Book contents
- Vaughan Williams in Context
- Composers in Context
- Vaughan Williams in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Graphs and Tables
- Musical Examples
- Notes on Contributors
- Acknowledgements
- Editorial Note
- Bibliographic Abbreviations
- Introduction
- Part I Biography, People, Places
- Part II Inspiration and Expression
- Chapter 7 Early Development
- Chapter 8 Romanticism
- Chapter 9 Amateur Music and Musicians
- Chapter 10 Performance
- Chapter 11 Modalities of Landscape
- Part III Culture and Society
- Part IV Arts
- Part V Institutions
- Part VI Reception
- Further Reading
- Index of Works
- General Index
Chapter 11 - Modalities of Landscape
from Part II - Inspiration and Expression
Published online by Cambridge University Press: 28 March 2024
- Vaughan Williams in Context
- Composers in Context
- Vaughan Williams in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Graphs and Tables
- Musical Examples
- Notes on Contributors
- Acknowledgements
- Editorial Note
- Bibliographic Abbreviations
- Introduction
- Part I Biography, People, Places
- Part II Inspiration and Expression
- Chapter 7 Early Development
- Chapter 8 Romanticism
- Chapter 9 Amateur Music and Musicians
- Chapter 10 Performance
- Chapter 11 Modalities of Landscape
- Part III Culture and Society
- Part IV Arts
- Part V Institutions
- Part VI Reception
- Further Reading
- Index of Works
- General Index
Summary
This chapter examines the relationship between Vaughan Williams’s music and ideas of landscape. Although images of landscape and nature have often figured prominently in the reception of Vaughan Williams’s work, closer attention to their historical context reveals that they were highly contested and contingent terms. Vaughan Williams’s preoccupation with landscape hence emerges as a highly productive creative tension throughout his composition output, from his early orchestral tone poems to his final symphony.
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- Information
- Vaughan Williams in Context , pp. 93 - 102Publisher: Cambridge University PressPrint publication year: 2024