication: 09 June 2023
  • Chapter DOI: https://doi.org/10.1017/9781009276450.011
Available formats
×