Book contents
- Untangling Blackness in Greek Antiquity
- Untangling Blackness in Greek Antiquity
- Copyright page
- Contents
- Figures
- Tables
- Acknowledgments
- Note on Nomenclature
- Abbreviations
- Chapter 1 Introduction
- Chapter 2 Masks of Blackness
- Chapter 3 Masks of Difference in Aeschylus’s Suppliants
- Chapter 4 Beyond Blackness
- Chapter 5 From Greek Scythians to Black Greeks
- Chapter 6 Black Disguises in an Aithiopian Novel
- Chapter 7 Conclusion
- Book part
- Recommended Translations of Primary Greek Texts
- Bibliography
- Index
Chapter 3 - Masks of Difference in Aeschylus’s Suppliants
Published online by Cambridge University Press: 12 April 2022
- Untangling Blackness in Greek Antiquity
- Untangling Blackness in Greek Antiquity
- Copyright page
- Contents
- Figures
- Tables
- Acknowledgments
- Note on Nomenclature
- Abbreviations
- Chapter 1 Introduction
- Chapter 2 Masks of Blackness
- Chapter 3 Masks of Difference in Aeschylus’s Suppliants
- Chapter 4 Beyond Blackness
- Chapter 5 From Greek Scythians to Black Greeks
- Chapter 6 Black Disguises in an Aithiopian Novel
- Chapter 7 Conclusion
- Book part
- Recommended Translations of Primary Greek Texts
- Bibliography
- Index
Summary
Chapter 3 dissects the role of black skin color in Aeschylus’s Suppliants (c. 463 BCE). In this tragedy, Danaus’s black daughters, the Danaids, flee from Egypt to Argos to escape a forced marriage to their Egyptian cousins. Their knowledge of Greek religious rites convinces the Argive ruler, Pelasgus, that they are distant kin even though this Greek identity is seemingly contradicted by their black skin. This chapter asserts that the Danaids are sophisticated performers who successfully reduce the relevance of their physical alterity and declare their hybrid identity as black Egyptian Greeks. They are versatile and subtle ethnographers of the Argive Greeks to whom they supplicate. Conversely, their Argive audience – the intra-dramatic spectators of the Danaids’ difference – prove less able to comprehend their hybridized identity. An exploration of political resonances, particularly in relation to metics, draws the fifth-century BCE audience away from the distant mythical realm and towards their own political reality. Altogether, the drama speaks to the complicated exteriority of race in an ancient Greek tragedy.
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- Untangling Blackness in Greek Antiquity , pp. 66 - 97Publisher: Cambridge University PressPrint publication year: 2022