Book contents
- Wagner in Context
- Composers in Context
- Wagner in Context
- Copyright page
- Contents
- Illustrations
- Musical Examples
- Contributors
- Acknowledgements
- Abbreviations
- Introduction
- I Place
- II People
- III Politics, Ideas, and Bodies
- IV Life, Language, and the Ancient World
- Chapter 23 Wagner’s Finances
- Chapter 24 Wagner’s Apprenticeship
- Chapter 25 Wagner’s Mendacious Humanism: Wagnerian Rhetoric between Nature and the Human
- Chapter 26 Declaiming Wagner: Between Genesis and Historical Performance Practice
- Chapter 27 The German Study of India and Buddhism
- Chapter 28 Greek Drama in Its Nineteenth-Century Reception
- V Music and Performance
- VI Reception
- Further Reading
- Select Bibliography
- Index
Chapter 23 - Wagner’s Finances
from IV - Life, Language, and the Ancient World
Published online by Cambridge University Press: 14 March 2024
- Wagner in Context
- Composers in Context
- Wagner in Context
- Copyright page
- Contents
- Illustrations
- Musical Examples
- Contributors
- Acknowledgements
- Abbreviations
- Introduction
- I Place
- II People
- III Politics, Ideas, and Bodies
- IV Life, Language, and the Ancient World
- Chapter 23 Wagner’s Finances
- Chapter 24 Wagner’s Apprenticeship
- Chapter 25 Wagner’s Mendacious Humanism: Wagnerian Rhetoric between Nature and the Human
- Chapter 26 Declaiming Wagner: Between Genesis and Historical Performance Practice
- Chapter 27 The German Study of India and Buddhism
- Chapter 28 Greek Drama in Its Nineteenth-Century Reception
- V Music and Performance
- VI Reception
- Further Reading
- Select Bibliography
- Index
Summary
Wagner and money is a cantus firmus of his biography. Notoriously broke, he is often regarded as a ‘pump genius’. He always demanded financial generosity from anyone who wanted to call themselves his friend. His pre-March criticism of capitalism has its origins in his completely underdeveloped economic mind. In King Ludwig II of Bavaria, he gained his most powerful and significant patron from 1864 onwards. But contrary to the widespread prejudice, it was by no means excessive sums that the king spent on Wagner. Moreover, in times without copyright and regulated royalty payments, artists were always dependent on patrons and gainful employment. Under today’s legal conditions, Wagner would have been a millionaire.
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- Information
- Wagner in Context , pp. 229 - 238Publisher: Cambridge University PressPrint publication year: 2024