Book contents
- Writer and Occasion in Twelfth-Century Byzantium
- Frontispiece
- Writer and Occasion in Twelfth-Century Byzantium
- Copyright page
- Contents
- Acknowledgements
- A Note on Texts and Translations
- List of Abbreviations
- Chapter 1 The Authorial Voice of Occasional Literature
- Chapter 2 Praising the Emperor, Visualizing His City
- Chapter 3 The Occasion of Death
- Chapter 4 In Times of Trouble
- Chapter 5 On an Educational Note
- Chapter 6 Life, Love and the Past
- Chapter 7 Occasional Writing as a Creative Craft
- Bibliography
- Index locorum
- General Index
Chapter 6 - Life, Love and the Past
Self-Quotation and Recycling
Published online by Cambridge University Press: 03 December 2020
- Writer and Occasion in Twelfth-Century Byzantium
- Frontispiece
- Writer and Occasion in Twelfth-Century Byzantium
- Copyright page
- Contents
- Acknowledgements
- A Note on Texts and Translations
- List of Abbreviations
- Chapter 1 The Authorial Voice of Occasional Literature
- Chapter 2 Praising the Emperor, Visualizing His City
- Chapter 3 The Occasion of Death
- Chapter 4 In Times of Trouble
- Chapter 5 On an Educational Note
- Chapter 6 Life, Love and the Past
- Chapter 7 Occasional Writing as a Creative Craft
- Bibliography
- Index locorum
- General Index
Summary
Chapter 6 analyses and discusses the relation between the Verse chronicle, the novel Aristandros and Kallithea and the so-called Moral poem. These three works share not only a number of motifs and themes but also a fairly large number of verses. They contain motifs such as the instability of fortune and the dangers of envy, which appear also in other texts by Manasses. The investigation here aims at understanding the significance of authorial choices in the handling of slander and envy: the recycling of images and expressions that transgress genre boundaries and thus contribute to a characteristic authorial voice. The attribution of the Moral poem to Manasses has been questioned, but in view of its relevance for a better understanding of Manasses’ authorship and its reception, it is included in the analysis. Regardless of who composed the poem, it represents the Manassean voice and makes for a fruitful discussion of questions of authorship, attribution and tradition.
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- Writer and Occasion in Twelfth-Century ByzantiumThe Authorial Voice of Constantine Manasses, pp. 142 - 169Publisher: Cambridge University PressPrint publication year: 2020