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Museos y Otras Representaciones Colectivas en América Latina
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Published online by Cambridge University Press: 05 September 2022
Abstract
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- Copyright © 2012 by the Latin American Studies Association
References
1. Anthony Grafton, “The History of Ideas: Precept and Practice, 1950–2000 and Beyond”, Journal of the History of Ideas 67, no. 1 (2006): 20.
2. Georges Bataille y Annette Michelson, “Museum” [Georges Bataille: Writings on Laughter, Sacrifice, Nietzsche, Un-Knowing], October 36 (1986): 24–25.
3. Pierre Bourdieu, La distinction: Critique sociale du jugement (Paris: Minuit, 1979).
4. Tony Bennett, The Birth of the Museum: History, Theory, Politics (Londres: Routledge, 1995).
5. James Clifford, “On Ethnographic Authority”, en The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art (Cambridge, MA: Harvard University Press, 1988), 21–54.
6. Jens Andermann, The Optic of the State: Visuality and Power in Argentina and Brazil (Pittsburgh: University of Pittsburgh Press, 2007), 25; Jens Andermann y Beatriz González Stepan, Galerías del progreso: Museos, exposiciones y cultura visual en América Latina (Rosario: Beatriz Viterbo, 2006); Rebecca Earle, The Return of the Native: Indians and Myth-Making in Spanish America, 1810–1930 (Durham, NC: Duke University Press, 2007); Mauricio Tenorio-Trillo, Mexico at the World's Fairs: Crafting a Modern Nation (Berkeley: University of California Press, 1996).
7. Mieke Bal, Double Exposures: The Subject of Cultural Analysis (New York: Routledge, 1996).
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