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Further Reading

Published online by Cambridge University Press:  28 March 2024

Edited by
Julian Onderdonk  and
Ceri Owen
Julian Onderdonk
Affiliation:
West Chester University, Pennsylvania
Ceri Owen
Affiliation:
University of Birmingham
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Vaughan Williams in Context , pp. 283 - 299
Publisher: Cambridge University Press
Print publication year: 2024

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References

Primary Sources

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Connock, Stephen. Toward the Sun Rising: Ralph Vaughan Williams Remembered (London: Albion Music, 2018).Google Scholar
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Eggar, Katharine E. ‘Ralph Vaughan Williams: Some Reflections on His Work’. The Music Student 12/9 (June 1920), 515–19.Google Scholar
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Cobbe, Hugh. ‘Michael Kennedy and Ralph Vaughan Williams: A Mutual Gift of Friendship’. Ralph Vaughan Williams Society Journal 63 (June 2015), 17–21.Google Scholar
Connock, Stephen, and Campbell, Isobel Montgomery (eds.), ‘The Greater Light’: A Compendium of the Life and Works of Martin Shaw (London: Albion Music, 2018).Google Scholar
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Adams, Byron. ‘Vaughan Williams’s Musical Apprenticeship’. In Frogley and Thomson, The Cambridge Companion to Vaughan Williams, 29–55.CrossRefGoogle Scholar
Benbow, Edwin (ed.). ‘Dr. Ralph Vaughan Williams, O. M.’ (Vaughan Williams Memorial Issue). The R. C. M. Magazine 55/1 (February 1959), 34.Google Scholar
Doctor, Jennifer. ‘“Working for Her Own Salvation”: Vaughan Williams as Teacher of Elizabeth Maconchy, Grace Williams and Ina Boyle’. In Foreman, Ralph Vaughan Williams in Perspective, 181–201.Google Scholar
Doctor, Jennifer. ‘Intersecting Circles: The Early Careers of Elizabeth Maconchy, Elizabeth Lutyens, and Grace Williams’. Women & Music 2 (1998), 90–109.Google Scholar
Siegel, Erica. ‘“I’m Not Making This Up, You Know!”: The Success of Two of Vaughan Williams’s Students in America’. The Musical Quarterly 99/3–4 (Fall–Winter 2016), 356–85.CrossRefGoogle Scholar
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Onderdonk, Julian. ‘The Composer and Society: Family, Politics, Nation’. In Frogley and Thomson, The Cambridge Companion to Vaughan Williams, 9–28.CrossRefGoogle Scholar
Wilson, Duncan. Gilbert Murray O. M. (Oxford: Clarendon Press, 1987).Google Scholar
Arrandale, Karen. Edward J. Dent: A Life of Words and Music (Woodbridge: The Boydell Press, 2023).Google Scholar
Boulestin, X. Marcel. ‘Les Post-Elgariens ou la jeune école anglaise’. Bulletin français de la Société Internationale de Musique 10/1 (January 1914), 19–30 (25–6).Google Scholar
Dent, Edward J. ‘The Music of The Wasps’. The Cambridge Review 31 (2 December 1909), 154–6.Google Scholar
Fauser, Annagret. ‘The Scholar Behind the Medal: Edward J. Dent (1876–1957) and the Politics of Music History’. Journal of the Royal Music Association 139/2 (2014), 235–60.Google Scholar
Knight, Frida. Cambridge Music from the Middle Ages to Modern Times (Cambridge: The Oleander Press, 1980).Google Scholar
McGuire, Charles Edward. ‘“An Englishman and a Democrat”: Vaughan Williams, Large Choral Works, and the British Festival Tradition’. In Frogley and Thomson, The Cambridge Companion to Vaughan Williams, 121–35.CrossRefGoogle Scholar
Frogley, Alain. ‘H. G. Wells and Vaughan Williams’s A London Symphony: Politics and Culture in Fin-de-Siècle England’. In Banks, Chris, Searle, Arthur, and Turner, Malcolm (eds.), Sundry Sorts of Music Books: Essays on the British Library Collections. Presented to O. W. Neighbour on His Seventieth Birthday (London: British Library, 1993), 299–308.Google Scholar
Frogley, Alain. ‘History and Geography: The Early Orchestral Works and the First Three Symphonies’. In Frogley and Thomson, The Cambridge Companion to Vaughan Williams, 81–105.CrossRefGoogle Scholar
Frogley, Alain. ‘Tonality on the Town: Orchestrating the Metropolis in Vaughan Williams’s A London Symphony’. In Wörner, Felix, Scheideler, Ullrich, and Rupprecht, Philip (eds.), Tonality 1900–1950: Concept and Practice (Stuttgart: Franz Steiner Verlag, 2012), 187–202.Google Scholar
Porter, Roy. London: A Social History (Cambridge: Harvard University Press, 1994).Google Scholar
White, Jerry. London in the Twentieth Century: A City and Its People (London: Viking Press, 2001).Google Scholar
Wolfreys, Julian. Writing London: The Trace of the Urban Text from Blake to Dickens (Basingstoke: Macmillan, 1998).CrossRefGoogle Scholar
Connock, Stephen. Toward the Sun Rising: Ralph Vaughan Williams Remembered (London: Albion Music, 2018).Google Scholar
Doctor, Jennifer. ‘“Working for Her Own Salvation”: Vaughan Williams as Teacher of Elizabeth Maconchy, Grace Williams and Ina Boyle’. In Foreman, Ralph Vaughan Williams in Perspective, 181–201.Google Scholar
Douglas, Roy. Working with Vaughan Williams: The Correspondence of Ralph Vaughan Williams and Roy Douglas (London: The British Library, 1988).Google Scholar
Eggar, Katharine E. ‘Ralph Vaughan Williams: Some Reflections on His Work’. The Music Student 12/9 (June 1920), 515–19.Google Scholar
Onderdonk, Julian. ‘The Composer and Society: Family, Politics, Nation’. In Frogley and Thomson, The Cambridge Companion to Vaughan Williams, 9–28.CrossRefGoogle Scholar
Vaughan Williams, Ralph. ‘Howland Medal Lecture’ [1954]. In Manning, David (ed.), Vaughan Williams on Music (Oxford: Oxford University Press, 2008), 99–109.Google Scholar
Cobbe, Hugh. ‘The Correspondence of Gerald Finzi and Ralph Vaughan Williams’. In Jordan, Rolf (ed.), The Clock of the Years: An Anthology of Writings on Gerald and Joy Finzi (Lichfield: Chosen Press, 2007), 196–203.Google Scholar
Cobbe, Hugh. ‘Michael Kennedy and Ralph Vaughan Williams: A Mutual Gift of Friendship’. Ralph Vaughan Williams Society Journal 63 (June 2015), 17–21.Google Scholar
Connock, Stephen, and Campbell, Isobel Montgomery (eds.), ‘The Greater Light’: A Compendium of the Life and Works of Martin Shaw (London: Albion Music, 2018).Google Scholar
Frogley, Alain. ‘Vaughan Williams and Nazi Germany: The 1937 Hamburg Shakespeare Prize’. In Brüstle, Christa and Heldt, Guido (eds.), Music as a Bridge: Musikalische Beziehungen zwischen England und Deutschland (Hildesheim: Georg Olms Verlag, 2005), 113–32.Google Scholar
Neighbour, Oliver. ‘Ralph, Adeline, and Ursula Vaughan Williams: Some Facts and Speculation (With a Note About Tippett)’. Music & Letters 89/3 (August 2008), 337–45.CrossRefGoogle Scholar
Adams, Byron. Review of Hugh Cobbe (ed.), The Letters of Ralph Vaughan Williams 1895–1958. Twentieth-Century Music 6/2 (September 2009), 264–71.Google Scholar
Adams, Byron. ‘Vaughan Williams’s Musical Apprenticeship’. In Frogley and Thomson, The Cambridge Companion to Vaughan Williams, 29–55.CrossRefGoogle Scholar
Benbow, Edwin (ed.). ‘Dr. Ralph Vaughan Williams, O. M.’ (Vaughan Williams Memorial Issue). The R. C. M. Magazine 55/1 (February 1959), 34.Google Scholar
Doctor, Jennifer. ‘“Working for Her Own Salvation”: Vaughan Williams as Teacher of Elizabeth Maconchy, Grace Williams and Ina Boyle’. In Foreman, Ralph Vaughan Williams in Perspective, 181–201.Google Scholar
Doctor, Jennifer. ‘Intersecting Circles: The Early Careers of Elizabeth Maconchy, Elizabeth Lutyens, and Grace Williams’. Women & Music 2 (1998), 90–109.Google Scholar
Siegel, Erica. ‘“I’m Not Making This Up, You Know!”: The Success of Two of Vaughan Williams’s Students in America’. The Musical Quarterly 99/3–4 (Fall–Winter 2016), 356–85.CrossRefGoogle Scholar
Annan, Noel. ‘The Intellectual Aristocracy’. In Plumb, J. H. (ed.), Studies in Social History: A Tribute to G. M. Trevelyan (London: Longmans, Green & Co., 1955), 241–87.Google Scholar
Cannadine, David. G. M. Trevelyan: A Life in History (London: HarperCollins, 1992).Google Scholar
Fifoot, C. H. S. Frederic William Maitland: A Life (Cambridge: Harvard University Press, 1971).CrossRefGoogle Scholar
Levy, Paul. Moore: G. E. Moore and the Cambridge Apostles (London: Weidenfeld and Nicolson, 1979).Google Scholar
Onderdonk, Julian. ‘The Composer and Society: Family, Politics, Nation’. In Frogley and Thomson, The Cambridge Companion to Vaughan Williams, 9–28.CrossRefGoogle Scholar
Wilson, Duncan. Gilbert Murray O. M. (Oxford: Clarendon Press, 1987).Google Scholar
Arrandale, Karen. Edward J. Dent: A Life of Words and Music (Woodbridge: The Boydell Press, 2023).Google Scholar
Boulestin, X. Marcel. ‘Les Post-Elgariens ou la jeune école anglaise’. Bulletin français de la Société Internationale de Musique 10/1 (January 1914), 19–30 (25–6).Google Scholar
Dent, Edward J. ‘The Music of The Wasps’. The Cambridge Review 31 (2 December 1909), 154–6.Google Scholar
Fauser, Annagret. ‘The Scholar Behind the Medal: Edward J. Dent (1876–1957) and the Politics of Music History’. Journal of the Royal Music Association 139/2 (2014), 235–60.Google Scholar
Knight, Frida. Cambridge Music from the Middle Ages to Modern Times (Cambridge: The Oleander Press, 1980).Google Scholar
McGuire, Charles Edward. ‘“An Englishman and a Democrat”: Vaughan Williams, Large Choral Works, and the British Festival Tradition’. In Frogley and Thomson, The Cambridge Companion to Vaughan Williams, 121–35.CrossRefGoogle Scholar
Frogley, Alain. ‘H. G. Wells and Vaughan Williams’s A London Symphony: Politics and Culture in Fin-de-Siècle England’. In Banks, Chris, Searle, Arthur, and Turner, Malcolm (eds.), Sundry Sorts of Music Books: Essays on the British Library Collections. Presented to O. W. Neighbour on His Seventieth Birthday (London: British Library, 1993), 299–308.Google Scholar
Frogley, Alain. ‘History and Geography: The Early Orchestral Works and the First Three Symphonies’. In Frogley and Thomson, The Cambridge Companion to Vaughan Williams, 81–105.CrossRefGoogle Scholar
Frogley, Alain. ‘Tonality on the Town: Orchestrating the Metropolis in Vaughan Williams’s A London Symphony’. In Wörner, Felix, Scheideler, Ullrich, and Rupprecht, Philip (eds.), Tonality 1900–1950: Concept and Practice (Stuttgart: Franz Steiner Verlag, 2012), 187–202.Google Scholar
Porter, Roy. London: A Social History (Cambridge: Harvard University Press, 1994).Google Scholar
White, Jerry. London in the Twentieth Century: A City and Its People (London: Viking Press, 2001).Google Scholar
Wolfreys, Julian. Writing London: The Trace of the Urban Text from Blake to Dickens (Basingstoke: Macmillan, 1998).CrossRefGoogle Scholar
Connock, Stephen. Toward the Sun Rising: Ralph Vaughan Williams Remembered (London: Albion Music, 2018).Google Scholar
Doctor, Jennifer. ‘“Working for Her Own Salvation”: Vaughan Williams as Teacher of Elizabeth Maconchy, Grace Williams and Ina Boyle’. In Foreman, Ralph Vaughan Williams in Perspective, 181–201.Google Scholar
Douglas, Roy. Working with Vaughan Williams: The Correspondence of Ralph Vaughan Williams and Roy Douglas (London: The British Library, 1988).Google Scholar
Eggar, Katharine E. ‘Ralph Vaughan Williams: Some Reflections on His Work’. The Music Student 12/9 (June 1920), 515–19.Google Scholar
Onderdonk, Julian. ‘The Composer and Society: Family, Politics, Nation’. In Frogley and Thomson, The Cambridge Companion to Vaughan Williams, 9–28.CrossRefGoogle Scholar
Vaughan Williams, Ralph. ‘Howland Medal Lecture’ [1954]. In Manning, David (ed.), Vaughan Williams on Music (Oxford: Oxford University Press, 2008), 99–109.Google Scholar
Cobbe, Hugh. ‘The Correspondence of Gerald Finzi and Ralph Vaughan Williams’. In Jordan, Rolf (ed.), The Clock of the Years: An Anthology of Writings on Gerald and Joy Finzi (Lichfield: Chosen Press, 2007), 196–203.Google Scholar
Cobbe, Hugh. ‘Michael Kennedy and Ralph Vaughan Williams: A Mutual Gift of Friendship’. Ralph Vaughan Williams Society Journal 63 (June 2015), 17–21.Google Scholar
Connock, Stephen, and Campbell, Isobel Montgomery (eds.), ‘The Greater Light’: A Compendium of the Life and Works of Martin Shaw (London: Albion Music, 2018).Google Scholar
Frogley, Alain. ‘Vaughan Williams and Nazi Germany: The 1937 Hamburg Shakespeare Prize’. In Brüstle, Christa and Heldt, Guido (eds.), Music as a Bridge: Musikalische Beziehungen zwischen England und Deutschland (Hildesheim: Georg Olms Verlag, 2005), 113–32.Google Scholar
Neighbour, Oliver. ‘Ralph, Adeline, and Ursula Vaughan Williams: Some Facts and Speculation (With a Note About Tippett)’. Music & Letters 89/3 (August 2008), 337–45.CrossRefGoogle Scholar
Adams, Byron. Review of Hugh Cobbe (ed.), The Letters of Ralph Vaughan Williams 1895–1958. Twentieth-Century Music 6/2 (September 2009), 264–71.Google Scholar
Adams, Byron. ‘Vaughan Williams’s Musical Apprenticeship’. In Frogley and Thomson, The Cambridge Companion to Vaughan Williams, 29–55.CrossRefGoogle Scholar
Benbow, Edwin (ed.). ‘Dr. Ralph Vaughan Williams, O. M.’ (Vaughan Williams Memorial Issue). The R. C. M. Magazine 55/1 (February 1959), 34.Google Scholar
Doctor, Jennifer. ‘“Working for Her Own Salvation”: Vaughan Williams as Teacher of Elizabeth Maconchy, Grace Williams and Ina Boyle’. In Foreman, Ralph Vaughan Williams in Perspective, 181–201.Google Scholar
Doctor, Jennifer. ‘Intersecting Circles: The Early Careers of Elizabeth Maconchy, Elizabeth Lutyens, and Grace Williams’. Women & Music 2 (1998), 90–109.Google Scholar
Siegel, Erica. ‘“I’m Not Making This Up, You Know!”: The Success of Two of Vaughan Williams’s Students in America’. The Musical Quarterly 99/3–4 (Fall–Winter 2016), 356–85.CrossRefGoogle Scholar
Annan, Noel. ‘The Intellectual Aristocracy’. In Plumb, J. H. (ed.), Studies in Social History: A Tribute to G. M. Trevelyan (London: Longmans, Green & Co., 1955), 241–87.Google Scholar
Cannadine, David. G. M. Trevelyan: A Life in History (London: HarperCollins, 1992).Google Scholar
Fifoot, C. H. S. Frederic William Maitland: A Life (Cambridge: Harvard University Press, 1971).CrossRefGoogle Scholar
Levy, Paul. Moore: G. E. Moore and the Cambridge Apostles (London: Weidenfeld and Nicolson, 1979).Google Scholar
Onderdonk, Julian. ‘The Composer and Society: Family, Politics, Nation’. In Frogley and Thomson, The Cambridge Companion to Vaughan Williams, 9–28.CrossRefGoogle Scholar
Wilson, Duncan. Gilbert Murray O. M. (Oxford: Clarendon Press, 1987).Google Scholar
Arrandale, Karen. Edward J. Dent: A Life of Words and Music (Woodbridge: The Boydell Press, 2023).Google Scholar
Boulestin, X. Marcel. ‘Les Post-Elgariens ou la jeune école anglaise’. Bulletin français de la Société Internationale de Musique 10/1 (January 1914), 19–30 (25–6).Google Scholar
Dent, Edward J. ‘The Music of The Wasps’. The Cambridge Review 31 (2 December 1909), 154–6.Google Scholar
Fauser, Annagret. ‘The Scholar Behind the Medal: Edward J. Dent (1876–1957) and the Politics of Music History’. Journal of the Royal Music Association 139/2 (2014), 235–60.Google Scholar
Knight, Frida. Cambridge Music from the Middle Ages to Modern Times (Cambridge: The Oleander Press, 1980).Google Scholar
McGuire, Charles Edward. ‘“An Englishman and a Democrat”: Vaughan Williams, Large Choral Works, and the British Festival Tradition’. In Frogley and Thomson, The Cambridge Companion to Vaughan Williams, 121–35.CrossRefGoogle Scholar
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Saylor, Eric. English Pastoral Music: From Arcadia to Utopia, 1900–1955 (Urbana: University of Illinois Press, 2017).CrossRefGoogle Scholar
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Boyes, Georgina. ‘“An Individual Flowering”: Ralph Vaughan Williams’s Work in Folksong’. Ralph Vaughan Williams Society Journal 46 (October 2009), 7–8.Google Scholar
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Knevett, Arthur. ‘Folk Songs for Schools: Cecil Sharp, Patriotism, and “The National Song Book”’. Folk Music Journal 11/3 (2018), 47–71.Google Scholar
Onderdonk, Julian. ‘Vaughan Williams’s Folksong Transcriptions: A Case of Idealization?’ In Frogley, Vaughan Williams Studies, 118–38.Google Scholar
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Luff, Alan (ed.). Strengthen for Service: 100 Years of the English Hymnal 1906–2006 (Norwich: Canterbury Press, 2005).Google Scholar
Onderdonk, Julian. ‘Folksong Arrangements, Hymn Tunes and Church Music’. In Frogley and Thomson, The Cambridge Companion to Vaughan Williams, 136–56.CrossRefGoogle Scholar
Otter, Sandra den. ‘“Thinking in Communities”: Late Nineteenth-Century Liberals, Idealists and the Retrieval of Community’. Parliamentary History 16 (1997), 67–84.CrossRefGoogle Scholar
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Wright, David. ‘Novello, John Stainer and Commercial Opportunities in the Nineteenth-Century British Amateur Music Market’. In Bashford, Christina and Marvin, Roberta Montemorra (eds.), The Idea of Art Music in a Commercial World, 1800–1930 (Woodbridge: The Boydell Press, 2016), 60–84.Google Scholar
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Doctor, Jennifer. The BBC and Ultra-Modern Music, 1922–1936 (Cambridge: Cambridge University Press, 1999).Google Scholar
Kennedy, Michael. Adrian Boult (London: Hamish Hamilton, 1987).Google Scholar
Kennedy, Michael. Barbirolli, Conductor Laureate: The Authorised Biography (London: MacGibbon and Kee, 1971).Google Scholar
Kenyon, Nicholas. The BBC Symphony Orchestra: The First Fifty Years, 1930–1980 (London: British Broadcasting Corporation, 1981).Google Scholar
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Baade, Christina. Victory Through Harmony: The BBC and Popular Music in World War II (Oxford: Oxford University Press, 2012).Google Scholar
Doctor, Jenny. ‘Vaughan Williams, Boult and the BBC’. In Frogley and Thomson, The Cambridge Companion to Vaughan Williams, 249–74.CrossRefGoogle Scholar
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Kenyon, Nicholas. The BBC Symphony Orchestra: The First Fifty Years, 1930–1980 (London: British Broadcasting Corporation, 1981).Google Scholar
Scannell, Paddy and Cardiff, David. A Social History of British Broadcasting Vol. 1: 1922–1939 Serving the Nation (Oxford: Basil Blackwell, 1991).Google Scholar
Stradling, Robert and Hughes, Meirion. The English Musical Renaissance 1860–1940: Construction and Deconstruction (London: Routledge, 1993).Google Scholar
Whittall, Arnold. ‘“Symphony in D Major”: Models and Mutations’. In Frogley, Vaughan Williams Studies, 187–212.Google Scholar
Atlas, Allan W. ‘Madelon Coates’s Guided Tour of London: Vaughan Williams’s A London Symphony in the United States, 1920–1925’. The Musical Times 164/1964 (Autumn 2023), 61–81.Google Scholar
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Demarquez, Suzanne. ‘L’École anglaise contemporaine’. La Revue Musicale 12/117–18 (July–August 1931), 105–18.Google Scholar
Dunton Green, L. ‘Die englische Musik der Gegenwart’. Die Musik 18/7 (April 1926), 509–17.Google Scholar
Frogley, Alain. ‘Constructing Englishness in Music: National Character and the Reception of Ralph Vaughan Williams’. In Frogley, Vaughan Williams Studies, 1–22.CrossRefGoogle Scholar
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Cook, Nicholas, Clarke, Eric, Leech-Wilkinson, Daniel, and Rink, John (eds.), The Cambridge Companion to Recorded Music (Cambridge: Cambridge University Press, 2009).CrossRefGoogle Scholar
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Lloyd, Stephen. ‘Vaughan Williams’s A London Symphony: The Original Version and Early Performances and Recordings’. In Foreman, Ralph Vaughan Williams in Perspective, 91–112.Google Scholar
Martland, Peter. Recording History: The British Record Industry, 1888–1931 (Lanham: The Scarecrow Press, 2013).Google Scholar
Morgan, Nick. ‘“A New Pleasure”: Listening to National Gramophonic Society Records, 1924–1931’. Musicae Scientiae 14/2 (Fall 2010), 139–64.CrossRefGoogle Scholar
Morton, David L. Jr. Sound Recording: The Life Story of a Technology (Baltimore: The Johns Hopkins University Press, 2004).Google Scholar
Adams, Byron. ‘“No Armpits, Please, We’re British”: Whitman and English Music, 1884–1936’. In Kramer, Lawrence (ed.), Walt Whitman and Modern Music: War, Desire, and the Trials of Nationhood (London: Garland Publishing, 2000), 25–42.Google Scholar
Frogley, Alain. ‘“O Farther Sail”: Vaughan Williams and Whitman’. In Rushton, Let Beauty Awake: Elgar, Vaughan Williams, and Literature, 77–95.Google Scholar
Frogley, Alain. ‘“The Old Sweet Anglo-Saxon Spell”: Racial Discourses and the American Reception of British Music, 1895–1933’. In Brown, Julie (ed.), Western Music and Race (Cambridge: Cambridge University Press, 2007), 244–57.Google Scholar
Frogley, Alain. ‘Vaughan Williams and the New World: Manuscript Sources in North American Libraries’. Notes: Quarterly Journal of the Music Library Association 53/4 (June 1992), 1175–92.Google Scholar
Levy, Beth. Frontier Figures: American Music and the Mythology of the American West (Berkeley: University of California Press, 2012).Google Scholar
Moore, MacDonald Smith. Yankee Blues: Musical Culture and American Identity (Bloomington: Indiana University Press, 1985).Google Scholar
Atlas, Allan W. ‘Madelon Coates’s Guided Tour of London: Vaughan Williams’s A London Symphony in the United States, 1920–1925’. The Musical Times 164/1964 (Autumn 2023), 61–81.Google Scholar
Atlas, Allan W. ‘On the Reception of Ralph Vaughan Williams’s Symphonies in New York, 1920/21–2014/15’. Royal Musical Association Research Chronicle 47 (2016), 24–86.CrossRefGoogle Scholar
Atlas, Allan W. ‘Vaughan Williams in Modern Music’. The Musical Times 162/1957 (Winter 2021), 47–66.Google Scholar
Kennedy, Michael. ‘Fluctuations in the Response to the Music of Ralph Vaughan Williams’. In Frogley and Thomson, The Cambridge Companion to Vaughan Williams, 275–98.CrossRefGoogle Scholar
Thomson, Aidan J. ‘Becoming a National Composer: Critical Reception to c. 1925’. In Frogley and Thomson, The Cambridge Companion to Vaughan Williams, 56–78.Google Scholar
Demarquez, Suzanne. ‘L’École anglaise contemporaine’. La Revue Musicale 12/117–18 (July–August 1931), 105–18.Google Scholar
Dunton Green, L. ‘Die englische Musik der Gegenwart’. Die Musik 18/7 (April 1926), 509–17.Google Scholar
Frogley, Alain. ‘Constructing Englishness in Music: National Character and the Reception of Ralph Vaughan Williams’. In Frogley, Vaughan Williams Studies, 1–22.CrossRefGoogle Scholar
Frogley, Alain. ‘Vaughan Williams and Nazi Germany: The 1937 Hamburg Shakespeare Prize’. In Brüstle, Christa and Heldt, Guido (eds.), Music as a Bridge: Musikalische Beziehungen zwischen England und Deutschland (Hildesheim: Georg Olms Verlag, 2005), 113–32.Google Scholar
Jean-Aubry, Georges. ‘British Music Through French Eyes’. The Musical Quarterly 5/2 (April 1919), 192–212.CrossRefGoogle Scholar
Thomson, Aidan J. ‘Becoming a National Composer: Critical Reception to c. 1925’. In Frogley and Thomson, The Cambridge Companion to Vaughan Williams, 56–78.Google Scholar
Cook, Nicholas, Clarke, Eric, Leech-Wilkinson, Daniel, and Rink, John (eds.), The Cambridge Companion to Recorded Music (Cambridge: Cambridge University Press, 2009).CrossRefGoogle Scholar
Gammond, Peter and Horricks, Raymond (eds.), The Music Goes Round & Round: A Cool Look at the Record Industry (London: Quartet Books, 1980).Google Scholar
Lloyd, Stephen. ‘Vaughan Williams’s A London Symphony: The Original Version and Early Performances and Recordings’. In Foreman, Ralph Vaughan Williams in Perspective, 91–112.Google Scholar
Martland, Peter. Recording History: The British Record Industry, 1888–1931 (Lanham: The Scarecrow Press, 2013).Google Scholar
Morgan, Nick. ‘“A New Pleasure”: Listening to National Gramophonic Society Records, 1924–1931’. Musicae Scientiae 14/2 (Fall 2010), 139–64.CrossRefGoogle Scholar
Morton, David L. Jr. Sound Recording: The Life Story of a Technology (Baltimore: The Johns Hopkins University Press, 2004).Google Scholar
Adams, Byron. ‘“No Armpits, Please, We’re British”: Whitman and English Music, 1884–1936’. In Kramer, Lawrence (ed.), Walt Whitman and Modern Music: War, Desire, and the Trials of Nationhood (London: Garland Publishing, 2000), 25–42.Google Scholar
Frogley, Alain. ‘“O Farther Sail”: Vaughan Williams and Whitman’. In Rushton, Let Beauty Awake: Elgar, Vaughan Williams, and Literature, 77–95.Google Scholar
Frogley, Alain. ‘“The Old Sweet Anglo-Saxon Spell”: Racial Discourses and the American Reception of British Music, 1895–1933’. In Brown, Julie (ed.), Western Music and Race (Cambridge: Cambridge University Press, 2007), 244–57.Google Scholar
Frogley, Alain. ‘Vaughan Williams and the New World: Manuscript Sources in North American Libraries’. Notes: Quarterly Journal of the Music Library Association 53/4 (June 1992), 1175–92.Google Scholar
Levy, Beth. Frontier Figures: American Music and the Mythology of the American West (Berkeley: University of California Press, 2012).Google Scholar
Moore, MacDonald Smith. Yankee Blues: Musical Culture and American Identity (Bloomington: Indiana University Press, 1985).Google Scholar

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  • Further Reading
  • Edited by Julian Onderdonk, West Chester University, Pennsylvania, Ceri Owen, University of Birmingham
  • Book: Vaughan Williams in Context
  • Online publication: 28 March 2024
  • Chapter DOI: https://doi.org/10.1017/9781108681261.034
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  • Further Reading
  • Edited by Julian Onderdonk, West Chester University, Pennsylvania, Ceri Owen, University of Birmingham
  • Book: Vaughan Williams in Context
  • Online publication: 28 March 2024
  • Chapter DOI: https://doi.org/10.1017/9781108681261.034
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  • Further Reading
  • Edited by Julian Onderdonk, West Chester University, Pennsylvania, Ceri Owen, University of Birmingham
  • Book: Vaughan Williams in Context
  • Online publication: 28 March 2024
  • Chapter DOI: https://doi.org/10.1017/9781108681261.034
Available formats
×