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from Part II - Inspiration and Expression
Published online by Cambridge University Press: 28 March 2024
This chapter examines the relationship between Vaughan Williams’s music and ideas of landscape. Although images of landscape and nature have often figured prominently in the reception of Vaughan Williams’s work, closer attention to their historical context reveals that they were highly contested and contingent terms. Vaughan Williams’s preoccupation with landscape hence emerges as a highly productive creative tension throughout his composition output, from his early orchestral tone poems to his final symphony.
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