Book contents
- Tom Stoppard in Context
- Frontispiece
- Tom Stoppard in Context
- Copyright page
- Contents
- Notes on Contributors
- Chronology
- Abbreviations
- Introduction
- Part I Origins
- Part II Influences
- Part III Ideas
- Part IV Aesthetics
- Chapter 15 Art and Aesthetics
- Chapter 16 Classicism and Romanticism
- Chapter 17 Modernism and the Avant-Garde
- Chapter 18 Music
- Part V Politics
- Part VI Page, Stage, and Screen
- Further Reading
- Index
Chapter 16 - Classicism and Romanticism
from Part IV - Aesthetics
Published online by Cambridge University Press: 09 June 2021
- Tom Stoppard in Context
- Frontispiece
- Tom Stoppard in Context
- Copyright page
- Contents
- Notes on Contributors
- Chronology
- Abbreviations
- Introduction
- Part I Origins
- Part II Influences
- Part III Ideas
- Part IV Aesthetics
- Chapter 15 Art and Aesthetics
- Chapter 16 Classicism and Romanticism
- Chapter 17 Modernism and the Avant-Garde
- Chapter 18 Music
- Part V Politics
- Part VI Page, Stage, and Screen
- Further Reading
- Index
Summary
The explicit attention to Classicism and Romanticism in Arcadia and The Invention of Love highlights Stoppard’s interest in the dramatic potential of contrasting head and heart. However, beyond the simple opposition of aesthetic categories and temperaments, the Classical-Romantic dynamic generates the playwright’s deepest understanding of history, epistemology, and creativity. Indeed, it cuts to the very nature of theatre as an art form and Stoppard’s approach to it.
Keywords
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- Information
- Tom Stoppard in Context , pp. 132 - 138Publisher: Cambridge University PressPrint publication year: 2021