In his article on tragedy (Diogenes, No. 7), Mr. Charles G. Bell has offered us some provocative insights and opinions. I am compelled to question, however, some of the basic concepts he brings to the interpretation of tragedy.
It would seem that Mr. Bell, despite the depth of his thinking, has embraced several of the current clichés, which perhaps have their origin in the writings of A. C. Bradley. Critics adhering to this school hold that, for one reason or another, it is not possible to write tragedy in the twentieth century and that no work ending in bleak pessimism or despair is tragic. Mr. Bell, combining literary and historical criteria, is particularly severe in his limitation of the field of tragedy and the possibilities open to it. If I read him aright, only Aeschylus, Shakespeare, and the earlier Sophocles (before he fell from grace) have ever really earned admission to the exclusive realm.