The Cambridge Companion to Video Game Music

doi:10.1017/9781108670289

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This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

Deng, Jing and Pan, Younghwan 2023. Evaluating Influencing Factors of Audiences’ Attitudes toward Virtual Concerts: Evidence from China. Behavioral Sciences, Vol. 13, Issue. 6, p. 478.

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Fernández-Cortés, Juan Pablo 2023. Patrimonio sonoro videolúdico: valoración, conservación y sostenibilidad. Cuadernos de Documentación Multimedia, Vol. 33, Issue. , p. e92000.

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Heazlewood-Dale, James C. 2024. Video Games and Environmental Humanities. p. 87.

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López Gómez, Lidia 2024. Dynamic Music Video: Categorizing the Convergence of Video Games and Music Videos. Games and Culture,

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Edited by Melanie Fritsch, Heinrich-Heine-Universität Düsseldorf, Tim Summers, Royal Holloway, University of London

Publisher:: Cambridge University Press
Online publication date:: April 2021
Print publication year:: 2021
Online ISBN:: 9781108670289
DOI:: https://doi.org/10.1017/9781108670289

Subjects:: Twentieth-Century and Contemporary Music, Music, Film, Media, Mass Communication, Music: General Interest, Media, Mass Communication
Collection:: The Cambridge Companions to Music
Series:: Cambridge Companions to Music

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Video game music has been permeating popular culture for over forty years. Now, reaching billions of listeners, game music encompasses a diverse spectrum of musical materials and practices. This book provides a comprehensive, up-to-date survey of video game music by a diverse group of scholars and industry professionals. The chapters and summaries consolidate existing knowledge and present tools for readers to engage with the music in new ways. Many popular games are analysed, including Super Mario Galaxy, Bastion, The Last of Us, Kentucky Route Zero and the Katamari, Gran Turismo and Tales series. Topics include chiptunes, compositional processes, localization, history and game music concerts. The book also engages with other disciplines such as psychology, music analysis, business strategy and critical theory, and will prove an equally valuable resource for readers active in the industry, composers or designers, and music students and scholars.

‘The work as a whole is useful for both game researchers and game designers; individual essays focus on such topics as intellectual property, music theory, the history of technology since the 1970s, identity and representation in video games, and the affective and physiological effects of music beyond this specific field … Recommended.’

W. McNelis Source: Choice Connect

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The Cambridge Companion to Video Game Music

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