Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-mlc7c Total loading time: 0 Render date: 2024-11-10T00:07:04.043Z Has data issue: false hasContentIssue false

4 - Licia Canton: Rewriting the Italian Mother (Tongue, Land)’s Legacy in Self-Translation

Published online by Cambridge University Press:  01 March 2024

Elena Anna Spagnuolo
Affiliation:
Aberystwyth University
Get access

Summary

Growing Up in a Cavarzeran Community in Montréal

Licia Canton is another representative of the Italian-Canadian literary movement. Her story retraces the steps followed by Gianna Patriarca and Dôre Michelut, and it echoes the stories of many other Italian-Canadian migrants. She was born in Cavarzere, a small town in the province of Venice. In 1967, when she was four years old, she moved to Montréal with her family. Being forced to leave her native land and start a new life in a new territory was a painful and distressing experience, which has thenceforth marked her personal and professional lives. In the essay ‘Writing Canadian Narratives with Italian Accents: The Pink House and Other Stories’, she writes that, while she used to be a talkative child in Italy, in Canada she became shy and did not speak much (2019, 60). The experience of being voiceless, which is common among Italian-Canadian authors, especially female ones, triggered her need and desire to retrieve her voice, which subsequently inclined her to write. Indeed, in the same essay, she declares that she was able to find her voice only when she began writing (2019, 60).

Canton shows a great interest in migration and minority literature, with a sharp focus on Italian-Canadian literature. She has explored this theme in both critical and creative writing. Among the critical texts are Writing Our Way Home (2013), Conspicuous Accents (2014), Writing Cultural Difference (2015), and Writing Beyond History: an Antholog y of Prose and Poetry (2006). These anthologies collect the literary creations (both prose and poetry) of several Italian- Canadian authors. Among the literary texts that investigate migration from a less academic perspective is Almond Wine and Fertility (2008), where the author portrays the encounter between Italian and Canadian culture, and The Pink House and Other Stories, a collection of 15 short stories.

Among her many achievements, Canton was the recipient of the Premio Italia nel Mondo, that celebrates Italian excellence in the world. This award started in New York in 1994, when the famous Italian tenor Luciano Pavarotti was awarded.

Type
Chapter
Information
Voices of Women Writers
Using Language to Negotiate Identity in (Trans)migratory Contexts
, pp. 85 - 110
Publisher: Anthem Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×