Book contents
- W.G. Sebald in Context
- W.G. Sebald in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Notes on Contributors
- Preface
- Acknowledgements
- Note on Text
- Chronology
- Abbreviations
- Works by W.G. Sebald
- Part I Biographical Aspects
- Part II The Literary Works
- Part III Themes and Influences
- Chapter 17 Critical Writings
- Chapter 18 Minor Writing
- Chapter 19 Franz Kafka
- Chapter 20 Literary Predecessors
- Chapter 21 Walter Benjamin
- Chapter 22 Philosophical Models
- Chapter 23 History
- Chapter 24 Polemics
- Chapter 25 Holocaust
- Chapter 26 Photography
- Chapter 27 Paintings and Ekphrasis
- Chapter 28 Media Theory
- Chapter 29 Travel Writing
- Chapter 30 Ecocriticism and Animal Studies
- Part IV Reception and Legacy
- Further Reading
- Index
Chapter 20 - Literary Predecessors
from Part III - Themes and Influences
Published online by Cambridge University Press: 24 August 2023
- W.G. Sebald in Context
- W.G. Sebald in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Notes on Contributors
- Preface
- Acknowledgements
- Note on Text
- Chronology
- Abbreviations
- Works by W.G. Sebald
- Part I Biographical Aspects
- Part II The Literary Works
- Part III Themes and Influences
- Chapter 17 Critical Writings
- Chapter 18 Minor Writing
- Chapter 19 Franz Kafka
- Chapter 20 Literary Predecessors
- Chapter 21 Walter Benjamin
- Chapter 22 Philosophical Models
- Chapter 23 History
- Chapter 24 Polemics
- Chapter 25 Holocaust
- Chapter 26 Photography
- Chapter 27 Paintings and Ekphrasis
- Chapter 28 Media Theory
- Chapter 29 Travel Writing
- Chapter 30 Ecocriticism and Animal Studies
- Part IV Reception and Legacy
- Further Reading
- Index
Summary
This essay considers the ways in which Sebald’s engagement with his literary predecessors expresses his aim, explored in all his major books from Nach der Natur (After Nature, 1988) to Austerlitz (2001), of understanding the historically constructed condition of ‘culture’. Beyond the impact of specific individuals on his work – from Thomas Browne to Joseph Conrad, from Thomas Bernhard to Vladimir Nabokov – the essay considers why the idea of a literary tradition was so important to Sebald’s creative project, and how his intertextual engagement with this tradition helped shape the very terms of his writing. What does it mean, we can ask of Sebald with Susan Sontag, to be ‘a European at the end of European civilization’?
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- W. G. Sebald in Context , pp. 176 - 183Publisher: Cambridge University PressPrint publication year: 2023