It is known that when Boabdil, the last of the Abencerrages, left Granada definitively, driven out by the reconquest, he gave a final look at his admirable city and, at that precise moment, sighed deeply. That sigh—el suspiro del Moro—has come down to us through history and after us will no doubt touch and disturb the sensibility of our descendants until the end of time. However, is it really a matter of Boabdil‘s sigh only, or is it the one, coming from Adam, of those who have lost Paradise? Here, Boabdil seems to be one relay among others of that lament issuing from the depths of the species and rising, as regret and never-ceasing nostalgia, to the easily-agitated surface of our ocean of domesticity. Since that first garden, we have been the unloved children of this regret and this nostalgia. The angel with the fiery sword changes nothing: he does not have our memory that, alone, makes us every day a little less original and, in doing so, expels us, making us a little more defenseless than we were when we came out of the void. To remember is obviously to lose oneself, and we are at every moment in this vertiginous situation. As Heidegger said, to remember is to contemplate oblivion.

The land has come Into its own. At last it has become the focus of great national problems which until now were evoked most frequently with regard to and for the benefit of cities, or even of metropolitan areas. Its very representation, until very recent ages held to be terribly abstract and reserved to technicians, today belongs to the public domain. Exhibitions bearing titles such as Maps and Illustrations of the Earth (Paris, 1980) or Landscape: Image and Reality (Bologna, 1981) attract as many visitors as an Impressionist retrospective, not only because of the novelty of the theme, the rarity of certain documents or the beauty of most of them, as proven by the success of even more specialized events such as those dedicated to the 1730 Sardinian cadastre in Savoy or to the one of Maria-Theresa in Lombardy (Chambéry and Pavia, 1980).

Should the city be read as a negative or a positive? Is it a tissue of buildings, separated by streets and squares, or is it a series of public spaces: streets, squares, gardens, parks—between which buildings rise as enclaves of private and semi-private volume?

The New Towns Movement began in England and later spread world-wide in response to the increasing concern felt at the deterioration of the quality of life in the large cities under the impact of industrialization. The New Towns, it was felt, would combine the advantages of life in the country with that of life in the city. They would be small communities of between 30.000 and 60.000 inhabitants. Their principal characteristics were to be a balanced economy and a well-defined pattern of industrial, commercial and residential zones.

In the past few decades world architecture has seen radical changes as the result of industrialization, standardization and mass production. For Soviet architecture this half century of scientific and technical revolution along with the growth of economic potential has been the most fruitful in its history. If we return to the past and try to form a judgment on the urbanism of our day we will no doubt see that what is offered us by new cities, modern residential zones and social amenities corresponds to our dreams of the cities of the future. From the point of view of the past, we have only to look at the zones of Yassenevo, Tropariovo, the Olympic village or the civic centers of Tashkent or Navoi.

We must begin from the principle that all language is necessarily limited. The art of speaking is a common heritage, even if it is wasted. It has so lost its mystery (more precisely; we are so calm in its possession) that we consider it almost as a gift of nature. Nevertheless, it must be learned; it is, in fact, a product of education, even for those who might believe that they have never received any. Like all acquired disciplines, then, it is the fruit of a long process of restraint. Manuals exist which teach Latin without tears. Learning the first language seems to take place without recourse to handbooks and hickory sticks, but this is because a vast program is available, full time, along with dedicated teachers who do not keep an eye on the clock, and fresh intellects who never think their knowledge is sufficient. Instruction is difficult, in spite of all this, for the task is more challenging than adults imagine it to be.

“Given the fact that the consciousness of man is a linguistic consciousness, all models superimposed on consciousness, including art, can be understood as secondary modeling systems, “ wrote Yuri Lotman in Introduction à la structure du texte artistique.

The general theme of this reflection on laughing is that the place of laughter in everyday life has been reduced a great deal in Western societies since the beginning of the century and that this fact could have major consequences for the mental equilibrium of individuals and for the future of our civilizations. Moreover, philosophy and human sciences seem to have a certain responsibility for this disenchantment of our contemporaries with laughing.