Though Kenelm Henry Digby, a romantic convert, is a minor figure within the story of the development of nineteenth-century English Catholicism, his name is recalled in passing in many of the text books; and so, perhaps, some seventy years after Bernard Holland’s sketchy biography of him, there is room for a reassessment of his place within Victorian Catholicism, in which milieu his name was well-known, his books widely read, and his person much-loved. In W. G. Roe’s estimate, his writings ‘made a considerable contribution, if not to the thought, at least to the atmosphere of the Catholic revival.’ He was interesting as the first man to use the widespread fascination with the Middle Ages for the purpose of Catholic apologetic. When so distinguished a figure as Lord Acton noted his influence, and a contributor to the Dublin Review suggested in 1843 that Digby’s writings had helped to reduce anti-Catholic prejudice, it is of interest to reconstruct his views on, and his contribution to, English Catholicism. The task is difficult, for he was and remains an elusive figure, somewhat isolated, uncontroversial, obsessively restless and given to writing numerous volumes of poor prose and terrible meditative poetry, which, despite their autobiographical nature, are frustratingly unrevealing.