Hostname: page-component-cd9895bd7-q99xh Total loading time: 0 Render date: 2024-12-26T03:10:56.015Z Has data issue: false hasContentIssue false

Dom Jacques-Marie Guilmard. Tonaire des piéces de la messe selon le Graduale triplex et l' Offertoriale triplex. Etudes Grégoriennes, Subsidia Gregoriana, 2. Sablé-sur-Sarthe: Editions de l'Abbaye Saint-Pierre de Solesmes, 1990.

Review products

Dom Jacques-Marie Guilmard. Tonaire des piéces de la messe selon le Graduale triplex et l' Offertoriale triplex. Etudes Grégoriennes, Subsidia Gregoriana, 2. Sablé-sur-Sarthe: Editions de l'Abbaye Saint-Pierre de Solesmes, 1990.

Published online by Cambridge University Press:  12 September 2008

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Copyright
Copyright © Cambridge University Press 1994

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Published in facsimile as Paléographie musicale 8 (Tournai, 1905; repr. Berne, 1972) and completely transcribed in Hansen, F. E., H159 Montpellier (Copenhagen, 1974).Google Scholar

2 For this last see Merkley, P., ‘Tonaries and Melodic Families of Antiphons’, Journal of the Plainsong and Medieval Music Society, 11 (1988), 1324.CrossRefGoogle Scholar

3 Many of these cases are discussed in Gustav Jacobsthal's famous Die chromatische Alteration im liturgischen Gesang der abendländischen Kirche (Berlin, 1897; repr. Hildesheim, 1970) and in Urbanus Bomm, Der Wechsel der Modalitätsbestimmung in der Tradition der Messgesänge im IX. bis XIII. Jahrhundert (Einsiedeln, 1929; repr. New York, 1975).

4 Huglo, M., Le tonaires: inventaire, analyse, comparaison, Publications de la société française de musicologie, ser. 3, tome 2 (Paris, 1971)Google Scholar; Lipphardt, W., Der karolingische Tonar von Metz, Liturgiewissenschaftliche Quellen und Forschungen, Heft 43 (Munster, 1965).Google Scholar

5 This is not as easy a task with Gregorian chant as it is with the Old Roman repertory; see, for example, Nowacki, E., ‘Text Declamation as a Determinant of Melodic Form in the Old Roman Eighth-Mode Tracts’, Early Music History, 6 (1986), 193225.CrossRefGoogle Scholar

6 Indizes der Handschriften zu Graduale Triplex und Offertoriale Triplex, Beiträge zur Gregorianik, Sonderheft(Regensburg, 1981).