Hostname: page-component-cd9895bd7-dk4vv Total loading time: 0 Render date: 2024-12-26T09:26:14.791Z Has data issue: false hasContentIssue false
  • English
  • Français

Sound and video examples – issue 28 (2)

Published online by Cambridge University Press:  16 October 2023

Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button.
Type
Sound and Movie Examples
Information
Organised Sound , Volume 28 , Issue 2: Live Coding Sonic Creativities , August 2023 , pp. 319
Check for updates
Copyright
© The Author(s), 2023. Published by Cambridge University Press

Sound and video examples from this issue 28 (2) can be found online at the journal’s website: www.journals.cambridge.org/OSO.

Mattias Petersson

Live Coding the Global Hyperorgan: The Paragraph environment in the indeterminate place

2 video examples

Video Example 1: Global Hyperorgan: TCP/Indeterminate Place Quartet + Piteå LTU Orgel Acusticum + Utopa Baroque Organ, edited by Robert Ek – 12′26″

Video Example 2: TCP/Indeterminate Place Quartet – Hyperorgan telematic performance at NIME 2021 (excerpt), edited by Federico Visi – 5′19″

Gerard Roma

Agent-Based Music Live Coding: Sonic adventures in 2D

4 video examples

Video Example 1: Example of straight lines, using filtered noise as a synthesis function – 2′25″

Video Example 2: Example of random walk, using granulation

(Corpus: Beijing opera percussion instrument dataset by ajaysm: https://freesound.org/people/ajaysm/packs/14056/) – 2′

Video Example 3: Example of orbits, using wave terrain synthesis functions – 2′56″

Video Example 4: Example of sequences, using sample playback

(Corpus: Mobile Arcade SFX by Dneproman: https://freesound.org/people/Dneproman/packs/18926/) – 2′06″