Hostname: page-component-78c5997874-ndw9j Total loading time: 0 Render date: 2024-11-10T09:10:44.712Z Has data issue: false hasContentIssue false
  • English
  • Français

Tin Pan Opera: Operatic Novelty Songs in the Ragtime Era. By Larry Hamberlin. New York: Oxford University Press, 2011.

Published online by Cambridge University Press:  30 November 2012

Charles Hiroshi Garrett
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Information
Journal of the Society for American Music , Volume 6 , Issue 4 , November 2012 , pp. 483 - 485
Copyright
Copyright © The Society for American Music 2012

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Goldmark, Daniel, “Creating Desire on Tin Pan Alley,” Musical Quarterly 90/2 (2007): 197–229CrossRefGoogle Scholar; Suisman, David, Selling Sounds: The Commercial Revolution in American Music (Cambridge, MA: Harvard University Press, 2009)Google Scholar.

2 Norris, Renee Lapp, “Opera and the Mainstreaming of Blackface Minstrelsy,” Journal of the Society for American Music 1/3 (2007): 341–65CrossRefGoogle Scholar; Preston, Katherine K., Opera on the Road: Traveling Opera Troupes in the United States, 1825–60 (Urbana: University of Illinois Press, 1993)Google Scholar.