Book contents
- War and American Literature
- Cambridge Themes in American Literature and Culture
- War and American Literature
- Copyright page
- Contents
- Contributors
- Acknowledgments
- Chronology
- Introduction
- Part I Aspects of War in American Literature
- Part II Cultural Moments and the American Literary Imagination
- Part III New Lines of Inquiry
- Chapter 18 War and Queerness
- Chapter 19 War and Disability Studies
- Chapter 20 War and Ecocriticism
- Chapter 21 War and Whiteness
- Chapter 22 War and Posthumanism
- Further Reading
- Index
Chapter 22 - War and Posthumanism
from Part III - New Lines of Inquiry
Published online by Cambridge University Press: 20 January 2021
- War and American Literature
- Cambridge Themes in American Literature and Culture
- War and American Literature
- Copyright page
- Contents
- Contributors
- Acknowledgments
- Chronology
- Introduction
- Part I Aspects of War in American Literature
- Part II Cultural Moments and the American Literary Imagination
- Part III New Lines of Inquiry
- Chapter 18 War and Queerness
- Chapter 19 War and Disability Studies
- Chapter 20 War and Ecocriticism
- Chapter 21 War and Whiteness
- Chapter 22 War and Posthumanism
- Further Reading
- Index
Summary
This essay examines key trends in war and posthumanism, from the early rise and recent revitalization of the idea of autonomous war machines, and the way the cyborg body acted metonymically for the unwilling soldier sent to Vietnam. The majority of military science fiction has backed away from the prospect of transhuman war, and even popular war franchises like Iron Man (comics and film) maintain that humans must and will be at the center of combat. The insistence on human agency in war flies directly in the face of US military policy, driven by the Revolution in Military Affairs. Just as war is being fought at ever greater removes by drones and autonomous weapons, popular military science fiction has retreated to representing wars whose technologies and strategies date from the mid-twentieth rather than mid-twenty-first century. Using fiction, film, and comic texts, this essay argues that maintaining human agency is crucial to the United States’s ongoing concept of itself as a frontier country advanced by determined pilgrims.
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- Information
- War and American Literature , pp. 330 - 344Publisher: Cambridge University PressPrint publication year: 2021